Punk Rock

I've been thinking about this post for a while, ever since a similar one went up on the old Hardcore community on the now defunct waveform.social. Basically an introduction/why are we all here, and what's the point?

Why Punk_Rock?
Like many of you (I assume), I moved over to Lemmy after watching Reddit slowly (or sometimes rapidly) go to shit over the past decade+. From Front Page of the Internet to Digging it's own grave for that sweet ad revenue. I started this sub-lemmy for two main reasons:

1. At the time, most of the other punk subs on Lemmy hadn't had new posts in half a year or more, and/or had almost no active members. I wanted to create a sub that was actually active and enticing to people during the great Reddit exodus(es).
2. Most of the punk subs on Reddit were, well... boring. I mean, I get it, for some people listening to Teenage Bottlerocket on repeat for weeks on end has a certain comforting appeal. However, there's more out there in the big wide world than US Top 40 punk. Reddit has always been famous for headline readers, and it seemed more often than not, that's all the punk subs were too. Bad Religion or the Interupters get hundreds of upvotes in minutes, likely from people who don't even click through to listen to the music, but anything unfamiliar would get ignored, or worse, downvoted. That lead to a painfully repetitive catalogue. Some subs tried blacklists or posting guidelines, but it often didn't seem to make a big difference.

Rules? What do we need rules for?
That's not to say that you can't post Bad Religion or whatever else you like here. Feel free. I'd like to keep this place as rules-free as possible. I think, as a whole though, we can do better. What I was always looking for on Reddit was new music. Something I hadn't heard before. That's what I'm trying to do here. I want to help people find new favourite bands that rip as hard as what they're used to. That said, in this sad world we live in, basic ground rules almost always have to be stated:

1. Don't be racist, sexist, homophobic, transphobic, etc. Basically just don't be a degenerate.

There, that was easy wasn't it?

A quick note about Spotify
Yeah, yeah, it's convenient. It's also absolute shit. Spotify is bad for artists, it's bad for listeners, it's bad for the internet. You know who Spotify is good for? Spotify shareholders and executives, that's about it.

That said, I obviously don't expect everyone to stop using it. Post Spotify links if you must, however there are better alternatives out there. One of the big ones is Bandcamp.com. Users get all the free streaming they want, there are apps in addition to the website, and most importantly, over 80% of the money, on average, goes directly to the artist or label putting out the music. That is why all of my posts (where possible) feature a Bandcamp link. Help support the artists you love whenever you can.

Holy fuck this is wordy
Yeah. Sorry about that. At the end of the day, I never really aspired to mod a community again, and I'm hoping the amount of actual moderation required remains minimal. If everyone sticks to the golden rule Just don't be a degenerate, we should be fine. So have fun, find new music, post news, scene updates, favourite songs, whatever you'd like (that's punk related), and hopefully we all come across new and exciting music along the way. Invite your friends, the more the merrier!

Grob releases October 20th via AgiPunk Records.

cross-posted from: https://lemmy.world/post/4755602

Following up on their incredible 2021 demo, this Copenhagen group delivers an equally exciting debut full length. On one hand, this sounds vaguely familiar as the local legends Lower and (early) Iceage have sure left their mark on Pleaser's music - having a similar appeal of larger-than-life drama tangled up in chaotic and emotional no-holds-barred performances - in addition to lesser known Copenhagen groups like Melting Walkmen, Echo People and Spines. But then again, Pleaser totally hold their own owing to top-notch song substance and plenty of neat little surprises like some black metal flourishes in the instrumental The World Says Its Name, Morricone stylings and a Murderer-esque psychedelic cowpunk haze in Drive of Distress while Light and Fire and This Is How I Die have some distinct Poison Ruïn vibes to them. Last but not least, in The Dream, a good bit of Rites of Spring, Dag Nasty collides with some 90s Leatherface or Samiam vibes as well as somewhat younger noise pop acts á la Star Party, Times Beach, No Age, Male Bonding or Joanna Gruesome.

cross-posted from: https://lemmy.world/post/4755007

An unexpected new EP of the fabulous Red Dons, whose mastermind Daniel Husayn apparently has, in recent years, been mostly busy with mastering great tunes rather than playing and recording such. So now here we have the first new material in close to six years of the originally Portland-based group . It's among their most solemn, moody and quiet stuff so far and the gamble pays off just admirably thanks to their unwavering songwriting excellence, an unbending performance and that certain harmonic sensibility that is very much their own.

Call of the Knife releases October 16th via Drunken Sailor Records.

Cut Piece releases September 22nd via Dirt Cult Records.

cross-posted from: https://lemmy.world/post/4383314

Born To Blitzkrieg releases October 6th via Rokk Records.

This group's second cassette on Impotent Fetus or Down South Tapes or whatever it's called this week, considerably one-ups their previous one in terms of undiluted fury while carrying across all the traits we've come to expect from that label's output - rough and grimy as fuck yet unexpectedly catchy at the same time. A perfect storm of garage- and KBD-infested hardcore primitivism.