Short Stories

In a little district west of Washington Square the streets have run crazy and broken themselves into small strips called "places." These "places" make strange angles and curves. One Street crosses itself a time or two. An artist once discovered a valuable possibility in this street. Suppose a collector with a bill for paints, paper and canvas should, in traversing this route, suddenly meet himself coming back, without a cent having been paid on account!

So, to quaint old Greenwich Village the art people soon came prowling, hunting for north windows and eighteenth-century gables and Dutch attics and low rents. Then they imported some pewter mugs and a chafing dish or two from Sixth Avenue, and became a "colony."

At the top of a squatty, three-story brick Sue and Johnsy had their studio. "Johnsy" was familiar for Joanna. One was from Maine; the other from California. They had met at the table d'hte of an Eighth Street "Delmonico's," and found their tastes in art, chicory salad and bishop sleeves so congenial that the joint studio resulted.

That was in May. In November a cold, unseen stranger, whom the doctors called Pneumonia, stalked about the colony, touching one here and there with his icy fingers. Over on the east side this ravager strode boldly, smiting his victims by scores, but his feet trod slowly through the maze of the narrow and moss-grown "places."

Mr. Pneumonia was not what you would call a chivalric old gentleman. A mite of a little woman with blood thinned by California zephyrs was hardly fair game for the red-fisted, short-breathed old duffer. But Johnsy he smote; and she lay, scarcely moving, on her painted iron bedstead, looking through the small Dutch window-panes at the blank side of the next brick house.

One morning the busy doctor invited Sue into the hallway with a shaggy, gray eyebrow.

"She has one chance in - let us say, ten," he said, as he shook down the mercury in his clinical thermometer. " And that chance is for her to want to live. This way people have of lining-u on the side of the undertaker makes the entire pharmacopoeia look silly. Your little lady has made up her mind that she's not going to get well. Has she anything on her mind?"

"She - she wanted to paint the Bay of Naples some day." said Sue.

"Paint? - bosh! Has she anything on her mind worth thinking twice - a man for instance?"

"A man?" said Sue, with a jew's-harp twang in her voice. "Is a man worth - but, no, doctor; there is nothing of the kind."

"Well, it is the weakness, then," said the doctor. "I will do all that science, so far as it may filter through my efforts, can accomplish. But whenever my patient begins to count the carriages in her funeral procession I subtract 50 per cent from the curative power of medicines. If you will get her to ask one question about the new winter styles in cloak sleeves I will promise you a one-in-five chance for her, instead of one in ten."

After the doctor had gone Sue went into the workroom and cried a Japanese napkin to a pulp. Then she swaggered into Johnsy's room with her drawing board, whistling ragtime.

Johnsy lay, scarcely making a ripple under the bedclothes, with her face toward the window. Sue stopped whistling, thinking she was asleep.

She arranged her board and began a pen-and-ink drawing to illustrate a magazine story. Young artists must pave their way to Art by drawing pictures for magazine stories that young authors write to pave their way to Literature.

As Sue was sketching a pair of elegant horseshow riding trousers and a monocle of the figure of the hero, an Idaho cowboy, she heard a low sound, several times repeated. She went quickly to the bedside.

Johnsy's eyes were open wide. She was looking out the window and counting - counting backward.

"Twelve," she said, and little later "eleven"; and then "ten," and "nine"; and then "eight" and "seven", almost together.

Sue look solicitously out of the window. What was there to count? There was only a bare, dreary yard to be seen, and the blank side of the brick house twenty feet away. An old, old ivy vine, gnarled and decayed at the roots, climbed half way up the brick wall. The cold breath of autumn had stricken its leaves from the vine until its skeleton branches clung, almost bare, to the crumbling bricks.

"What is it, dear?" asked Sue.

"Six," said Johnsy, in almost a whisper. "They're falling faster now. Three days ago there were almost a hundred. It made my head ache to count them. But now it's easy. There goes another one. There are only five left now."

"Five what, dear? Tell your Sudie."

"Leaves. On the ivy vine. When the last one falls I must go, too. I've known that for three days. Didn't the doctor tell you?"

"Oh, I never heard of such nonsense," complained Sue, with magnificent scorn. "What have old ivy leaves to do with your getting well? And you used to love that vine so, you naughty girl. Don't be a goosey. Why, the doctor told me this morning that your chances for getting well real soon were - let's see exactly what he said - he said the chances were ten to one! Why, that's almost as good a chance as we have in New York when we ride on the street cars or walk past a new building. Try to take some broth now, and let Sudie go back to her drawing, so she can sell the editor man with it, and buy port wine for her sick child, and pork chops for her greedy self."

"You needn't get any more wine," said Johnsy, keeping her eyes fixed out the window. "There goes another. No, I don't want any broth. That leaves just four. I want to see the last one fall before it gets dark. Then I'll go, too."

"Johnsy, dear," said Sue, bending over her, "will you promise me to keep your eyes closed, and not look out the window until I am done working? I must hand those drawings in by to-morrow. I need the light, or I would draw the shade down."

"Couldn't you draw in the other room?" asked Johnsy, coldly.

"I'd rather be here by you," said Sue. "Beside, I don't want you to keep looking at those silly ivy leaves."

"Tell me as soon as you have finished," said Johnsy, closing her eyes, and lying white and still as a fallen statue, "because I want to see the last one fall. I'm tired of waiting. I'm tired of thinking. I want to turn loose my hold on everything, and go sailing down, down, just like one of those poor, tired leaves."

"Try to sleep," said Sue. "I must call Behrman up to be my model for the old hermit miner. I'll not be gone a minute. Don't try to move 'til I come back."

Old Behrman was a painter who lived on the ground floor beneath them. He was past sixty and had a Michael Angelo's Moses beard curling down from the head of a satyr along with the body of an imp. Behrman was a failure in art. Forty years he had wielded the brush without getting near enough to touch the hem of his Mistress's robe. He had been always about to paint a masterpiece, but had never yet begun it. For several years he had painted nothing except now and then a daub in the line of commerce or advertising. He earned a little by serving as a model to those young artists in the colony who could not pay the price of a professional. He drank gin to excess, and still talked of his coming masterpiece. For the rest he was a fierce little old man, who scoffed terribly at softness in any one, and who regarded himself as especial mastiff-in-waiting to protect the two young artists in the studio above.

Sue found Behrman smelling strongly of juniper berries in his dimly lighted den below. In one corner was a blank canvas on an easel that had been waiting there for twenty-five years to receive the first line of the masterpiece. She told him of Johnsy's fancy, and how she feared she would, indeed, light and fragile as a leaf herself, float away, when her slight hold upon the world grew weaker.

Old Behrman, with his red eyes plainly streaming, shouted his contempt and derision for such idiotic imaginings.

"Vass!" he cried. "Is dere people in de world mit der foolishness to die because leafs dey drop off from a confounded vine? I haf not heard of such a thing. No, I will not bose as a model for your fool hermit-dunderhead. Vy do you allow dot silly pusiness to come in der brain of her? Ach, dot poor leetle Miss Yohnsy."

"She is very ill and weak," said Sue, "and the fever has left her mind morbid and full of strange fancies. Very well, Mr. Behrman, if you do not care to pose for me, you needn't. But I think you are a horrid old - old flibbertigibbet."

"You are just like a woman!" yelled Behrman. "Who said I will not bose? Go on. I come mit you. For half an hour I haf peen trying to say dot I am ready to bose. Gott! dis is not any blace in which one so goot as Miss Yohnsy shall lie sick. Some day I vill baint a masterpiece, and ve shall all go away. Gott! yes."

Johnsy was sleeping when they went upstairs. Sue pulled the shade down to the window-sill, and motioned Behrman into the other room. In there they peered out the window fearfully at the ivy vine. Then they looked at each other for a moment without speaking. A persistent, cold rain was falling, mingled with snow. Behrman, in his old blue shirt, took his seat as the hermit miner on an upturned kettle for a rock.

When Sue awoke from an hour's sleep the next morning she found Johnsy with dull, wide-open eyes staring at the drawn green shade.

"Pull it up; I want to see," she ordered, in a whisper.

Wearily Sue obeyed.

But, lo! after the beating rain and fierce gusts of wind that had endured through the livelong night, there yet stood out against the brick wall one ivy leaf. It was the last one on the vine. Still dark green near its stem, with its serrated edges tinted with the yellow of dissolution and decay, it hung bravely from the branch some twenty feet above the ground.

"It is the last one," said Johnsy. "I thought it would surely fall during the night. I heard the wind. It will fall to-day, and I shall die at the same time."

"Dear, dear!" said Sue, leaning her worn face down to the pillow, "think of me, if you won't think of yourself. What would I do?"

But Johnsy did not answer. The lonesomest thing in all the world is a soul when it is making ready to go on its mysterious, far journey. The fancy seemed to possess her more strongly as one by one the ties that bound her to friendship and to earth were loosed.

The day wore away, and even through the twilight they could see the lone ivy leaf clinging to its stem against the wall. And then, with the coming of the night the north wind was again loosed, while the rain still beat against the windows and pattered down from the low Dutch eaves.

When it was light enough Johnsy, the merciless, commanded that the shade be raised.

The ivy leaf was still there.

Johnsy lay for a long time looking at it. And then she called to Sue, who was stirring her chicken broth over the gas stove.

"I've been a bad girl, Sudie," said Johnsy. "Something has made that last leaf stay there to show me how wicked I was. It is a sin to want to die. You may bring a me a little broth now, and some milk with a little port in it, and - no; bring me a hand-mirror first, and then pack some pillows about me, and I will sit up and watch you cook."

And hour later she said:

"Sudie, some day I hope to paint the Bay of Naples."

The doctor came in the afternoon, and Sue had an excuse to go into the hallway as he left.

"Even chances," said the doctor, taking Sue's thin, shaking hand in his. "With good nursing you'll win." And now I must see another case I have downstairs. Behrman, his name is - some kind of an artist, I believe. Pneumonia, too. He is an old, weak man, and the attack is acute. There is no hope for him; but he goes to the hospital to-day to be made more comfortable."

The next day the doctor said to Sue: "She's out of danger. You won. Nutrition and care now - that's all."

And that afternoon Sue came to the bed where Johnsy lay, contentedly knitting a very blue and very useless woollen shoulder scarf, and put one arm around her, pillows and all.

"I have something to tell you, white mouse," she said. "Mr. Behrman died of pneumonia to-day in the hospital. He was ill only two days. The janitor found him the morning of the first day in his room downstairs helpless with pain. His shoes and clothing were wet through and icy cold. They couldn't imagine where he had been on such a dreadful night. And then they found a lantern, still lighted, and a ladder that had been dragged from its place, and some scattered brushes, and a palette with green and yellow colors mixed on it, and - look out the window, dear, at the last ivy leaf on the wall. Didn't you wonder why it never fluttered or moved when the wind blew? Ah, darling, it's Behrman's masterpiece - he painted it there the night that the last leaf fell."

Adding Context:

The Last Leaf is a short story by O. Henry published in his 1907 collection The Trimmed Lamp and Other Stories.

O. Henry uses this tale as a moral fable about art, suggesting that the best art emerges from the desire to help others, demonstrating the interconnectedness of compassion and artistic pursuit.

And if that isn't a relevant conversation to have at a point in time where we see the emergence of AI art and modern artistic endeavors are corporate-driven ventures prioritizing profit over authentic creative expression creating populist art and diluting originality.

[Sentimental fiction and romance]

Matthew hit the record button on his cell phone right at the perfect moment, right when the kitten wiped its face with its open paw in an all-too-human facepalm gesture. This was what he had been waiting for. The timer showed he’d been recording the cat for 12 hours straight. Not the longest he’d waited, but certainly up there. Sometimes you have to set the program on auto and go do something else, but the program never quite tracked the kitten right. The framing was always off and the program wasn’t great at determining what people would find most squee-inducing.

Now that it was all over, he cut the video down to the optimal length. Long enough to build up to the moment and only a few seconds after so you’re not straining the attention spans or giving them video to watch when they’re supposed to be smiling or laughing or, preferably, sharing the damn video with their friends and family members and complete strangers at the coffee shop. After that he went straight to YouTube, typed out a brief description that he knew no one would read, and anxiously hit submit.

He sprinkled the link in a few places, the usual meccas of lolcats and cutes and funny videos, and then fast forwarded an hour or two. When he came back, the numbers were starting to climb. 11,232. 14,538. 23,119. The numbers started to climb exponentially once the evening news featured it on the “trending on the tubes” report, because, you know, people need to watch TV to find out what’s going on online. But it certainly helped to get the views of the old people who wouldn’t otherwise see it.

By midnight it hit 12 million. By the next morning, 17 million. He had done it. His video went viral.

Before he could even daydream about the implications of this accomplishment, he decided to check his email account — the one thing he’d forgotten to do this whole time.

He scrolled past the two already-read messages to the legion of unread messages that had marched to his doorstep. He glanced at the unread count and balked. Too many to ever get through. No telling how many were just complete wastes of time. He started to filter his email. Keyword searches for spam terms and swear words took care of a chunk. He set up whitelist filters for emails from the known addresses of internet famous people like Larry Page, Ben Huh, Matthew Inman, and Randall Munroe. Not Zuckerberg though. Once he had a few more filters in place, he started going through the ones that were flagged as potentially important. His eyes brightened as he started to type responses. Hitting send on those responses, acceptances, RSVPs might as well have been an air pump hooked up to his ego.

“Dad?”

He kept typing.

“Dad!”

The program froze in the middle of typing a response.

“Dad, it’s time for your lunch.”

“Sicaria? I went viral… I have to respond… I’m in the middle of… I was gonna do an AMA on Reddit in a few hours. I have to…”

“That’s great, Dad, I’m happy for you, but it’s time to eat now.”

“Sicaria, I have to…”

“It’s Carrie, Dad. Nobody calls me that anymore. Now come into the kitchen. You can finish your Read It stuff later.”

“Reddit!”

“Fine, Reddit. You can finish your Reddit stuff later.”

“But I hadn’t gotten to a save point…”

“I saved it for you, Dad. Now come on. I have some Paleo burritos at the kitchen table for you.”

As Matthew ambled into the kitchen at his own pace, Carrie picked up his glasses and put them in their case. She tried to convince him to just get the retinals, but he insisted on printing the glasses. She wasn’t surprised of course. His generation had a thing against implants. Old farts who couldn’t adapt to new technology, as far as she was concerned. Luddites.

Sergei came into the living room while she was cleaning up and noticed the look on her face.

“Your father still into that game?”

“Yeah. He sits there zoned out all day just staring at glowing rectangles. He gets grumpy when you interrupt the game. He’s spent his whole life doing that since as far back as I can remember. I sat on his lap when I was a kid while he played the Warcraft character he named me after for chrissakes. And now he just sits around all day pretending it’s 2010 again and he’s having made up conversations with internet trolls and posting first on discussion boards.”

“What’s this game called again?”

“Viral.”

“Oh, right.”

[Moral and Didactic literature]

'Then came Peter, and said to him, Lord, how oft shall my brother sin against me, and I forgive him? until seven times? Jesus saith unto him, I say not unto thee, Until seven times; but, Until seventy times seven. Therefore is the kingdom of heaven likened unto a certain king, which would make a reckoning with his servants. And when he had begun to reckon, one was brought unto him, which owed him ten thousand talents. But forasmuch as he had not wherewith to pay, his lord commanded him to be sold, and his wife, and children, and all that he had, and payment to be made. The servant therefore fell down and worshiped him, saying, Lord, have patience with me, and I will pay thee all. And the lord of that servant, being moved with compassion, released him, and forgave him the debt. But that servant went out, and found one of his fellow-servants, which owed him a hundred pence: and he laid hold on him, and took him by the throat saying, Pay what thou owest. So his fellow-servant fell down and besought him, saying, Have patience with me, and I will pay thee. And he would not: but went and cast him into prison, till he should pay that which was due. So when his fellow-servants saw what was done, they were exceeding sorry, and came and told unto their lord all that was done. Then his lord called him unto him, and saith to him, Thou wicked servant, I forgave thee all that debt, because thou besoughtest me: shouldest not thou also have had mercy on thy fellow-servant, even as I had mercy on thee? And his lord was wroth, and delivered him to the tormentors, till he should ​pay all that was due. So shall also my heavenly Father do unto you, if ye forgive not every one his brother from your hearts.'—Matt. xviii. 21-35.

There once lived in a village a peasant named Iván Stcherbakóf. He was comfortably off, in the prime of life, the best worker in the village, and had three sons all able to work. The eldest was married, the second about to marry, and the third was a big lad who could mind the horses and was already beginning to plow. Iván's wife was an able and thrifty woman, and they were fortunate in having a quiet, hard-working daughter-in-law. There was nothing to prevent Iván and his family from living happily. They had only one idle mouth to feed; that was Iván's old father, who suffered from asthma and had been lying ill on the top of the brick oven for seven years. Iván had all he needed: three horses and a colt, a cow with a calf, and fifteen sheep. The women made all the clothing for the family, besides helping in the fields, and the men tilled the land. They always had grain enough of their own to last over beyond the next harvest and sold enough oats to pay the taxes and meet their other needs. So Iván and his children might have lived quite comfortably had it not been for a feud between him and his next-door neighbor, Limping Gabriel, the son of Gordéy Ivánof.

As long as old Gordéy was alive and Iván's father was still able to manage the household, the peasants lived as neighbors should. If the women of either house happened to want a sieve or a tub, or the men required a sack, or if a cart-wheel got broken and could not be mended at once, they used to send to the other house, and helped each other in neighborly fashion. When a calf strayed into the neighbor's thrashing-ground they would just drive it out, and only say, 'Don't let it get in again; our grain is lying there.' And such things as locking up the barns and outhouses, hiding things from one another, or backbiting were never thought of in those days.

​That was in the fathers' time. When the sons came to be at the head of the families, everything changed.

It all began about a trifle.

Iván's daughter-in-law had a hen that began laying rather early in the season, and she started collecting its eggs for Easter. Every day she went to the cart-shed, and found an egg in the cart; but one day the hen, probably frightened by the children, flew across the fence into the neighbor's yard and laid its egg there. The woman heard the cackling, but said to herself: 'I have no time now; I must tidy up for Sunday. I'll fetch the egg later on.' In the evening she went to the cart, but found no egg there. She went and asked her mother-in-law and brother-in-law whether they had taken the egg. 'No,' they had not; but her youngest brother-in-law, Tarás, said: 'Your Biddy laid its egg in the neighbor's yard. It was there she was cackling, and she flew back across the fence from there.'

The woman went and looked at the hen. There she was on the perch with the other birds, her eyes just closing ready to go to sleep. The woman wished she could have asked the hen and got an answer from her.

Then she went to the neighbor's, and Gabriel's mother came out to meet her.

'What do you want, young woman?'

'Why, Granny, you see, my hen flew across this morning. Did she not lay an egg here?'

'We never saw anything of it. The Lord be thanked, our own hens started laying long ago. We collect our own eggs and have no need of other people's! And we don't go looking for eggs in other people's yards, lass!'

The young woman was offended, and said more than she should have done. Her neighbor answered back with interest, and the women began abusing each other. Iván's wife, who had been to fetch water, happening to pass just then, joined in too. Gabriel's wife rushed out, and began reproaching the young woman with ​things that had really happened and with other things that never had happened at all. Then a general uproar commenced, all shouting at once, trying to get out two words at a time, and not choice words either.

'You're this!' and 'You're that!' 'You're a thief!' and 'You're a slut!' and 'You're starving your old father-in-law to death!' and 'You're a good-for-nothing!' and so on.

'And you've made a hole in the sieve I lent you, you jade! And it's our yoke you're carrying your pails on—you just give back our yoke!'

Then they caught hold of the yoke, and spilled the water, snatched off one another's shawls, and began fighting. Gabriel, returning from the fields, stopped to take his wife's part. Out rushed Iván and his son and joined in with the rest. Iván was a strong fellow, he scattered the whole lot of them, and pulled a handful of hair out of Gabriel's beard. People came to see what was the matter, and the fighters were separated with difficulty.

That was how it all began.

Gabriel wrapped the hair torn from his beard in a paper, and went to the District Court to have the law of Iván. 'I didn't grow my beard,' said he, 'for pockmarked Iván to pull it out!' And his wife went bragging to the neighbors, saying they'd have Iván condemned and sent to Siberia. And so the feud grew.

The old man, from where he lay on the top of the oven, tried from the very first to persuade them to make peace, but they would not listen. He told them, 'It's a stupid thing you are after, children, picking quarrels about such a paltry matter. Just think! The whole thing began about an egg. The children may have taken it—well, what matter? What's the value of one egg? God sends enough for all! And suppose your neighbor did say an unkind word—put it right; show her how to say a better one! If there has been a fight—well, such things will happen; we're all sinners, but make it up, and let there be an end of ​it! If you nurse your anger it will be worse for you yourselves.'

But the younger folk would not listen to the old man. They thought his words were mere senseless dotage. Iván would not humble himself before his neighbor.

'I never pulled his beard,' he said, 'he pulled the hair out himself. But his son has burst all the fastenings on my shirt, and torn it. . . . Look at it!'

And Iván also went to law. They were tried by the Justice of the Peace and by the District Court. While all this was going on, the coupling-pin of Gabriel's cart disappeared. Gabriel's womenfolk accused Iván's son of having taken it. They said: 'We saw him in the night go past our window, towards the cart; and a neighbor says he saw him at the pub, offering the pin to the landlord.'

So they went to law about that. And at home not a day passed without a quarrel or even a fight. The children, too, abused one another, having learned to do so from their elders; and when the women happened to meet by the river-side, where they went to rinse the clothes, their arms did not do as much wringing as their tongues did nagging, and every word was a bad one.

At first the peasants only slandered one another; but afterwards they began in real earnest to snatch anything that lay handy, and the children followed their example. Life became harder and harder for them. Iván Stcherbakóf and Limping Gabriel kept suing one another at the Village Assembly, and at the District Court, and before the Justice of the Peace until all the judges were tired of them. Now Gabriel got Iván fined or imprisoned; then Iván did as much to Gabriel; and the more they spited each other the angrier they grew—like dogs that attack one another and get more and more furious the longer they fight. You strike one dog from behind, and it thinks it's the other dog biting him, and gets still fiercer. So these peasants: they went to law, and one or other of them was fined or locked up, but that only made them more and more ​angry with each other. 'Wait a bit,' they said, 'and I'll make you pay for it.' And so it went on for six years. Only the old man lying on the top of the oven kept telling them again and again: 'Children, what are you doing? Stop all this paying back; keep to your work, and don't bear malice—it will be better for you. The more you bear malice, the worse it will be.'

But they would not listen to him.

In the seventh year, at a wedding, Iván's daughter-in-law held Gabriel up to shame, accusing him of having been caught horse-stealing. Gabriel was tipsy, and unable to contain his anger, gave the woman such a blow that she was laid up for a week; and she was pregnant at the time. Iván was delighted. He went to the magistrate to lodge a complaint. 'Now I'll get rid of my neighbor! He won't escape imprisonment, or exile to Siberia.' But Iván's wish was not fulfilled. The magistrate dismissed the case. The woman was examined, but she was up and about and showed no sign of any injury. Then Iván went to the Justice of the Peace, but he referred the business to the District Court. Iván bestirred himself: treated the clerk and the Elder of the District Court to a gallon of liquor and got Gabriel condemned to be flogged. The sentence was read out to Gabriel by the clerk: 'The Court decrees that the peasant Gabriel Gordéyef shall receive twenty lashes with a birch rod at the District Court.'

Iván too heard the sentence read, and looked at Gabriel to see how he would take it. Gabriel grew as pale as a sheet, and turned round and went out into the passage. Iván followed him, meaning to see to the horse, and he overheard Gabriel say, 'Very well! He will have my back flogged: that will make it burn; but something of his may burn worse than that!'

Hearing these words, Iván at once went back into the Court, and said: 'Upright judges! He threatens to set my house on fire! Listen: he said it in the presence of witnesses!'

​Gabriel was recalled. 'Is it true that you said this?'

'I haven't said anything. Flog me, since you have the power. It seems that I alone am to suffer, and all for being in the right, while he is allowed to do as he likes.'

Gabriel wished to say something more, but his lips and his cheeks quivered, and he turned towards the wall. Even the officials were frightened by his looks. 'He may do some mischief to himself or to his neighbor,' thought they.

Then the old Judge said: 'Look here, my men; you'd better be reasonable and make it up. Was it right of you, friend Gabriel, to strike a pregnant woman? It was lucky it passed off so well, but think what might have happened! Was it right? You had better confess and beg his pardon, and he will forgive you, and we will alter the sentence.'

The clerk heard these words, and remarked: 'That's impossible under Statute 117. An agreement between the parties not having been arrived at, a decision of the Court has been pronounced and must be executed.'

But the Judge would not listen to the clerk.

'Keep your tongue still, my friend,' said he. 'The first of all laws is to obey God, Who loves peace.' And the Judge began again to persuade the peasants, but could not succeed. Gabriel would not listen to him.

'I shall be fifty next year,' said he, 'and have a married son, and have never been flogged in my life, and now that pockmarked Iván has had me condemned to be flogged, and am I to go and ask his forgiveness? No; I've borne enough. . . . Iván shall have cause to remember me!'

Again Gabriel's voice quivered, and he could say no more, but turned round and went out.

It was seven miles from the Court to the village, and it was getting late when Iván reached home. He unharnessed his horse, put it up for the night, and entered the cottage. No one was there. The women had already gone to drive the cattle in, and the young ​fellows were not yet back from the fields. Iván went in, and sat down, thinking. He remembered how Gabriel had listened to the sentence, and how pale he had become, and how he had turned to the wall; and Iván's heart grew heavy. He thought how he himself would feel if he were sentenced, and he pitied Gabriel. Then he heard his old father up on the oven cough, and saw him sit up, lower his legs, and scramble down. The old man dragged himself slowly to a seat, and sat down. He was quite tired out with the exertion, and coughed a long time till he had cleared his throat. Then, leaning against the table, he said: 'Well, has he been condemned?'

'Yes, to twenty strokes with the rods,' answered Iván.

The old man shook his head.

'A bad business,' said he. 'You are doing wrong, Iván! Ah! it's very bad—not for him so much as for yourself! . . . Well, they'll flog him: but will that do you any good?'

'He'll not do it again,' said Iván.

'What is it he'll not do again? What has he done worse than you?'

'Why, think of the harm he has done me!' said Iván. 'He nearly killed my wife, and now he's threatening to burn us up. Am I to thank him for it?'

The old man sighed, and said: 'You go about the wide world, Iván, while I am lying on the oven all these years, so you think you see everything, and that I see nothing. . . . Ah, lad! It's you that don't see; malice blinds you. Others' sins are before your eyes, but your own are behind your back. "He's acted badly!" What a thing to say! If he were the only one to act badly, how could strife exist? Is strife among men ever bred by one alone? Strife is always between two. His badness you see, but your own you don't. If he were bad, but you were good, there would be no strife. Who pulled the hair out of his beard? Who spoiled his haystack? Who dragged him to the ​law court? Yet you put it all on him! You live a bad life yourself, that's what is wrong! It's not the way I used to live, lad, and it's not the way I taught you. Is that the way his old father and I used to live? How did we live? Why, as neighbors should! If he happened to run out of flour, one of the women would come across: "Uncle Trol, we want some flour." "Go to the barn, dear," I'd say: "take what you need." If he'd no one to take his horses to pasture, "Go, Iván," I'd say, "and look after his horses." And if I was short of anything, I'd go to him. "Uncle Gordéy," I'd say, "I want so-and-so!" "Take it Uncle Trol!" That's how it was between us, and we had an easy time of it. But now? . . . That soldier the other day was telling us about the fight at Plevna[1]. Why, there's war between you worse than at Plevna! Is that living? . . . What a sin it is! You are a man and master of the house; it's you who will have to answer. What are you teaching the women and the children? To snarl and snap? Why, the other day your Taráska—that greenhorn—was swearing at neighbor Irena, calling her names; and his mother listened and laughed. Is that right? It is you will have to answer. Think of your soul. Is this all as it should be? You throw a word at me, and I give you two in return; you give me a blow, and I give you two. No, lad! Christ, when He walked on earth, taught us fools something very different. . . . If you get a hard word from any one, keep silent, and his own conscience will accuse him. That is what our Lord taught. If you get a slap, turn the other cheek. "Here, beat me, if that's what I deserve!" And his own conscience will rebuke him. He will soften, and will listen to you. That's the way He taught us, not to be proud! . . . Why don't you speak? Isn't it as I say?'

Iván sat silent and listened.

The old man coughed, and having with difficulty ​cleared his throat, began again: 'You think Christ taught us wrong? Why, it's all for our own good. Just think of your earthly life; are you better off, or worse, since this Plevna began among you? Just reckon up what you've spent on all this law business—what the driving backwards and forwards and your food on the way have cost you! What fine fellows your sons have grown; you might live and get on well; but now your means are lessening. And why? All because of this folly; because of your pride. You ought to be plowing with your lads, and do the sowing yourself; but the fiend carries you off to the judge, or to some pettifogger or other. The plowing is not done in time, nor the sowing, and mother earth can't bear properly. Why did the oats fail this year? When did you sow them? When you came back from town! And what did you gain? A burden for your own shoulders. . . . Eh, lad, think of your own business! Work with your boys in the field and at home, and if some one offends you, forgive him, as God wished you to. Then life will be easy, and your heart will always be light.'

Iván remained silent.

'Iván, my boy, hear your old father! Go and harness the roan, and go at once to the Government office; put an end to all this affair there; and in the morning go and make it up with Gabriel in God's name, and invite him to your house for to-morrow's holiday' (it was the eve of the Virgin's Nativity). 'Have tea ready, and get a bottle of vódka and put an end to this wicked business, so that there should not be any more of it in future, and tell the women and children to do the same.'

Iván sighed, and thought, 'What he says is true,' and his heart grew lighter. Only he did not know how, now, to begin to put matters right.

But again the old man began, as if he had guessed what was in Iván's mind.

'Go, Iván, don't put it off! Put out the fire before it spreads, or it will be too late.'

​The old man was going to say more, but before he could do so the women came in, chattering like magpies. The news that Gabriel was sentenced to be flogged, and of his threat to set fire to the house, had already reached them. They had heard all about it and added to it something of their own, and had again had a row, in the pasture, with the women of Gabriel's household. They began telling how Gabriel's daughter-in-law threatened a fresh action: Gabriel had got the right side of the examining magistrate, who would now turn the whole affair upside down; and the schoolmaster was writing out another petition, to the Czar himself this time, about Iván; and everything was in the petition—all about the coupling-pin and the kitchen-garden—so that half of Iván's homestead would be theirs soon. Iván heard what they were saying, and his heart grew cold again, and he gave up the thought of making peace with Gabriel.

In a farmstead there is always plenty for the master to do. Iván did not stop to talk to the women, but went out to the threshing-floor and to the barn. By the time he had tidied up there, the sun had set and the young fellows had returned from the field. They had been plowing the field for the winter crops with two horses. Iván met them, questioned them about their work, helped to put everything in its place, set a torn horse-collar aside to be mended, and was going to put away some stakes under the barn, but it had grown quite dusk, so he decided to leave them where they were till next day. Then he gave the cattle their food, opened the gate, let out the horses Tarás was to take to pasture for the night, and again closed the gate and barred it. 'Now,' thought he, 'I'll have my supper, and then to bed.' He took the horse-collar and entered the hut. By this time he had forgotten about Gabriel and about what his old father had been saying to him. But, just as he took hold of the door-handle to enter the passage, he heard his neighbor on the other side of the fence cursing somebody in a hoarse voice: 'What the devil is he good for?' Gabriel was ​saying. 'He's only fit to be killed!' At these words all Iván's former bitterness towards his neighbor re-awoke. He stood listening while Gabriel scolded, and, when he stopped, Iván went into the hut.

There was a light inside; his daughter-in-law sat spinning, his wife was getting supper ready, his eldest son was making straps for bark shoes, his second sat near the table with a book, and Tarás was getting ready to go out to pasture the horses for the night. Everything in the hut would have been pleasant and bright, but for that plague—a bad neighbor!

Iván entered, sullen and cross; threw the cat down from the bench, and scolded the women for putting the slop-pail in the wrong place. He felt despondent, and sat down, frowning, to mend the horse-collar. Gabriel's words kept ringing in his ears: his threat at the law court, and what he had just been shouting in a hoarse voice about some one who was 'only fit to be killed.'

His wife gave Tarás his supper, and, having eaten it, Tarás put on an old sheepskin and another coat, tied a sash round his waist, took some bread with him, and went out to the horses. His eldest brother was going to see him off, but Iván himself rose instead, and went out into the porch. It had grown quite dark outside, clouds had gathered, and the wind had risen. Iván went down the steps, helped his boy to mount, started the foal after him, and stood listening while Tarás rode down the village and was there joined by other lads with their horses. Iván waited until they were all out of hearing. As he stood there by the gate he could not get Gabriel's words out of his head: 'Mind that something of yours does not burn worse!'

'He is desperate,' thought Iván. 'Everything is dry, and it's windy weather besides. He'll come up at the back somewhere, set fire to something, and be off. He'll burn the place and escape scot free, the villain! . . . There now, if one could but catch him in the act, he'd not get off then!' And the thought fixed itself so firmly in his mind that he did not go up ​the steps but went out into the street and round the corner. 'I'll just walk round the buildings; who can tell what he's after?' And Iván, stepping softly, passed out of the gate. As soon as he reached the corner, he looked round along the fence, and seemed to see something suddenly move at the opposite corner, as if some one had come out and disappeared again. Iván stopped, and stood quietly, listening and looking. Everything was still; only the leaves of the willows fluttered in the wind, and the straws of the thatch rustled. At first it seemed pitch dark, but, when his eyes had grown used to the darkness, he could see the far corner, and a plow that lay there, and the eaves. He looked a while, but saw no one.

'I suppose it was a mistake,' thought Iván; 'but still I will go round,' and Iván went stealthily along by the shed. Iván stepped so softly in his bark shoes that he did not hear his own footsteps. As he reached the far corner, something seemed to flare up for a moment near the plow and to vanish again. Iván felt as if struck to the heart; and he stopped. Hardly had he stopped, when something flared up more brightly in the same place, and he clearly saw a man with a cap on his head, crouching down, with his back towards him, lighting a bunch of straw he held in his hand. Iván's heart fluttered within him like a bird. Straining every nerve, he approached with great strides, hardly feeling his legs under him. 'Ah,' thought Iván, 'now he won't escape! I'll catch him in the act!'

Iván was still some distance off, when suddenly he saw a bright light, but not in the same place as before, and not a small flame. The thatch had flared up at the eaves, the flames were reaching up to the roof, and, standing beneath it, Gabriel's whole figure was clearly visible.

Like a hawk swooping down on a lark, Iván rushed at Limping Gabriel. 'Now I'll have him; he shan't escape me!' thought Iván. But Gabriel must have heard his steps, and (however he managed it) glancing round, he scuttled away past the barn like a hare.

​'You shan't escape!' shouted Iván, darting after him.

Just as he was going to seize Gabriel, the latter dodged him; but Iván managed to catch the skirt of Gabriel's coat. It tore right off, and Iván fell down. He recovered his feet, and shouting, 'Help! Seize him! Thieves! Murder!' ran on again. But meanwhile Gabriel had reached his own gate. There Iván overtook him and was about to seize him, when something struck Iván a stunning blow, as though a stone had hit his temple, quite deafening him. It was Gabriel who, seizing an oak wedge that lay near the gate, had struck out with all his might.

Iván was stunned; sparks flew before his eyes, then all grew dark and he staggered. When he came to his senses Gabriel was no longer there: it was as light as day, and from the side where his homestead was, something roared and crackled like an engine at work. Iván turned round and saw that his back shed was all ablaze, and the side shed had also caught fire, and flames and smoke and bits of burning straw mixed with the smoke, were being driven towards his hut.

'What is this, friends? . . .' cried Iván, lifting his arms and striking his thighs. 'Why, all I had to do was just to snatch it out from under the eaves and trample on it! What is this, friends? . . .' he kept repeating. He wished to shout, but his breath failed him; his voice was gone. He wanted to run, but his legs would not obey him, and got in each other's way. He moved slowly, but again staggered and again his breath failed. He stood still till he had regained breath, and then went on. Before he had got round the back shed to reach the fire, the side shed was also all ablaze; and the corner of the hut and the covered gateway had caught fire as well. The flames were leaping out of the hut, and it was impossible to get into the yard. A large crowd had collected, but nothing could be done. The neighbors were carrying their belongings out of their own houses, and driving the cattle out of their own sheds. After Iván's ​house, Gabriel's also caught fire, then, the wind rising, the flames spread to the other side of the street and half the village was burnt down.

At Iván's house they barely managed to save his old father; and the family escaped in what they had on; everything else, except the horses that had been driven out to pasture for the night, was lost; all the cattle, the fowls on their perches, the carts, plows, and harrows, the women's trunks with their clothes, and the grain in the granaries—all were burnt up!

At Gabriel's, the cattle were driven out, and a few things saved from his house.

The fire lasted all night. Iván stood in front of his homestead and kept repeating, 'What is this? . . . Friends! . . . One need only have pulled it out and trampled on it!' But when the roof fell in, Iván rushed into the burning place, and seizing a charred beam, tried to drag it out. The women saw him, and called him back; but he pulled out the beam, and was going in again for another when he lost his footing and fell among the flames. Then his son made his way in after him and dragged him out. Iván had singed his hair and beard and burnt his clothes and scorched his hands, but he felt nothing. 'His grief has stupefied him,' said the people. The fire was burning itself out, but Iván still stood repeating: 'Friends! . . . What is this? . . . One need only have pulled it out!'

In the morning the village Elder's son came to fetch Iván.

'Daddy Iván, your father is dying! He has sent for you to say good-bye.'

Iván had forgotten about his father, and did not understand what was being said to him.

'What father?' he said. 'Whom has he sent for?'

'He sent for you, to say good-bye; he is dying in our cottage! Come along, daddy Iván,' said the Elder's son, pulling him by the arm; and Iván followed the lad.

When he was being carried out of the hut, some ​burning straw had fallen on to the old man and burnt him, and he had been taken to the village Elder's in the farther part of the village, which the fire did not reach.

When Iván came to his father, there was only the Elder's wife in the hut, besides some little children on the top of the oven. All the rest were still at the fire. The old man, who was lying on a bench holding a wax candle[2] in his hand, kept turning his eyes towards the door. When his son entered, he moved a little. The old woman went up to him and told him that his son had come. He asked to have him brought nearer. Iván came closer.

'What did I tell you, Iván?' began the old man. 'Who has burnt down the village?'

'It was he, father!' Iván answered. 'I caught him in the act. I saw him shove the firebrand into the thatch. I might have pulled away the burning straw and stamped it out, and then nothing would have happened.'

'Iván,' said the old man, 'I am dying, and you in your turn will have to face death. Whose is the sin?'

Iván gazed at his father in silence, unable to utter a word.

'Now, before God, say whose is the sin? What did I tell you?'

Only then Iván came to his senses and understood it all. He sniffed and said, 'Mine, father!' And he fell on his knees before his father, saying, 'Forgive me, father; I am guilty before you and before God.'

The old man moved his hands, changed the candle from his right hand to his left, and tried to lift his right hand to his forehead to cross himself, but could not do it, and stopped.

'Praise the Lord! Praise the Lord!' said he, and again he turned his eyes towards his son.

​'Iván! I say, Iván!'

'What, father?'

'What must you do now?'

Iván was weeping.

'I don't know how we are to live now, father!' he said.

The old man closed his eyes, moved his lips as if to gather strength, and opening his eyes again, said: 'You'll manage. If you obey God's will, you'll manage!' He paused, then smiled, and said: 'Mind, Iván! Don't tell who started the fire! Hide another man's sin, and God will forgive two of yours!' And the old man took the candle in both hands and, folding them on his breast, sighed, stretched out, and died.

Iván did not say anything against Gabriel, and no one knew what had caused the fire.

And Iván's anger against Gabriel passed away, and Gabriel wondered that Iván did not tell anybody. At first Gabriel felt afraid, but after awhile he got used to it. The men left off quarreling, and then their families left off also. While rebuilding their huts, both families lived in one house; and when the village was rebuilt and they might have moved farther apart, Iván and Gabriel built next to each other, and remained neighbors as before.

They lived as good neighbors should. Iván Stcherbakóf remembered his old father's command to obey God's law, and quench a fire at the first spark; and if any one does him an injury he now tries not to revenge himself, but rather to set matters right again; and if any one gives him a bad word, instead of giving a worse in return, he tries to teach the other not to use evil words; and so he teaches his womenfolk and children. And Iván Stcherbakóf has got on his feet again, and now lives better even than he did before.

↑ A town in Bulgaria, the scene of fierce and prolonged fighting between the Turks and the Russians in the war of 1877. ↑ Wax candles are much used in the services of the Russian Church, and it is usual to place one in the hand of a dying man, especially when he receives unction.

Added Context:

• "Quench the Spark" (also translated as "A Spark Neglected Burns the House") is a short story by Russian author Leo Tolstoy first published in 1885.

• Story Available in the Public Domain

And if he left off dreaming about you… Through the Looking Glass, VI

No one saw him disembark in the unanimous night, no one saw the bamboo canoe sinking into the sacred mud, but within a few days no one was unaware that the silent man came from the South and that his home was one of the infinite villages upstream, on the violent mountainside, where the Zend tongue is not contaminated with Greek and where leprosy is infrequent. The truth is that the obscure man kissed the mud, came up the bank without pushing aside (probably without feeling) the brambles which dilacerated his flesh, and dragged himself, nauseous and bloodstained, to the circular enclosure crowned by a stone tiger or horse, which once was the color of fire and now was that of ashes. The circle was a temple, long ago devoured by fire, which the malarial jungle had profaned and whose god no longer received the homage of men. The stranger stretched out beneath the pedestal. He was awakened by the sun high above. He evidenced without astonishment that his wounds had closed; he shut his pale eyes and slept, not out of bodily weakness but of determination of will. He knew that this temple was the place required by his invincible purpose; he knew that, downstream, the incessant trees had not managed to choke the ruins of another propitious temple, whose gods were also burned and dead; he knew that his immediate obligation was to sleep. Towards midnight he was awakened by the disconsolate cry of a bird. Prints of bare feet, some figs and a jug told him that men of the region had respectfully spied upon his sleep and were solicitous of his favor or feared his magic. He felt the chill of fear and sought out a burial niche in the dilapidated wall and covered himself with some unknown leaves.

The purpose which guided him was not impossible, though it was supernatural. He wanted to dream a man: he wanted to dream him with minute integrity and insert him into reality. This magical project had exhausted the entire content of his soul; if someone had asked him his own name or any trait of his previous life, he would not have been able to answer. The uninhabited and broken temple suited him, for it was a minimum of visible world; the nearness of the peasants also suited him, for they would see that his frugal necessities were supplied. The rice and fruit of their tribute were sufficient sustenance for his body, consecrated to the sole task of sleeping and dreaming.

At first, his dreams were chaotic; somewhat later, they were of a dialectical nature. The stranger dreamt that he was in the center of a circular amphitheater which in some way was the burned temple: clouds of silent students filled the gradins; the faces of the last ones hung many centuries away and at a cosmic height, but were entirely clear and precise. The man was lecturing to them on anatomy, cosmography, magic; the countenances listened with eagerness and strove to respond with understanding, as if they divined the importance of the examination which would redeem one of them from his state of vain appearance and interpolate him into the world of reality. The man, both in dreams and awake, considered his phantoms' replies, was not deceived by impostors, divined a growing intelligence in certain perplexities. He sought a soul which would merit participation in the universe.

After nine or ten nights, he comprehended with some bitterness that he could expect nothing of those students who passively accepted his doctrines, but that he could of those who, at times, would venture a reasonable contradiction. The former, though worthy of love and affection, could not rise to the state of individuals; the latter pre-existed somewhat more. One afternoon (now his afternoons too were tributaries of sleep, now he remained awake only for a couple of hours at dawn) he dismissed the vast illusory college forever and kept one single student. He was a silent boy, sallow, sometimes obstinate, with sharp features which reproduced those of the dreamer. He was not long disconcerted by his companions' sudden elimination; his progress, after a few special lessons, astounded his teacher. Nevertheless, catastrophe ensued. The man emerged from sleep one day as if from a viscous desert, looked at the vain light of afternoon, which at first he confused with that of dawn, and understood that he had not really dreamt. All that night and all day, the intolerable lucidity of insomnia weighed upon him. He tried to explore the jungle, to exhaust himself; amidst the hemlocks, he was scarcely able to manage a few snatches of feeble sleep, fleetingly mottled with some rudimentary visions which were useless. He tried to convoke the college and had scarcely uttered a few brief words of exhortation, when it became deformed and was extinguished. In his almost perpetual sleeplessness, his old eyes burned with tears of anger. He comprehended that the effort to mold the incoherent and vertiginous matter dreams are made of was the most arduous task a man could undertake, though he might penetrate all the enigmas of the upper and lower orders: much more arduous than weaving a rope of sand or coining the faceless wind. He comprehended that an initial failure was inevitable. He swore he would forget the enormous hallucination which had misled him at first, and he sought another method. Before putting it in effect, he dedicated a month to replenishing the powers his delirium had wasted. He abandoned any premeditation of dreaming and, almost at once, was able to sleep for a considerable part of the day. The few times he dreamt during this period, he did not take notice of the dreams. To take up his task again, he waited until the moon's disk was perfect. Then, in the afternoon, he purified himself in the waters of the river, worshiped the planetary gods, uttered the lawful syllables of a powerful name and slept. Almost immediately, he dreamt of a beating heart.

He dreamt it as active, warm, secret, the size of a closed fist, of garnet color in the penumbra of a human body as yet without face or sex; with minute love he dreamt it, for fourteen lucid nights. Each night he perceived it with greater clarity. He did not touch it, but limited himself to witnessing it, observing it, perhaps correcting it with his eyes. He perceived it, lived it, from many distances and many angles. On the fourteenth night he touched the pulmonary artery with his finger, and then the whole heart, inside and out. The examination satisfied him. Deliberately, he did not dream for a night; then he took the heart again, invoked the name of a planet and set about to envision another of the principal organs. Within a year he reached the skeleton, the eyelids. The innumerable hair was perhaps the most difficult task. He dreamt a complete man, a youth, but this youth could not rise nor did he speak nor could his eyes. Night after night, the man dreamt him as asleep.

In the Gnostic cosmogonies, the demiurgi knead and mold a red Adam who cannot stand alone; as unskillful and crude and elementary as this Adam of dust was the Adam of dreams fabricated by the magician’s nights of effort. One afternoon, the man almost destroyed his work, but then repented. (It would have been better for him had he destroyed it.) Once he had completed his supplications to the numina of the earth and the river, he threw himself down at the feet of the effigy which was perhaps a tiger and perhaps a horse, and implored its unknown succor. That twilight, he dreamt of the statue. He dreamt of it as a living, tremulous thing: it was not an atrocious mongrel of tiger and horse, but both these vehement creatures at once and also a bull, a rose, a tempest. This multiple god revealed to him that its earthly name was Fire, that in the circular temple (and in others of its kind) people had rendered it sacrifices and cult and that it would magically give life to the sleeping phantom, in such a way that all creatures except Fire itself and the dreamer would believe him to be a man of flesh and blood. The man was ordered by the divinity to instruct his creature in its rites, and send him to the other broken temple whose pyramids survived downstream, so that in this deserted edifice a voice might give glory to the god. In the dreamer's dream, the dreamed one awoke.

The magician carried out these orders. He devoted a period of time (which finally comprised two years) to revealing the arcana of the universe and of the fire cult to his dream child. Inwardly, it pained him to be separated from the boy. Under the pretext of pedagogical necessity, each day he prolonged the hours he dedicated to his dreams. He also redid the right shoulder, which was perhaps deficient. At times, he was troubled by the impression that all this had happened before… In general, his days were happy; when he closed his eyes, he would think: Now I shall be with my son. Or, less often: The child I have engendered awaits me and will not exist if I do not go to him.

Gradually, he accustomed the boy to reality. Once he ordered him to place a banner on a distant peak. The following day, the banner flickered from the mountain top. He tried other analogous experiments, each more daring than the last. He understood with certain bitterness that his son was ready—and perhaps impatient—to be born. That night he kissed him for the first time and sent him to the other temple whose debris showed white downstream, through many leagues of inextricable jungle and swamp. But first (so that he would never know he was a phantom, so that he would be thought a man like others) he instilled into him a complete oblivion of his years of apprenticeship.

The man's victory and peace were dimmed by weariness. At dawn and at twilight, he would prostrate himself before the stone figure, imagining perhaps that his unreal child was practicing the same rites, in other circular ruins, downstream; at night, he would not dream, or would dream only as all men do. He perceived the sounds and forms of the universe with a certain colorlessness: his absent son was being nurtured with these diminutions of his soul. His life's purpose was complete; man persisted in a kind of ecstasy. After a time, which some narrators of his story prefer to compute in years and others in lustra, he was awakened one midnight by two boatmen; he could not see their faces, but they told him of a magic man in a temple of the North who could walk upon fire and not be burned. The magician suddenly remembered the words of the god. He recalled that, of all the creatures of the world, fire was the only one that knew his son was a phantom. This recollection, at first soothing, finally tormented him. He feared his son might meditate on his abnormal privilege and discover in some way that his condition was that of a mere image. Not to be a man, to be the projection of another man's dream, what a feeling of humiliation, of vertigo! All fathers are interested in the children they have procreated (they have permitted to exist) in mere confusion or pleasure; it was natural that the magician should fear for future of that son, created in thought, limb by limb and feature by feature, in a thousand and one secret nights.

The end of his meditations was sudden, though it was foretold in certain signs. First (after a long drought) a faraway cloud on a hill, light and rapid as a bird; then, toward the south, the sky which had the rose color of the leopard's mouth; then the smoke which corroded the metallic nights; finally, the panicky flight of the animals. For what was happening had happened many centuries ago. The ruins of the fire god's sanctuary were destroyed by fire. In a birdless dawn the magician saw the concentric blaze close round the walls. For a moment, he thought of taking refuge in the river, but then he knew that death was coming to crown his old-age and absolve him of his labors. He walked into the shreds of flame. But they did not bite into his flesh, they caressed him and engulfed him without heat or combustion. With relief, with humiliation, with terror, he understood that he too was a mere appearance, dreamt by another.

This narrative uses allegory to illustrate complex ideas and concepts. It employs imagery and symbols that are digestible and tangible, that allude to how a work of art is created, such as a work of literature. The narrative elaborates that creating a work of art is like dreaming something into reality; it can be arduous and laborious, and for our protagonist it takes over two years and much anguish. Moreover, artists care for their works, their children, just as parents do with their work, exemplified by the protagonist.

This is a link to a podcast episode of 'the history of literature', great podcast. This episode includes the reading and analysis of ths brilliant short story.

[Philosophical fiction, Existential literature]

The Tell-Tale Heart

by Edgar Allan Poe (published 1843)

[Gothic Fiction, Psychological Horror]

TRUE! -- nervous -- very, very dreadfully nervous I had been and am; but why will you say that I am mad? The disease had sharpened my senses -- not destroyed -- not dulled them. Above all was the sense of hearing acute. I heard all things in the heaven and in the earth. I heard many things in hell. How, then, am I mad? Hearken! and observe how healthily -- how calmly I can tell you the whole story.

It is impossible to say how first the idea entered my brain; but once conceived, it haunted me day and night. Object there was none. Passion there was none. I loved the old man. He had never wronged me. He had never given me insult. For his gold I had no desire. I think it was his eye! yes, it was this! He had the eye of a vulture --a pale blue eye, with a film over it. Whenever it fell upon me, my blood ran cold; and so by degrees -- very gradually --I made up my mind to take the life of the old man, and thus rid myself of the eye forever.

Now this is the point. You fancy me mad. Madmen know nothing. But you should have seen me. You should have seen how wisely I proceeded --with what caution --with what foresight --with what dissimulation I went to work! I was never kinder to the old man than during the whole week before I killed him. And every night, about midnight, I turned the latch of his door and opened it --oh so gently! And then, when I had made an opening sufficient for my head, I put in a dark lantern, all closed, closed, so that no light shone out, and then I thrust in my head. Oh, you would have laughed to see how cunningly I thrust it in! I moved it slowly --very, very slowly, so that I might not disturb the old man's sleep. It took me an hour to place my whole head within the opening so far that I could see him as he lay upon his bed. Ha! --would a madman have been so wise as this? And then, when my head was well in the room, I undid the lantern cautiously --oh, so cautiously --cautiously (for the hinges creaked) --I undid it just so much that a single thin ray fell upon the vulture eye. And this I did for seven long nights --every night just at midnight --but I found the eye always closed; and so it was impossible to do the work; for it was not the old man who vexed me, but his Evil Eye. And every morning, when the day broke, I went boldly into the chamber, and spoke courageously to him, calling him by name in a hearty tone, and inquiring how he has passed the night. So you see he would have been a very profound old man, indeed, to suspect that every night, just at twelve, I looked in upon him while he slept.

Upon the eighth night I was more than usually cautious in opening the door. A watch's minute hand moves more quickly than did mine. Never before that night had I felt the extent of my own powers --of my sagacity. I could scarcely contain my feelings of triumph. To think that there I was, opening the door, little by little, and he not even to dream of my secret deeds or thoughts. I fairly chuckled at the idea; and perhaps he heard me; for he moved on the bed suddenly, as if startled. Now you may think that I drew back --but no. His room was as black as pitch with the thick darkness, (for the shutters were close fastened, through fear of robbers,) and so I knew that he could not see the opening of the door, and I kept pushing it on steadily, steadily.

I had my head in, and was about to open the lantern, when my thumb slipped upon the tin fastening, and the old man sprang up in bed, crying out --"Who's there?"

I kept quite still and said nothing. For a whole hour I did not move a muscle, and in the meantime I did not hear him lie down. He was still sitting up in the bed listening; --just as I have done, night after night, hearkening to the death watches in the wall.

Presently I heard a slight groan, and I knew it was the groan of mortal terror. It was not a groan of pain or of grief --oh, no! --it was the low stifled sound that arises from the bottom of the soul when overcharged with awe. I knew the sound well. Many a night, just at midnight, when all the world slept, it has welled up from my own bosom, deepening, with its dreadful echo, the terrors that distracted me. I say I knew it well. I knew what the old man felt, and pitied him, although I chuckled at heart. I knew that he had been lying awake ever since the first slight noise, when he had turned in the bed. His fears had been ever since growing upon him. He had been trying to fancy them causeless, but could not. He had been saying to himself --"It is nothing but the wind in the chimney --it is only a mouse crossing the floor," or "It is merely a cricket which has made a single chirp." Yes, he had been trying to comfort himself with these suppositions: but he had found all in vain. All in vain; because Death, in approaching him had stalked with his black shadow before him, and enveloped the victim. And it was the mournful influence of the unperceived shadow that caused him to feel --although he neither saw nor heard --to feel the presence of my head within the room.

When I had waited a long time, very patiently, without hearing him lie down, I resolved to open a little --a very, very little crevice in the lantern. So I opened it --you cannot imagine how stealthily, stealthily --until, at length a single dim ray, like the thread of the spider, shot from out the crevice and fell full upon the vulture eye.

It was open --wide, wide open --and I grew furious as I gazed upon it. I saw it with perfect distinctness --all a dull blue, with a hideous veil over it that chilled the very marrow in my bones; but I could see nothing else of the old man's face or person: for I had directed the ray as if by instinct, precisely upon the damned spot.

And have I not told you that what you mistake for madness is but over acuteness of the senses? --now, I say, there came to my ears a low, dull, quick sound, such as a watch makes when enveloped in cotton. I knew that sound well, too. It was the beating of the old man's heart. It increased my fury, as the beating of a drum stimulates the soldier into courage.

But even yet I refrained and kept still. I scarcely breathed. I held the lantern motionless. I tried how steadily I could maintain the ray upon the eye. Meantime the hellish tattoo of the heart increased. It grew quicker and quicker, and louder and louder every instant. The old man's terror must have been extreme! It grew louder, I say, louder every moment! --do you mark me well? I have told you that I am nervous: so I am. And now at the dead hour of the night, amid the dreadful silence of that old house, so strange a noise as this excited me to uncontrollable terror. Yet, for some minutes longer I refrained and stood still. But the beating grew louder, louder! I thought the heart must burst. And now a new anxiety seized me --the sound would be heard by a neighbor! The old man's hour had come! With a loud yell, I threw open the lantern and leaped into the room. He shrieked once --once only. In an instant I dragged him to the floor, and pulled the heavy bed over him. I then smiled gaily, to find the deed so far done. But, for many minutes, the heart beat on with a muffled sound. This, however, did not vex me; it would not be heard through the wall. At length it ceased. The old man was dead. I removed the bed and examined the corpse. Yes, he was stone, stone dead. I placed my hand upon the heart and held it there many minutes. There was no pulsation. He was stone dead. His eye would trouble me no more.

If still you think me mad, you will think so no longer when I describe the wise precautions I took for the concealment of the body. The night waned, and I worked hastily, but in silence. First of all I dismembered the corpse. I cut off the head and the arms and the legs.

I then took up three planks from the flooring of the chamber, and deposited all between the scantlings. I then replaced the boards so cleverly, so cunningly, that no human eye -- not even his --could have detected any thing wrong. There was nothing to wash out --no stain of any kind --no blood-spot whatever. I had been too wary for that. A tub had caught all --ha! ha!

When I had made an end of these labors, it was four o'clock --still dark as midnight. As the bell sounded the hour, there came a knocking at the street door. I went down to open it with a light heart, --for what had I now to fear? There entered three men, who introduced themselves, with perfect suavity, as officers of the police. A shriek had been heard by a neighbor during the night; suspicion of foul play had been aroused; information had been lodged at the police office, and they (the officers) had been deputed to search the premises.

I smiled, --for what had I to fear? I bade the gentlemen welcome. The shriek, I said, was my own in a dream. The old man, I mentioned, was absent in the country. I took my visitors all over the house. I bade them search --search well. I led them, at length, to his chamber. I showed them his treasures, secure, undisturbed. In the enthusiasm of my confidence, I brought chairs into the room, and desired them here to rest from their fatigues, while I myself, in the wild audacity of my perfect triumph, placed my own seat upon the very spot beneath which reposed the corpse of the victim.

The officers were satisfied. My manner had convinced them. I was singularly at ease. They sat, and while I answered cheerily, they chatted of familiar things. But, ere long, I felt myself getting pale and wished them gone. My head ached, and I fancied a ringing in my ears: but still they sat and still chatted. The ringing became more distinct: --it continued and became more distinct: I talked more freely to get rid of the feeling: but it continued and gained definiteness --until, at length, I found that the noise was not within my ears.

No doubt I now grew very pale; --but I talked more fluently, and with a heightened voice. Yet the sound increased --and what could I do? It was a low, dull, quick sound --much such a sound as a watch makes when enveloped in cotton. I gasped for breath -- and yet the officers heard it not. I talked more quickly --more vehemently; but the noise steadily increased. I arose and argued about trifles, in a high key and with violent gesticulations; but the noise steadily increased. Why would they not be gone? I paced the floor to and fro with heavy strides, as if excited to fury by the observations of the men -- but the noise steadily increased. Oh God! what could I do? I foamed --I raved --I swore! I swung the chair upon which I had been sitting, and grated it upon the boards, but the noise arose over all and continually increased. It grew louder --louder --louder! And still the men chatted pleasantly, and smiled. Was it possible they heard not? Almighty God! --no, no! They heard! --they suspected! --they knew! --they were making a mockery of my horror! --this I thought, and this I think. But anything was better than this agony! Anything was more tolerable than this derision! I could bear those hypocritical smiles no longer! I felt that I must scream or die! --and now --again! --hark! louder! louder! louder! louder! --

"Villains!" I shrieked, "dissemble no more! I admit the deed! --tear up the planks! --here, here! --it is the beating of his hideous heart!"

Margaret Atwood joins Deborah Treisman to read and discuss “Varieties of Exile,” by Mavis Gallant, which was published in The New Yorker in 1976. Atwood is the author of more than forty books of poetry and fiction, including the novels “The Handmaid’s Tale” and “The Testaments” and the story collection “Old Babes in the Wood,” which was published earlier this year.

[Literary Fiction]

A story about cosmic horror, forbidden knowledge, and the insignificance of humanity in the face of ancient, powerful entities as lovecraft writes one of his best works with his customary themes. The story delves into the idea that some truths are better left undiscovered, as they can drive individuals to madness. Hope yall enjoy this, I love horror lit myself.

1. Curated Story Recommendations: I've been sharing some of my favorite short stories here. Hoping this becomes a go-to spot for everyone to find a quality read each day—whether you're on the go or winding down before bed. I hope these picks make your daily reads more enjoyable.

2. Exploring New Sources Together: Let's not only share our favorite stories but also help each other discover fresh sources. Whether it's hidden gems on a blog, a captivating podcast, or an up-and-coming author on a niche platform, let's make this community a hub for uncovering diverse sources of short stories.

3. Platform for New Voices: More than anything I hope we have a platform for emerging writers to showcase their work, ensuring that original perspectives have space to flourish. I love nothing more than reading works by one of our own.

4. Constructive Feedback Culture: Encourage members to provide thoughtful, constructive feedback, fostering an environment of growth and improvement for writers at all skill levels. This relies on members posting their own work which I strongly endorse.

5. Respect for Copyright: While a pirate myself, for the sake of this instance's rules, I hope to promote respect for intellectual property. Anytime I haven't posted a link it's a story pre 1923.

6. Engagement and Collaboration: Facilitate collaboration among members, fostering a sense of community through joint projects, anthologies, and shared endeavors. This seems a bit too optimistic for a community so small but one can dream.

7. More Meta Discussions: Encourage meta discussions in our community to foster a deeper understanding of narrative choices, enabling members to explore diverse perspectives and refine their storytelling skills collaboratively.

I also intend to add a few communities on the sidebar for discovery. Please recommend any community you think we should have tagged.

This is one of my favorite short stories. I'm sure most of you have read it. It's pretty popular. Glad I found this instance. I'll be posting a few things that I haven't seen here. Let me know if I overdo it lol.

This is one of my favorites, it's an interactive reading experience sort of, but it works on mobile as well as desktop and it is really not what the title makes it sound like. It's quite an amazing read. Maybe a little too long for this place but thought I'd share! Let me know if you like it! There's a sequel as well!

This is one most of you have probably read or watched the YouTube video for. But if you haven't, please enjoy! The YouTube video is excellent but the story is great either way.

Companion to the John Carpenter film The Thing.

Another sci-fi short for you. This one is by John Scalzi and it is a great one in my opinion. Pretty sure there is a YouTube video someone made for this so if that's your thing check it out. Hope you enjoy!

A parable by one of the greatest writers ever

It is said that in Ulthar, which lies beyond the river Skai, no man may kill a cat; and this I can verily believe as I gaze upon him who sitteth purring before the fire. For the cat is cryptic, and close to strange things which men cannot see. He is the soul of antique Aegyptus, and bearer of tales from forgotten cities in Meroe and Ophir. He is the kin of the jungles lords, and heir to the secrets of hoary and sinister Africa. The Sphinx is his cousin, and he speaks her language; but he is more ancient than the Sphinx, and remembers that which she hath forgotten.

In Ulthar, before ever the burgesses forbade the killing of cats, there dwelt an old cotter and his wife who delighted to trap and slay the cats of their neighbors. Why they did this I know not; save that many hate the voice of the cat in the night, and take it ill that cats should run stealthily about yards and gardens at twilight. But whatever the reason, this old man and woman took pleasure in trapping and slaying every cat which came near to their hovel; and from some of the sounds heard after dark, many villagers fancied that the manner of slaying was exceedingly peculiar. But the villagers did not discuss such things with the old man and his wife; because of the habitual expression on the withered faces of the two, and because their cottage was so small and so darkly hidden under spreading oaks at the back of a neglected yard. In truth, much as the owners of cats hated these odd folk, they feared them more; and instead of berating them as brutal assassins, merely took care that no cherished pet or mouser should stray toward the remote hovel under the dark trees. When through some unavoidable oversight a cat was missed, and sounds heard after dark, the loser would lament impotently; or console himself by thanking Fate that it was not one of his children who had thus vanished. For the people of Ulthar were simple, and knew not whence it is all cats first came.

One day a caravan of strange wanderers from the South entered the narrow cobbled streets of Ulthar. Dark wanderers they were, and unlike the other roving folk who passed through the village twice every year. In the market-place they told fortunes for silver, and bought gay beads from the merchants. What was the land of these wanderers none could tell; but it was seen that they were given to strange prayers, and that they had painted on the sides of their wagons strange figures with human bodies and the heads of cats, hawks, rams and lions. And the leader of the caravan wore a headdress with two horns and a curious disk betwixt the horns.

There was in this singular caravan a little boy with no father or mother, but only a tiny black kitten to cherish. The plague had not been kind to him, yet had left him this small furry thing to mitigate his sorrow; and when one is very young, one can find great relief in the lively antics of a black kitten. So the boy whom the dark people called Menes smiled more often than he wept as he sat playing with his graceful kitten on the steps of an oddly painted wagon.

On the third morning of the wanderers stay in Ulthar, Menes could not find his kitten; and as he sobbed aloud in the market-place certain villagers told him of the old man and his wife, and of sounds heard in the night. And when he heard these things his sobbing gave place to meditation, and finally to prayer. He stretched out his arms toward the sun and prayed in a tongue no villager could understand; though indeed the villagers did not try very hard to understand, since their attention was mostly taken up by the sky and the odd shapes the clouds were assuming. It was very peculiar, but as the little boy uttered his petition there seemed to form overhead the shadowy, nebulous figures of exotic things; of hybrid creatures crowned with horn-flanked disks. Nature is full of such illusions to impress the imaginative.

That night the wanderers left Ulthar, and were never seen again. And the householders were troubled when they noticed that in all the village there was not a cat to be found. From each hearth the familiar cat had vanished; cats large and small, black, grey, striped, yellow and white. Old Kranon, the burgomaster, swore that the dark folk had taken the cats away in revenge for the killing of Menes kitten; and cursed the caravan and the little boy. But Nith, the lean notary, declared that the old cotter and his wife were more likely persons to suspect; for their hatred of cats was notorious and increasingly bold. Still, no one durst complain to the sinister couple; even when little Atal, the innkeepers son, vowed that he had at twilight seen all the cats of Ulthar in that accursed yard under the trees, pacing very slowly and solemnly in a circle around the cottage, two abreast, as if in performance of some unheard-of rite of beasts. The villagers did not know how much to believe from so small a boy; and though they feared that the evil pair had charmed the cats to their death, they preferred not to chide the old cotter till they met him outside his dark and repellent yard.

So Ulthar went to sleep in vain anger; and when the people awakened at dawnbehold! every cat was back at his accustomed hearth! Large and small, black, grey, striped, yellow and white, none was missing. Very sleek and fat did the cats appear, and sonorous with purring content. The citizens talked with one another of the affair, and marveled not a little. Old Kranon again insisted that it was the dark folk who had taken them, since cats did not return alive from the cottage of the ancient man .and his wife. But all agreed on one thing: that the refusal of all the cats to eat their portions of meat or drink their saucers of milk was exceedingly curious. And for two whole days the sleek, lazy cats of Ulthar would touch no food, but only doze by the fire or in the sun.

It was fully a week before the villagers noticed that no lights were appearing at dusk in the windows of the cottage under the trees. Then the lean Nith remarked that no one had seen the old man or his wife since the night the cats were away. In another week the burgomaster decided to overcome his fears and call at the strangely silent dwelling as a matter of duty, though in so doing he was careful to take with him Shang the blacksmith and Thul the cutter of stone as witnesses. And when they had broken down the frail door they found only this: two cleanly picked human skeletons on the earthen floor, and a number of singular beetles crawling in the shadowy corners.

There was subsequently much talk among the burgesses of Ulthar. Zath, the coroner, disputed at length with Nith, the lean notary; and Kranon and Shang and Thul were overwhelmed with questions. Even little Atal, the innkeepers son, was closely questioned and given a sweetmeat as reward. They talked of the old cotter and his wife, of the caravan of dark wanderers, of small Menes and his black kitten, of the prayer of Menes and of the sky during that prayer, of the doings of the cats on the night the caravan left, and of what was later found in the cottage under the dark trees in the repellent yard.

And in the end the burgesses passed that remarkable law which is told of by traders in Hatheg and discussed by travelers in Nir; namely, that in Ulthar no man may kill a cat.

In a dimly lit laboratory, Dr. Adrian Kellerman peered into the translucent chamber holding the alien specimen. Its otherworldly form seemed to writhe with a subtle sadness, as if it carried the weight of forgotten galaxies.

As the experiments progressed, the alien's eyes, deep pools of cosmic sorrow, reflected a profound longing for the home it might never return to. Driven by scientific curiosity, Kellerman's relentless probing delved into the creature's essence, unraveling the mysteries of extraterrestrial biology.

Yet, with each experimentation, an echo of despair resonated within the sterile walls. The alien's estrangement deepened. Kellerman, consumed by scientific zeal, failed to grasp the emotional turmoil he inflicted. The alien bore the weight of interstellar solitude, its cosmic essence tinged with an ineffable sadness, a silent lament for the distant realms it could never reclaim.

One day, as the experiments reached a critical juncture, the alien emitted a haunting, ethereal lament—a plea for release from the cold grip of human inquisition. Kellerman, momentarily shaken, pressed on, oblivious to the profound consequences of his relentless pursuit.

In the final moments, as the alien's essence dissipated into the cold void of the laboratory, a single tear shimmered in its eye—a tear that held the collective sorrow of uncharted galaxies, lost in the unfathomable depths of scientific ambition. And with that tear, the extraterrestrial visitor perished, leaving behind a lingering melancholy in the heart of an oblivious scientist.

Would love feedback and critique.

[Horror] [Sci Fi]

The year was 2081, and everybody was finally equal. They weren't only equal before God and the law. They were equal every which way. Nobody was smarter than anybody else. Nobody was better looking than anybody else. Nobody was stronger or quicker than anybody else. All this equality was due to the 211th, 212th, and 213th Amendments to the Constitution, and to the unceasing vigilance of agents of the United States Handicapper General.

Some things about living still weren't quite right, though. April for instance, still drove people crazy by not being springtime. And it was in that clammy month that the H-G men took George and Hazel Bergeron's fourteen-year-old son, Harrison, away.

It was tragic, all right, but George and Hazel couldn't think about it very hard. Hazel had a perfectly average intelligence, which meant she couldn't think about anything except in short bursts. And George, while his intelligence was way above normal, had a little mental handicap radio in his ear. He was required by law to wear it at all times. It was tuned to a government transmitter. Every twenty seconds or so, the transmitter would send out some sharp noise to keep people like George from taking unfair advantage of their brains.

George and Hazel were watching television. There were tears on Hazel's cheeks, but she'd forgotten for the moment what they were about.

On the television screen were ballerinas.

A buzzer sounded in George's head. His thoughts fled in panic, like bandits from a burglar alarm.

"That was a real pretty dance, that dance they just did," said Hazel.

"Huh," said George.

"That dance-it was nice," said Hazel.

"Yup," said George. He tried to think a little about the ballerinas. They weren't really very good-no better than anybody else would have been, anyway. They were burdened with sashweights and bags of birdshot, and their faces were masked, so that no one, seeing a free and graceful gesture or a pretty face, would feel like something the cat drug in. George was toying with the vague notion that maybe dancers shouldn't be handicapped. But he didn't get very far with it before another noise in his ear radio scattered his thoughts.

George winced. So did two out of the eight ballerinas.

Hazel saw him wince. Having no mental handicap herself, she had to ask George what the latest sound had been.

"Sounded like somebody hitting a milk bottle with a ball peen hammer," said George.

"I'd think it would be real interesting, hearing all the different sounds," said Hazel a little envious. "All the things they think up."

"Urn," said George.

"Only, if I was Handicapper General, you know what I would do?" said Hazel. Hazel, as a matter of fact, bore a strong resemblance to the Handicapper General, a woman named Diana Moon Glampers. "If I was Diana Moon Glampers," said Hazel, "I'd have chimes on Sunday- just chimes. Kind of in honor of religion."

"I could think, if it was just chimes," said George.

"Well-maybe make 'em real loud," said Hazel. "I think I'd make a good Handicapper General."

"Good as anybody else," said George.

"Who knows better then I do what normal is?" said Hazel.

"Right," said George. He began to think glimmeringly about his abnormal son who was now in jail, about Harrison, but a twenty-one-gun salute in his head stopped that.

"Boy!" said Hazel, "that was a doozy, wasn't it?"

It was such a doozy that George was white and trembling, and tears stood on the rims of his red eyes. Two of of the eight ballerinas had collapsed to the studio floor, were holding their temples.

"All of a sudden you look so tired," said Hazel. "Why don't you stretch out on the sofa, so's you can rest your handicap bag on the pillows, honeybunch." She was referring to the forty-seven pounds of birdshot in a canvas bag, which was padlocked around George's neck. "Go on and rest the bag for a little while," she said. "I don't care if you're not equal to me for a while."

George weighed the bag with his hands. "I don't mind it," he said. "I don't notice it any more. It's just a part of me."

"You been so tired lately-kind of wore out," said Hazel. "If there was just some way we could make a little hole in the bottom of the bag, and just take out a few of them lead balls. Just a few."

"Two years in prison and two thousand dollars fine for every ball I took out," said George. "I don't call that a bargain."

"If you could just take a few out when you came home from work," said Hazel. "I mean-you don't compete with anybody around here. You just set around."

"If I tried to get away with it," said George, "then other people'd get away with it-and pretty soon we'd be right back to the dark ages again, with everybody competing against everybody else. You wouldn't like that, would you?"

"I'd hate it," said Hazel.

"There you are," said George. The minute people start cheating on laws, what do you think happens to society?"

If Hazel hadn't been able to come up with an answer to this question, George couldn't have supplied one. A siren was going off in his head.

"Reckon it'd fall all apart," said Hazel.

"What would?" said George blankly.

"Society," said Hazel uncertainly. "Wasn't that what you just said?

"Who knows?" said George.

The television program was suddenly interrupted for a news bulletin. It wasn't clear at first as to what the bulletin was about, since the announcer, like all announcers, had a serious speech impediment. For about half a minute, and in a state of high excitement, the announcer tried to say, "Ladies and Gentlemen."

He finally gave up, handed the bulletin to a ballerina to read.

"That's all right-" Hazel said of the announcer, "he tried. That's the big thing. He tried to do the best he could with what God gave him. He should get a nice raise for trying so hard."

"Ladies and Gentlemen," said the ballerina, reading the bulletin. She must have been extraordinarily beautiful, because the mask she wore was hideous. And it was easy to see that she was the strongest and most graceful of all the dancers, for her handicap bags were as big as those worn by two-hundred pound men.

And she had to apologize at once for her voice, which was a very unfair voice for a woman to use. Her voice was a warm, luminous, timeless melody. "Excuse me-" she said, and she began again, making her voice absolutely uncompetitive.

"Harrison Bergeron, age fourteen," she said in a grackle squawk, "has just escaped from jail, where he was held on suspicion of plotting to overthrow the government. He is a genius and an athlete, is under-handicapped, and should be regarded as extremely dangerous."

A police photograph of Harrison Bergeron was flashed on the screen-upside down, then sideways, upside down again, then right side up. The picture showed the full length of Harrison against a background calibrated in feet and inches. He was exactly seven feet tall.

The rest of Harrison's appearance was Halloween and hardware. Nobody had ever born heavier handicaps. He had outgrown hindrances faster than the H-G men could think them up. Instead of a little ear radio for a mental handicap, he wore a tremendous pair of earphones, and spectacles with thick wavy lenses. The spectacles were intended to make him not only half blind, but to give him whanging headaches besides.

Scrap metal was hung all over him. Ordinarily, there was a certain symmetry, military neatness to the handicaps issued to strong people, but Harrison looked like a walking junkyard. In the race of life, Harrison carried three hundred pounds.

And to offset his good looks, the H-G men required that he wear at all times a red rubber ball for a nose, keep his eyebrows shaved off, and cover his even white teeth with black caps at snaggle-tooth random.

"If you see this boy," said the ballerina, "do not - I repeat, do not - try to reason with him."

There was the shriek of a door being torn from its hinges.

Screams and barking cries of consternation came from the television set. The photograph of Harrison Bergeron on the screen jumped again and again, as though dancing to the tune of an earthquake.

George Bergeron correctly identified the earthquake, and well he might have - for many was the time his own home had danced to the same crashing tune. "My God-" said George, "that must be Harrison!"

The realization was blasted from his mind instantly by the sound of an automobile collision in his head.

When George could open his eyes again, the photograph of Harrison was gone. A living, breathing Harrison filled the screen.

Clanking, clownish, and huge, Harrison stood - in the center of the studio. The knob of the uprooted studio door was still in his hand. Ballerinas, technicians, musicians, and announcers cowered on their knees before him, expecting to die.

"I am the Emperor!" cried Harrison. "Do you hear? I am the Emperor! Everybody must do what I say at once!" He stamped his foot and the studio shook.

"Even as I stand here" he bellowed, "crippled, hobbled, sickened - I am a greater ruler than any man who ever lived! Now watch me become what I can become!"

Harrison tore the straps of his handicap harness like wet tissue paper, tore straps guaranteed to support five thousand pounds.

Harrison's scrap-iron handicaps crashed to the floor.

Harrison thrust his thumbs under the bar of the padlock that secured his head harness. The bar snapped like celery. Harrison smashed his headphones and spectacles against the wall.

He flung away his rubber-ball nose, revealed a man that would have awed Thor, the god of thunder.

"I shall now select my Empress!" he said, looking down on the cowering people. "Let the first woman who dares rise to her feet claim her mate and her throne!"

A moment passed, and then a ballerina arose, swaying like a willow.

Harrison plucked the mental handicap from her ear, snapped off her physical handicaps with marvelous delicacy. Last of all he removed her mask.

She was blindingly beautiful.

"Now-" said Harrison, taking her hand, "shall we show the people the meaning of the word dance? Music!" he commanded.

The musicians scrambled back into their chairs, and Harrison stripped them of their handicaps, too. "Play your best," he told them, "and I'll make you barons and dukes and earls."

The music began. It was normal at first-cheap, silly, false. But Harrison snatched two musicians from their chairs, waved them like batons as he sang the music as he wanted it played. He slammed them back into their chairs.

The music began again and was much improved.

Harrison and his Empress merely listened to the music for a while-listened gravely, as though synchronizing their heartbeats with it.

They shifted their weights to their toes.

Harrison placed his big hands on the girls tiny waist, letting her sense the weightlessness that would soon be hers.

And then, in an explosion of joy and grace, into the air they sprang!

Not only were the laws of the land abandoned, but the law of gravity and the laws of motion as well.

They reeled, whirled, swiveled, flounced, capered, gamboled, and spun.

They leaped like deer on the moon.

The studio ceiling was thirty feet high, but each leap brought the dancers nearer to it.

It became their obvious intention to kiss the ceiling. They kissed it.

And then, neutraling gravity with love and pure will, they remained suspended in air inches below the ceiling, and they kissed each other for a long, long time.

It was then that Diana Moon Clampers, the Handicapper General, came into the studio with a double-barreled ten-gauge shotgun. She fired twice, and the Emperor and the Empress were dead before they hit the floor.

Diana Moon Clampers loaded the gun again. She aimed it at the musicians and told them they had ten seconds to get their handicaps back on.

It was then that the Bergeron's television tube burned out.

Hazel turned to comment about the blackout to George. But George had gone out into the kitchen for a can of beer.

George came back in with the beer, paused while a handicap signal shook him up. And then he sat down again. "You been crying" he said to Hazel.

"Yup," she said.

"What about?" he said.

"I forget," she said. "Something real sad on television."

"What was it?" he said.

"It's all kind of mixed up in my mind," said Hazel.

"Forget sad things," said George.

"I always do," said Hazel.

"That's my girl," said George. He winced. There was the sound of a riveting gun in his head.

"Gee - I could tell that one was a doozy, " said Hazel.

"You can say that again," said George.

"Gee-" said Hazel, "I could tell that one was a doozy."

[Note: This is not a fancy sketch. I got it from a clergyman who was an instructor at Woolwich forty years ago, and who vouched for its truth. --M.T.]

It was at a banquet in London in honor of one of the two or three conspicuously illustrious English military names of this generation. For reasons which will presently appear, I will withhold his real name and titles, and call him Lieutenant General Lord Arthur Scoresby, V.C., K.C.B., etc., etc., etc. What a fascination there is in a renowned name! There sat the man, in actual flesh, whom I had heard of so many thousands of times since that day, thirty years before, when his name shot suddenly to the zenith from a Crimean battlefield, to remain forever celebrated. It was food and drink to me to look, and look, and look at that demigod; scanning, searching, noting: the quietness, the reserve, the noble gravity of his countenance; the simple honesty that expressed itself all over him; the sweet unconsciousness of his greatnessunconsciousness of the hundreds of admiring eyes fastened upon him, unconsciousness of the deep, loving, sincere worship welling out of the breasts of those people and flowing toward him.

The clergyman at my left was an old acquaintance of mineclergyman now, but had spent the first half of his life in the camp and field, and as an instructor in the military school at Woolwich. Just at the moment I have been talking about, a veiled and singular light glimmered in his eyes, and he leaned down and muttered confidentially to meindicating the hero of the banquet with a gesture:

"Privatelyhe's an absolute fool."

This verdict was a great surprise to me. If its subject had been Napoleon, or Socrates, or Solomon, my astonishment could not have been greater. Two things I was well aware of: that the Reverend was a man of strict veracity, and that his judgement of men was good. Therefore I knew, beyond doubt or question, that the world was mistaken about this hero: he was a fool. So I meant to find out, at a convenient moment, how the Reverend, all solitary and alone, had discovered the secret.

Some days later the opportunity came, and this is what the Reverend told me.

About forty years ago I was an instructor in the military academy at Woolwich. I was present in one of the sections when young Scoresby underwent his preliminary examination. I was touched to the quick with pity; for the rest of the class answered up brightly and handsomely, while hewhy, dear me, he didn't know anything, so to speak. He was evidently good, and sweet, and lovable, and guileless; and so it was exceedingly painful to see him stand there, as serene as a graven image, and deliver himself of answers which were veritably miraculous for stupidity and ignorance. All the compassion in me was aroused in his behalf. I said to myself, when he comes to be examined again, he will be flung over, of course; so it will be simply a harmless act of charity to ease his fall as much as I can. I took him aside, and found that he knew a little of Csar's history; and as he didn't know anything else, I went to work and drilled him like a galley slave on a certain line of stock questions concerning Csar which I knew would be used. If you'll believe me, he went through with flying colors on examination day! He went through on that purely superficial "cram," and got compliments too, while others, who knew a thousand times more than he, got plucked. By some strangely lucky accidentan accident not likely to happen twice in a centuryhe was asked no question outside of the narrow limits of his drill.

It was stupefying. Well, all through his course I stood by him, with something of the sentiment which a mother feels for a crippled child; and he always saved himselfjust by miracle, apparently.

Now of course the thing that would expose him and kill him at last was mathematics. I resolved to make his death as easy as I could; so I drilled him and crammed him, and crammed him and drilled him, just on the line of questions which the examiners would be most likely to use, and then launching him on his fate. Well, sir, try to conceive of the result: to my consternation, he took the first prize! And with it he got a perfect ovation in the way of compliments.

Sleep? There was no more sleep for me for a week. My conscience tortured me day and night. What I had done I had done purely through charity, and only to ease the poor youth's fallI never had dreamed of any such preposterous result as the thing that had happened. I felt as guilty and miserable as the creator of Frankenstein. Here was a woodenhead whom I had put in the way of glittering promotions and prodigious responsibilities, and but one thing could happen: he and his responsibilities would all go to ruin together at the first opportunity.

The Crimean war had just broken out. Of course there had to be a war, I said to myself: we couldn't have peace and give this donkey a chance to die before he is found out. I waited for the earthquake. It came. And it made me reel when it did come. He was actually gazetted to a captaincy in a marching regiment! Better men grow old and gray in the service before they climb to a sublimity like that. And who could ever have foreseen that they would go and put such a load of responsibility on such green and inadequate shoulders? I could just barely have stood it if they had made him a cornet; but a captainthink of it! I thought my hair would turn white.

Consider what I didI who so loved repose and inaction. I said to myself, I am responsible to the country for this, and I must go along with him and protect the country against him as far as I can. So I took my poor little capital that I had saved up through years of work and grinding economy, and went with a sigh and bought a cornetcy in his regiment, and away we went to the field.

And thereoh dear, it was awful. Blunders? Why, he never did anything but blunder. But, you see, nobody was in the fellow's secreteverybody had him focused wrong, and necessarily misinterpreted his performance every timeconsequently they took his idiotic blunders for inspirations of genius; they did, honestly! His mildest blunders were enough to make a man in his right mind cry; and they did make me cryand rage and rave too, privately. And the thing that kept me always in a sweat of apprehension was the fact that every fresh blunder he made increased the luster of his reputation! I kept saying to myself, he'll get so high, that when discovery does finally come, it will be like the sun falling out of the sky.

He went right along up, from grade to grade, over the dead bodies of his superiors, until at last, in the hottest moment of the battle of ------- down went our colonel, and my heart jumped into my mouth, for Scoresby was next in rank! Now for it, said I; we'll all land in Sheol in ten minutes, sure.

The battle was awfully hot; the allies were steadily giving way all over the field. Our regiment occupied a position that was vital; a blunder now must be destruction. At this crucial moment, what does this immortal fool do but detach the regiment from its place and order a charge over a neighboring hill where there wasn't a suggestion of an enemy! "There you go!" I said to myself; "this is the end at last."

And away we did go, and were over the shoulder of the hill before the insane movement could be discovered and stopped. And what did we find? An entire and unsuspected Russian army in reserve! And what happened? We were eaten up? That is necessarily what would have happened in ninety-nine cases out of a hundred. But no, those Russians argued that no single regiment would come browsing around there at such a time. It must be the entire English army, and that the sly Russian game was detected and blocked; so they turned tail, and away they went, pell-mell, over the hill and down into the field, in wild confusion, and we after them; they themselves broke the solid Russian center in the field, and tore through, and in no time there was the most tremendous rout you ever saw, and the defeat of the allies was turned into a sweeping and splendid victory! Marshal Canrobert looked on, dizzy with astonishment, admiration,and delight; and sent right off for Scoresby, and hugged him, and decorated him on the field, in presence of all the armies!

And what was Scoresby's blunder that time? Merely the mistaking his right hand for his leftthat was all. An order had come to him to fall back and support our right; and instead, he fell forward and went over the hill to the left. But the name he won that day as a marvelous military genius filled the world with his glory, and that glory will never fade while history books last.

He is just as good and sweet and lovable and unpretending as a man can be, but he doesn't know enough to come in when it rains. Now that is absolutely true. He is the supremest ass in the universe; and until half an hour ago nobody knew it but himself and me. He has been pursued, day by day and year by year, by a most phenomenal and astonishing luckiness. He has been a shining soldier in all our wars for a generation; he has littered his whole military life with blunders, and yet has never committed one that didn't make him a knight or a baronet or a lord or something. Look at his breast; why, he is just clothed in domestic and foreign decorations. Well, sir, every one of them is the record of some shouting stupidity or other; and taken together, they are proof that the very best thing in all this world that can befall a man is to be born lucky. I say again, as I said at the banquet, Scoresby's an absolute fool.

[Fantasy] One of the most important short stories ever imo. The best of borges, using fiction to philosophically analyse the ideas of infinity and reality.

Strongly recommend giving this a go. Or read it if you don't like the audio version.

Three nights in succession I had found myself in Great Britain-street at that hour, as if by Providence. Three nights also I had raised my eyes to that lighted square of window and speculated. I seemed to understand that it would occur at night. But in spite of the Providence that had led my feet, and in spite of the reverent curiosity of my eyes, I had discovered nothing. Each night the square was lighted in the same way, faintly and evenly. It was not the light of candles, so far as I could see. Therefore, it had not yet occurred.

On the fourth night at that hour I was in another part of the city. It may have been the same Providence that led me there—a whimsical kind of Providence to take me at a disadvantage. As I went home I wondered was that square of window lighted as before, or did it reveal the ceremonious candles in whose light the Christian must take his last sleep. I was not surprised, then, when at supper I found myself a prophet. Old Cotter and my uncle were talking at the fire, smoking. Old Cotter is the old distiller who owns the batch of prize setters. He used to be very interesting when I knew him first, talking about "faints" and "worms." Now I find him tedious.

While I was eating my stirabout I heard him saying to my uncle:

"Without a doubt. Upper storey—(he tapped an unnecessary hand at his forehead)—gone."

"So they said. I never could see much of it. I thought he was sane enough."

"So he was, at times," said old Cotter.

I sniffed the "was" apprehensively, and gulped down some stirabout.

"Is he better, Uncle John?"

"He's Dead."

"O … he's dead?"

"Died a few hours ago."

"Who told you?"

"Mr. Cotter here brought us the news. He was passing there."

"Yes, I just happened to be passing, and I noticed the window … you know."

"Do you think they will bring him to the chapel?" asked my aunt.

"Oh, no, ma'am. I wouldn't say so."

"Very unlikely," my uncle agreed.

So old Cotter had got the better of me for all my vigilance of three nights. It is often annoying the way people will blunder on what you have elaborately planned for. I was sure he would die a night.

The following morning after breakfast I went down to look at the little house in Great Britain-street. It was an unassuming shop registered under the vague name of "Drapery." The drapery was principally children's boots and umbrellas, and on ordinary days there used to be a notice hanging in the window, which said "Umbrellas recovered." There was no notice visible now, for the shop blinds were drawn down and a crape bouquet was tied to the knocker with white ribbons. Three women of the people and a telegram boy were reading the card pinned on the crape. I also went over and read:—"July 2nd, 189– The Rev. James Flynn (formerly of St. Ita's Church), aged 65 years. R.I.P."

Only sixty-five! He looked much older than that. I often saw him sitting at the fire in the close dark room behind the shop, nearly smothered in his great coat. He seemed to have almost stupefied himself with heat, and the gesture of his large trembling hand to his nostrils had grown automatic. My aunt, who is what they call good-hearted, never went into the shop without bringing him some High Toast, and he used to take the packet of snuff from her hands, gravely inclining his head for sign of thanks. He used to sit in that stuffy room for the greater part of the day from early morning, while Nannie (who is almost stone deaf) read out the newspaper to him. His other sister, Eliza, used to mind the shop. These two old women used to look after him, feed him, and clothe him. The clothing was not difficult, for his ancient, priestly clothes were quite green with age, and his dogskin slippers were everlasting. When he was tired of hearing the news he used to rattle his snuff-box on the arm of his chair to avoid shouting at her, and then he used to make believe to read his Prayer Book. Make believe, because, when Eliza brought him a cup of soup from the kitchen, she had always to waken him.

As I stood looking up at the crape and the card that bore his name I could not realise that he was dead. He seemed like one who could go on living for ever if he only wanted to; his life was so methodical and uneventful. I think he said more to me than to anyone else. He had an egoistic contempt for all women-folk, and suffered all their services to him in polite silence. Of course, neither of his sisters were very intelligent. Nannie, for instance, had been reading out the newspaper to him every day for years, and could read tolerably well, and yet she always spoke of it as the Freeman's General. Perhaps he found me more intelligent, and honoured me with words for that reason. Nothing, practically nothing, ever occurred to remind him of his former life (I mean friends or visitors), and still he could remember every detail of it in his own fashion. He had studied at the college in Rome, and he taught me to speak Latin in the Italian way. He often put me through the responses of the Mass, he smiling often and pushing huge pinches of snuff up each nostril alternately. When he smiled he used to uncover his big, discolored teeth, and let his tongue lie on his lower lip. At first this habit of his used to make me feel uneasy. Then I grew used to it.

That evening my aunt visited the house of mourning and took me with her. It was an oppressive summer evening of faded gold. Nannie received us in the hall, and, as it was no use saying anything to her, my aunt shook hands with her for all. We followed the old woman upstairs and into the dead-room. The room, through the lace end of the blind, was suffused with dusky golden light, amid which the candles looked like pale, thin flames. He had been coffined. Nannie gave the lead, and we three knelt down at the foot of the bed. There was no sound in the room for some minutes except the sound of Nannie's mutterings—for she prays noisily. The fancy came to me that the old priest was smiling as he lay there in his coffin.

But, no. When we rose and went up to the head of the bed I saw that he was not smiling. There he lay solemn and copious in his brown habit, his large hands loosely retaining his rosary. His face was very grey and massive, with distended nostrils and circled with scanty white fur. There was a heavy odour in the room—the flowers.

We sat downstairs in the little room behind the shop, my aunt and I and the two sisters. Nannie sat in a corner and said nothing, but her lips moved from speaker to speaker with a painfully intelligent motion. I said nothing either, being too young, but my aunt spoke a good deal, for she is a bit of a gossip—harmless.

"Ah, well! he's gone!"

"To enjoy his eternal reward, Miss Flynn, I'm sure. He was a good and holy man."

"He was a good man, but, you see … he was a disappointed man…. You see, his life was, you might say, crossed."

"Ah, yes! I know what you mean."

"Not that he was anyway mad, as you know yourself, but he was always a little queer. Even when we were all growing up together he was queer. One time he didn't speak hardly for a month. You know, he was that kind always.["]

"Perhaps he read too much, Miss Flynn?"

"O, he read a good deal, but not latterly. But it was his scrupulousness, I think, affected his mind. The duties of the priesthood were too much for him."

"Did he … peacefully?"

"O, quite peacefully, ma'am. You couldn't tell when the breath went out of him. He had a beautiful death, God be praised."

"And everything…?"

"Father O'Rourke was in with him yesterday and gave him the Last Sacrament."

"He knew then?"

"Yes; he was quite resigned."

Nannie gave a sleepy nod and looked ashamed.

"Poor Nannie," said her sister, "she's worn out. All the work we had, getting in a woman, and laying him out; and then the coffin and arranging about the funeral. God knows we did all we could, as poor as we are. We wouldn't see him want anything at the last."

"Indeed you were both very kind to him while he lived."

"Ah, poor James; he was no great trouble to us. You wouldn't hear him in the house no more than now. Still I know he's gone and all that…. I won't be bringing him in his soup any more, nor Nannie reading him the paper, nor you, ma'am, bringing him his snuff. How he liked that snuff! Poor James!"

"O, yes, you'll miss him in a day or two more than you do now."

Silence invaded the room until memory reawakened it, Eliza speaking slowly—

"It was that chalice he broke…. Of course, it was all right. I mean it contained nothing. But still … They say it was the boy's fault. But poor James was so nervous, God be merciful to him."

"Yes, Miss Flynn, I heard that … about the chalice … He … his mind was a bit affected by that."

"He began to mope by himself, talking to no one, and wandering about. Often he couldn't be found. One night he was wanted, and they looked high up and low down and couldn't find him. Then the clerk suggested the chapel. So they opened the chapel (it was late at night), and brought in a light to look for him… And there, sure enough, he was, sitting in his confession-box in the dark, wide awake, and laughing like softly to himself. Then they knew something was wrong."

"God rest his soul!"

That was surprisingly good!