Sounds like the sort of terrible decision that Paramount would make.
this post was submitted on 12 Apr 2024
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But don't you want to watch Starfleet Academy set hundreds of years into Star Trek's future starring Commandant Tilly and a bunch of teenagers in San Francisco?
They know what middle-aged men like me want. Teen melodrama.
It's really what all Trekkies have been hoping for.
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Yes. Because middle aged men are the only Trek fan base.
I find a lot of these complaints to be kind of gatekeepy. Like the only people allowed to enjoy Star Trek are middle aged people and anything outside of that is sacrilege. There exists an entire range of people who have tastes that differ than yours. Getting frustrated that they're making something not aimed at you is just bizarre when a whole other range of Trek exists. We got stuff for us. Now other people are getting stuff for them. Frankly I'm just glad that Trek is continuing and pulling in other people in new values instead of being stuck, dying, in the same echo chamber without anything new ever being added to the continuity. Without any new angles being explored.
I should add that a YA show about Starfleet Academy sounds like a way to save a hell of a lot of money on effects. No strange new worlds, no new life and new civilizations. Because cadets don't leave the academy until their senior year.
This whole thing, to me, says "we've found a demographic we can tap into and save money in the process" and not "we need to make good Star Trek."
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The franchise should appeal to other demographics other than the ones that are currently enjoying it to broaden its portfolio and horizons, but not at their expense.
Discovery pissed a lot of people off, I know you like it, but it undeniably annoyed a lot of people alongside Picard. It feels like it was a middle ground between nostalgia plays and trying something new. Eventually it did lead to Strange New Worlds which a lot of established fans really like, but it took Discovery the average two seasons to figure out and find its footing. When it freed itself from being beholden to nostalgia grabs in the TOS era it became something unique that stood on its own in my opinion.
I really like both Strange New Worlds and Lower Decks, and Mike McMahan did a great job of creating something that was made with reverence for the source material despite being jocular in tone. I'm upset because I'll miss it when it's gone because the replacement is not something I am interested in. It's like having a really great coworker move to another department and having a replacement who just doesn't get you.
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That's not something that are considering I hope.
https://www.startrek.com/news/new-series-star-trek-starfleet-academy
The Tilly part is just being assumed at this point, but it would be the obvious choice. I predict suckage regardless.
Edit: Now confirmed to be in the 32nd century, Tilly still a maybe. https://trekmovie.com/2024/04/10/mary-wiseman-really-doesnt-want-to-talk-about-tilly-returning-on-star-trek-starfleet-academy/
I find this to be an incredibly reductive stance. To just anticipate it's going to suck and act negative towards the thing before there's anything even done for it. I don't understand it. In a franchise that pushes so frequently for the forefront of hope and positivity it just blows my mind that people are so angry about something that they might not like made for people other than them.
As I said below, it feels like a money saver and a way to appeal to an untapped demographic, not a way to make good Star Trek. If it's good despite that, great. But I don't think it will be. I don't even blame anyone involved with the actual production. This is Paramount killing its own brand because they think it will get younger people to sign up for Paramount+.
Not a way to make good Star Trek
And that's what I mean by gatekeepy comments. 'Good Star Trek' is completely subjective, not objective. It does not fit one specific mold or one specific criteria. Just because it's not for you doesn't mean that it's bad Star Trek. Just because it's for a different demographic doesn't mean that it's bad Star Trek. More over, It has not been released yet. You are basing this entirely off of concepts and theories thrown around not even the content itself and holding up to a personal card as to what Star Trek is. There's no allowance for evolution or even leeway when the show isn't released. It isn't "killing its own brand" to introduce people to the franchise who aren't you or the same demographic that's been appealed to for the past 60 years.
This is a really dangerous and negative mindset to have and one of the reasons why I have avoided Star Trek fanbases for so long. Why so many people I know avoid the fanbase. Because we're tired of seeing people act like they're the arbiter of Trek and like there's some golden framing that Star Trek fits into and has never stepped outside of. It's also the exact same mindset that went after TNG when it was released for not being like TOS, after DS9 for not being like TNG or TOS, Voyager for not being like everything else, Enterprise, Discovery, Lower Decks, Strange New Worlds, etc. It's just another in a long line of really negative behavior and one that I genuinely never expected from you.
I think you're missing what I'm saying here. As I said, if it's good despite that, that's great. I'm just not optimistic about it because Paramount is going down the same road as Max. It's really not about the people behind Star Trek. It's about the people behind Paramount.
If Goldsman and the others can take Paramount trying to screw them over, and that's what I believe Paramount is doing, and turn it into something good, I hope they can. I just am not optimistic about it because this sounds to me in every way like executives saying "find a way to get young people into it without costing us too much money" and not producers and showrunners saying "let's make a really good show."
As you know, this is an industry I have a lot of experience with. Executive meddling is something I can smell. This is totally executive meddling.
Can good things come out of executive meddling? Yes. But much more often no. And that isn't the fault of Akiva Goldsman or the Roddenberry family or anyone who actually likes Star Trek.
That is my issue. That these decisions are not coming from people who like Star Trek, they're coming from people who want to use Star Trek for the most greedy reasons.
Edit: You brought up Discovery already. Discovery was not meddled with, at least not at first. The showrunners were given a huge amount of creative freedom because it was a free-for-all at that point and they were able to do all sorts of things executives might have turned down otherwise. The entire media landscape has changed since then.
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It's teen drama. It's not my cup of tea no matter how good. I understand Dawson's Creek was very popular. I didn't like it.
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Ehehehehe... Wait, you're not joking.
This and SNW are their only good shows. You can easily tell from watching Lower Decks that the show runners love and get Star Trek. Hopefully they have been given enough time to wrap up the series the way they want.
Oi, don't forget Prodigy!
I started watching Prodigy this year and I was honestly surprised at how good it was considering I don't generally go for shows about kids.
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Sometimes I feel so out of touch with society. How can you cancel a show as good as this?
Shows often get terrible with time.
Maybe itβs for the best it ends on a high note?
Maybe, but I feel like the show still had a lot of stuff to explore.
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Lower decks is such a fantastic exploration of the universe of star trek.
It adds more than its own isolated contribution to the federation universe!
Literally the embodiment of star fleet.
I had written so much more, vut it van be simplified....
Voyager eventually had to come home, every star trek series has had it's final goal.
Every ship has a lower deck crew of unsung hero's - that's at least 6 ships to explore (maybe more, maybe less... I don't mean to faux pas). Never mind significant engagements (is movies)
This makes me sad, but it also may be for the best. Lower Decks is great, but it has one of those premises that relies on the characters remaining stagnant. I don't really want to watch 10 seasons of these characters being junior staff while still being at the center of the most significant events on the ship, or have Mariner's character regress every few seasons so she can relearn the difference between questioning authority and self-sabotage. I'm not saying that's happened yet, but they had to promote the characters once already. There's only so long they can go before either their lack of development becomes a problem or the characters have to stop being Lower Deckers. I'd rather they end too soon than too late.
Yes but, who says the show couldnβt evolve around its cast and follow them on their path to become officers? Iβd certainly watch that. Would even be interesting to see some slightly higher ranked non bridge officers do their thing in their daily lives.
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This had better come back 2 or 3 times like Futurama.
Underrated advantage of animation β¦ voices donβt age that much.
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Why? Were the numbers terrible or something?
Which numbers do you mean, the numbers of people who enjoy it or the numbers of people who are willing to pay Paramount a monthly fee to watch it? Because the latter is the problem, and they think this will save them money, but they are fucked. Paramount Plus does not have enough programming for a lot of people, myself included, to justify their monthly fee. Their selection is paltry. I love Star Trek, but not enough for that.
Paramount is a mismanaged mess currently in search of a buyer. Itβs ridiculous considering the franchises and back catalogs it owns.
It's going to destroy Star Trek in the near future. Like the end of TOS did and like Insurrection did. But at least it keeps bouncing back.
This was always a problem and something that I fear is going to curse streaming until it dies. Everyone saw how well Netflix did for itself, and wants a cut of the pie, failing to realize that Netflix's success was entirely because the pie was all in one place for people to enjoy.
All these smaller streaming apps that fizzle out after 2-5 years would have made more money for themselves if they had just negotiated out licensing deals with Netflix or any other major shareholder. Exclusivity is anti-consumer and sooner or later anti-consumer tactics will kill a product or service as soon as something better comes a long or the consumers decide they really don't need it.
Ahhhhhhh, that was my favorite one. So much fun.
Lower Decks is the only reason I subscribe to Paramount. Although I do it strategically: wait for season to end, subscribe, watch it all, unsub.
Noooooo! Why! Can't we take a some of the money completely wasted on discovery and use it on lower desks?
Noooooo!
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