Groschi

joined 1 year ago
 

What i said about Uranium Club's effect on garage punk a couple weeks back, similar things i can attest to this Oakland group concerning their particular (sub-)genre. Here we have a new LP by another band who, despite far from being the most prolific of acts out there, has clearly sent plenty of ripples through the post- and art punk scene of recent years. It's been over five years since their last record and surely things have kept moving since then, as evidenced by a matured sound on display here that once again presents them on the cutting edge of their own niche, considerably advancing and developing their sound and craft while still retaining all the traits that made them so special in the first place. What's already been forshadowed with their 2022 digital single Dirty Water comes into full bloom here - their songs and arrangements, while still being every bit as eleborate and angular constructions, have gained a lot in terms of elegance and melodic sensibility, their compositions always being grounded in careful and intricate songwriting craftsmanship. Songs like the brilliant first single See It Too kinda channel the most melodic and catchy aspects of '70s Wire while enriching those smartypants aesthetics with tons of human warmth and sincere emotion.

 

cross-posted from: https://lemmy.world/post/13226318

Awesome to hear this dude's angel voice again! Just a couple weeks ago, Shogun, best known as the powerhouse front man of Royal Headache, made his triumphant return (let's not forget the neat 2018 Shogun and the Sheets 7" though) with the debut EP of Finnoguns Wake, the duo comprising of him and Finn Berzin and now, pretty much out of nowhere, there's also the debut EP by another band of his, Antenna, popping up which, of his projects so far, aligns closest to the oldschool Royal Headache vibe in terms of its song material while moving on from the rough garage sound towards a somewhat slicker aesthetic inbetween the parameters of straight-up melodic punk rock, noise- and power pop with a kinda unexpected Leatherface edge to it. Sweet!

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Cartoon - Nyuck Nyuck Boing! [new release] (humanheadstonepresents.bandcamp.com)
 

cross-posted from: https://lemmy.world/post/13221242

Now here's some brilliant shit i've been totally unprepared for, certainly having a mind of its own and being delightfully out of touch with the zeitgeist! Sure, the whole thing feels kinda old. I'm kinda old too, so i like that. Imagine the likes of Saccharine Trust, Minutemen, Swell Maps and The Pop Group partaking in an occult ritual to conjure up an ancient '60s acid rock demon, an unholy crossbreed of psych- and math rock. This is quite terribly self-indulgent of course, but that aspect kinda comes with both of those genres, i guess. At this point i'm pretty sure you've already made up your mind about it and know if you're gonna love or hate it. In my humble opinion, what the Philadelphia group hallucinates up here is pretty fucking swell and totally should be legalized! >

 

Sublimation releases May 3rd.

 

Metro releases March 29th via Sabotage Records & It's Eleven Records.

 

Most Perfect Solitude releases April 26th via Fuzz Club Records.

 

Our Decisions releases March 29th via Born Bad Records.

 

cross-posted from: https://lemmy.world/post/12436421

My petty attempts at writing about music might've been even worse 10+ years ago than they still are in the present but at least there's little need for me being too embarrassed about most of the music i've picked back then. Case in point, the new LP of italian group Tiger! Shit! Tiger! Tiger!, the first new music after six to seven years of silence by the group that had the questionable honor of being the subject of the very first 12XU blog post ever (the german language section that is, which goes back to the year 2013 rather than the english section which is less than half as old). Despite their slow pace of output you can't accuse them of lacking staying power, that's for sure! Their sound's progression over the years makes perfect sense to me as well, their excellent 2013 Forever Young LP kinda channeling the bygone late 2000s / early 2010s era of noise pop and fuzz punk groups á la No Age, Wavves and Male Bonding, which then morphed into a more relaxed, indie rock-leaning vibe with on their 2017 album Corners. With this new one, they finally settle into some ultra-classic shoegaze territory with just a hint of post grunge added to the mix, Bailterspace and Swervedriver being the the best comparison i can come up with. Here they slow things down even further without ever coming across as sleepy or boring - it takes a rare amount of elaborate construction work and song-crafting prowess to pull this shit off successfully and these italians deliver on it in droves, more than any other group has done in recent years as it's been a rather sad decade for the genre so far if you ask me, in which most of these groups certainly have all their effect pedals in place while lacking the songs, energy and vision to do anything for me other than gently lulling me to sleep. This one, it sounds kinda oldschool while absolutely not Slowdive-ish and that's like a breath of fresh air to me in these days.

 

My petty attempts at writing about music might've been even worse 10+ years ago than they still are in the present but at least there's little need for me being too embarrassed about most of the music i've picked back then. Case in point, the new LP of italian group Tiger! Shit! Tiger! Tiger!, the first new music after six to seven years of silence by the group that had the questionable honor of being the subject of the very first 12XU blog post ever (the german language section that is, which goes back to the year 2013 rather than the english section which is less than half as old). Despite their slow pace of output you can't accuse them of lacking staying power, that's for sure! Their sound's progression over the years makes perfect sense to me as well, their excellent 2013 Forever Young LP kinda channeling the bygone late 2000s / early 2010s era of noise pop and fuzz punk groups á la No Age, Wavves and Male Bonding, which then morphed into a more relaxed, indie rock-leaning vibe with on their 2017 album Corners. With this new one, they finally settle into some ultra-classic shoegaze territory with just a hint of post grunge added to the mix, Bailterspace and Swervedriver being the the best comparison i can come up with. Here they slow things down even further without ever coming across as sleepy or boring - it takes a rare amount of elaborate construction work and song-crafting prowess to pull this shit off successfully and these italians deliver on it in droves, more than any other group has done in recent years as it's been a rather sad decade for the genre so far if you ask me, in which most of these groups certainly have all their effect pedals in place while lacking the songs, energy and vision to do anything for me other than gently lulling me to sleep. This one, it sounds kinda oldschool while absolutely not Slowdive-ish and that's like a breath of fresh air to me in these days.

 

The second EP by this San Francisco group, coming to us by way of the weirdo suits at the headquarters of Discontinuous Innovation Inc., marks a quite impressive step up in energy, sophistication, elegance and stylistic variety after their already perfectly enjoyable debut cassingle in 2020. In the year 2024, their quirky and chaotic mix of postcore, post- and art punk with just a smidge of garage punk thrown in for good measure is still gonna evoke universally favorable comparisons to quirky noisemakers in the vein of Rolex, Patti, Reality Group, Big Bopper, Warm Bodies, Uranium Club and Brandy.

 

Somehow, Here We Are releases April 12th via Cercle Social Records.

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