UnknownCircle

joined 1 year ago
[–] UnknownCircle@kbin.social 17 points 1 year ago (4 children)

This should be standard, people don't become less productive when working from home. Vast majority of wfh folks I know spend more time and are more productive at home. If my company tried to pull this nonsense (it wouldn't because its actually a great place to work) I'd immediately start looking for a different job. On Linkedin and other platforms I literally don't even consider or look at non wfh positions.

Also I don't know what jobs are thinking. Its stupid to think someone will change jobs for less pay and move into a non-wfh position from a wfh one. Those jobs should always be avoided, because they clearly think you're too stupid to do basic math.

[–] UnknownCircle@kbin.social 1 points 1 year ago

I feel like the relationship with Lae'zel grows a lot over the course of the game. But you have to really commit to going that route.

[–] UnknownCircle@kbin.social 6 points 1 year ago

As someone who is generally a fan of your first 2 points, the latter two really get to me sometimes. I like the characters being forward, but if I indicate that I'm not interested I'd like them to kinda back off. Sometimes I don't even talk to certain companions because all their dialogue options are veiled flirtations. I'd like some characters to be friends and others to be romance options.

Gale is just a straight menace, every single interaction feels romance adjacent. Halsin keeps hinting at it, not nearly at the level of Gale but definitely is a constant undertone. Shadowheart was on my multi-romance train but, I decided to go forward with Laezel so I had to cut that one off. So Shadowheart is firmly in the friendly companion camp now.

Karlach, Astarion, Wyll, and Shadowheart are my mostly not too flirty companions. Astarion in particular has been great, I think I pissed him off in the early game with all my good choices so he just acts like a good friend. Which I appreciate.

I honestly didn't realize that affinity would activate romance mode for everyone. I just didn't want to piss some characters off and make them leave the party because they hated my character. Also didn't want to miss any affinity related (non-romance) quests.

Also shoutout to the biggest bro, my non-companion, Dame Aylin. She's the bro that I want my other friend companions to be.

[–] UnknownCircle@kbin.social 1 points 1 year ago

Depends on how invested I am into the outcome. The less invested in the outcome I am, the more I let the dice decide. If I dislike the outcome enough I will reset to an earlier save.

[–] UnknownCircle@kbin.social 4 points 1 year ago

I'd be interested in petting doggos and hanging out if that's what you mean by tailored, but not any traditional therapy. Going affects my employment opportunities, which I care about far more than my mental health. If I wanted to not suffer everyday of my life I'd shift my priorities, expectations, push my boundaries or off myself. Since I haven't done those things yet, things must be fine enough.

I would have a very bad opinion of any version of myself that was happy or content while being aware of all the terrible things we human beings get up to.

The only way I could be convinced to genuinely engage with therapy is if I thought it'd achieve some material goal of mine like making more money. Proving some positive correlation in earnings or attainment of things that men normally want with therapy would probably help. I'd reluctantly go and commit completely if I thought it'd significantly improve the likelihood of achieving my current or future goals. No dogs necessary at that point, just data.

[–] UnknownCircle@kbin.social 9 points 1 year ago (6 children)

Save scumming is the only way I can tolerate games like this. For as awesome as the game is (very awesome) sometimes consequences fall within the range of acceptability and sometimes they don't. When they don't, save scumming is what keeps me from putting the game down for good.

[–] UnknownCircle@kbin.social 1 points 1 year ago

I don't and never have, but I've always known this about myself. You know yourself best, if you think you'll be someone that enjoys the changes that come with age then don't let anyone else's experiences make you doubt. Enjoy and live your best life, we all experience life differently and that is a good thing.

[–] UnknownCircle@kbin.social 6 points 1 year ago

For good measure, I love these saccharine bullshit comics.

[–] UnknownCircle@kbin.social 0 points 1 year ago

It would certainly be nice to have more Linux and open source projects, but that doesn't seem to be this projects goal. I suspect that there's a market for not always online adobe style products, even with piracy I'm sure the money is a lot better than donations. Also could you share what your definition of commercial elitism is?

[–] UnknownCircle@kbin.social 1 points 1 year ago* (last edited 1 year ago)

Its certainly interesting, but its ultimately going to be wherever we collectively decide.

One thing modern ML advancements have made painfully clear is that something being the "same" is variable based on what definition you use to determine sameness. Is it the same crew, same look, same feel, same atoms, same purpose, same name, etc... In the absence of such definition, everything ceases to be the same the moment after it has been described. As every single thing is constantly changing.

Living things naturally generalize similarities, relationships, and associations into patterns that are re-used and abstracted. So we very much take these things for granted.

If you like that type of thing you may enjoy Funes the Memorious by Luis Borges

[–] UnknownCircle@kbin.social 1 points 1 year ago

I agree that you can't own an art style in the US and I don't know if there's any other legal basis for artist's claims.

Legality doesn't automatically deal with problems that are not based on whether something is legal or not. Losing money is losing money, regardless of if its the result of something legal. And people can feel devalued by something that is legal. It just means that the government will not use force to intervene in what you're doing and may in-fact use force to support you.

Picasso is dead, so he has no ability to feel devalued. Artists who are alive do have that ability and other living people who value his works do as well.

I myself support and love this technology. But it is clear that it causes problems for some people. I would prefer for it to exist in a form where artists could get value from and be happy with it too, but that is just not the case at present.

[–] UnknownCircle@kbin.social 10 points 1 year ago* (last edited 1 year ago) (4 children)

Its unlikely that this did not use his work, these models require input data. Even if they took similar art, that would only resolve the issue of Greg himself but would shift it to those other artists. Unless there is some sort of unspoken artistic genealogical purity that prevents artists with similar or inspired styles from having equal claim on their own creations when inspired by another.

It also could be outputs generated from another AI model. But I don't think people who see ethical problems in this care about the number of steps removed and processing that occurs when the origin is his artwork and it ultimately outputs the same or similar style. The result is what bothers people, no matter how disparate or disconnected the source's influence is. If the models had simply found the Greg Rutkowski latent space through random chance people would still take issue with it.

The ability and willingness to generate images in a style associated with a person, without consent, is a threat to that persons job security and shows a lack of value for them as a human. As if their creative expression is worth nothing but as a commodity to be consumed.

The people supporting this don't care though. They want to consume this person's style in far greater quantities and variations then a human is capable or willing to fulfill. That's why these debates are so fierce, the two sides have incentives that are in direct conflict with one another.

We currently lack the economic ingenuity or willingness to create a system that will satisfy both parties. The barrier of entry to AI is low, someone at home has every incentive to maintain the status quo or even actively rail against artists. Artists will need a heavy handed approach from the government or as a collective to combat this effectively.

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