PixelAlchemist

joined 1 year ago
[–] PixelAlchemist@lemmy.world 21 points 1 month ago

You need a spell checker friend.

[–] PixelAlchemist@lemmy.world 5 points 1 month ago (4 children)
[–] PixelAlchemist@lemmy.world 107 points 1 month ago

The thing about marriage is that anybody can do it. You don’t have to love somebody to marry them. It isn’t special. There’s no test you have to take together or qualifications you have to meet.

So yeah - he’s angry, and lonely, and he’s also married, but none of those things are related to each other.

Sounds like he needs therapy, but in our society men aren’t encouraged to share emotions if it doesn’t perpetuate an image of strength. So he’s expressing his emotions in a “socially acceptable” way: anger. Which is probably what also got him into these backwards ideas about his political ideology as well.

[–] PixelAlchemist@lemmy.world 14 points 1 month ago

Can somebody paste these as text into the comments? I’m on mobile but would love to send some of these characters to a friend with zero context.

[–] PixelAlchemist@lemmy.world 4 points 1 month ago (9 children)
[–] PixelAlchemist@lemmy.world 21 points 2 months ago (2 children)

Saved you a click.

Sen. Michael Bennet (D-Colo.)

[–] PixelAlchemist@lemmy.world 9 points 2 months ago

Plexamp can do all of this (not sure about mdna speakers though) and it has Tidal integration.

Finamp will also work but it lacks library/genre radio and mix support last time I checked.

[–] PixelAlchemist@lemmy.world 6 points 2 months ago

Paal Enger, a rising prospect for a celebrated Norwegian soccer club who traded a game that he loved for another — art theft — that he absolutely relished, culminating in his infamous 1994 heist of Edvard Munch’s masterpiece “The Scream,” died on June 29 in Oslo. He was 57.

His death was confirmed by Nils Christian Nordhus, an Oslo-based lawyer who formerly represented Mr. Enger. He did not provide any more details.

Mr. Enger, who was born in Oslo on March 26, 1967, rose from the junior system of Vaalerenga, a five-time champion of Norway’s top-level league, now known as Eliteserien, and in 1985 made his debut with the club.

As a youth, he was a fan of the Argentine soccer star Diego Maradona. But his real hero, according to a 2021 profile in The Athletic, was Don Vito Corleone, the fictional crime boss played by Marlon Brando in “The Godfather.” He was so immersed in Mafia lore that when he was 15, he flew to New York to see for himself the locations where the Academy Award-winning “Godfather” films were shot.

By then, he was no stranger to the world of life outside the law. “I grew up in Tveita, on the east side of Oslo, and people there don’t have much money,” he said in an interview last year with the British tabloid The Sun. “We started doing crime when we were very young and I found it exciting. I carried on because I enjoyed it very much.”

Graduating from boosting candy to cracking safes and blowing up automated teller machines with neighborhood friends, he proved a phenom in both athletics and crime.

[–] PixelAlchemist@lemmy.world 12 points 3 months ago

can people just be reasonable?

Not when there are pearls to be clutched.

[–] PixelAlchemist@lemmy.world 1 points 3 months ago

I really admire your drive to produce art. You are absolutely cranking these things out!

[–] PixelAlchemist@lemmy.world 61 points 3 months ago (6 children)

I like how garage is a class but car is an intrinsic element.

[–] PixelAlchemist@lemmy.world 5 points 3 months ago

Should be the same across any instance.

Hot: calculated using the current score (up/down votes) in combination with how new it is.

https://github.com/LemmyNet/lemmy/blob/main/migrations/2023-10-23-184941_hot_rank_greatest_fix/up.sql

Active: calculated using current score in combination with the timestamp of the newest comment:

https://github.com/LemmyNet/lemmy/blob/main/crates/db_schema/src/aggregates/post_aggregates.rs

 

After an 1865 Sculpture by William Wetmore Story.

In the ancient Greek tragedy by Euripides, Medea was the sorceress who assisted Jason in obtaining the Golden Fleece and later became his wife. When he abandoned her, Medea murdered their two children and planned the death of his new love, Creusa. To nineteenth-century theater audiences, Medea was a sympathetic character forced to choose between relinquishing her children and protecting them by destroying them herself. Medea clenches her left hand in an attitude of smoldering tension, while tightly clutching the murder weapon, a dagger, in the other. Story deemphasized Medea's active revenge, leaving to the viewer's imagination the infanticide to come.

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