literature.cafe

516 readers
13 users here now
(and anyone else, really)

This is a general special interest lemmy instance focusing on lovers of all things pertaining to reading and writing and all of the people that enjoy it as well as fandoms and niches that exist within reading circles. We federate with other instances, with our local communities being focused primarily on the above.

If you want to federate a new community, go to lemmyverse.net and copy a link to a community and paste it into the search bar. Be patient!

Also, consider installing instance assistant to better navigate lemmy and find communities better! Find links to download them here: firefox, chrome, edge


Instance Rules
  1. Keep it cozy. (No -isms, bigotry, gatekeeping, or general disrespect. Just be nice!)
  2. Please, no visual porn. (Smut and discussion of smut is OK as long as it is tagged as NSFW.)
  3. No spam.
  4. Be mindful of other instance rules.
  5. Keep self-promo to a minimum.
  6. Tag AI generated content as such.
  7. Please avoid piracy.

Server Info

Registration is open with human approval, just to make sure there's no bots afoot. Approval should take less than a day (and are sometimes near instant)

Please check your spam folder for an email from noreply@literature.cafe if you are having difficulty finding email confirmation.

Community creation is enabled. When creating new communities please be mindful of the instance focus.

If you have any issues or concerns, please message an admin

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For those visiting from other instances, we have a community directory to make finding communities easier: !411@literature.cafe


We also have alternative lemmy UIs to use for those who want them.

A familiar UI - old.literature.cafe

Photon - ph.literature.cafe

Tesseract (photon fork with more multimedia focused features) - t.literature.cafe


Donations are greatly appreciated and go entirely to server costs but are not required.

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founded 1 year ago
ADMINS
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One of the strangest movies of the year is getting shocking first reactions.

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cross-posted from: https://feddit.uk/post/10001514

Francis Ford Coppola, director of the Godfather trilogy and Apocalypse Now, has been planning his next movie, Megalopolis, since 1979. The story, a sci-fi thriller about an architect who wants to rebuild New York City as a utopia following a devastating incident, has been evolving over decades, and anyone asked about it seemed to describe a grand, sweeping masterpiece that feels impossible to make. But that didn’t stop Coppola from holding table reads with all-star casts.

Finally, in 2019, Coppola decided not to wait on funders to take a chance on such risky material. Megalopolis became the ultimate creative project, self-funded, written, and directed all by Coppola himself, boasting a cast including Adam Driver, Giancarlo Esposito, and Nathalie Emmanuel. Five years later, the movie was finally screened for potential buyers last week, and reactions were both exciting and confusing.

Sources told Puck’s Matthew Belloni that one attendee said the movie had “zero commercial prospects, and good for him,” and another said it was “unflinching in how batsh*t crazy it is” while Deadline described it as “crackling with ideas that fuse the past with the future, with an epic and highly visual fable that plays perfectly on an IMAX screen.”

3
 
 

Francis Ford Coppola, director of the Godfather trilogy and Apocalypse Now, has been planning his next movie, Megalopolis, since 1979. The story, a sci-fi thriller about an architect who wants to rebuild New York City as a utopia following a devastating incident, has been evolving over decades, and anyone asked about it seemed to describe a grand, sweeping masterpiece that feels impossible to make. But that didn’t stop Coppola from holding table reads with all-star casts.

Finally, in 2019, Coppola decided not to wait on funders to take a chance on such risky material. Megalopolis became the ultimate creative project, self-funded, written, and directed all by Coppola himself, boasting a cast including Adam Driver, Giancarlo Esposito, and Nathalie Emmanuel. Five years later, the movie was finally screened for potential buyers last week, and reactions were both exciting and confusing.

Sources told Puck’s Matthew Belloni that one attendee said the movie had “zero commercial prospects, and good for him,” and another said it was “unflinching in how batsh*t crazy it is” while Deadline described it as “crackling with ideas that fuse the past with the future, with an epic and highly visual fable that plays perfectly on an IMAX screen.”

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