Literature

Each act, each occasion, is worse than the last, but only a little worse. You wait for the next and the next. You wait for one great shocking occasion, thinking that others, when such a shock comes, will join with you in resisting somehow. You don’t want to act, or even talk alone; you don’t want to “go out of your way to make trouble.” Why not?—Well, you are not in the habit of doing it. And it is not just fear, fear of standing alone, that restrains you; it is also genuine uncertainty.

Uncertainty is a very important factor, and, instead of decreasing as time goes on, it grows. Outside, in the streets, in the general community, “everyone” is happy. One hears no protest, and certainly sees none. You speak privately to your colleagues, some of whom certainly feel as you do; but what do they say? They say, “It’s not so bad” or “You’re seeing things” or “You’re an alarmist.”

And you are an alarmist. You are saying that this must lead to this, and you can’t prove it. These are the beginnings, yes; but how do you know for sure when you don’t know the end, and how do you know, or even surmise, the end? On the one hand, your enemies, the law, the regime, the Party, intimidate you. On the other, your colleagues pooh-pooh you as pessimistic or even neurotic. You are left with your close friends, who are, naturally, people who have always thought as you have.

But your friends are fewer now. Some have drifted off somewhere or submerged themselves in their work. You no longer see as many as you did at meetings or gatherings. Now, in small gatherings of your oldest friends, you feel that you are talking to yourselves, that you are isolated from the reality of things. This weakens your confidence still further and serves as a further deterrent to—to what? It is clearer all the time that, if you are going to do anything, you must make an occasion to do it, and then are obviously a troublemaker. So you wait, and you wait.

But the one great shocking occasion, when tens or hundreds of thousands will join with you, never comes. That’s the difficulty. If the last and worst act of the whole regime had come immediately after the first and smallest, thousands, yes, millions, would have been sufficiently shocked—if, let us say, the gassing of the Jews in ’43 had come immediately after the “German Firm” stickers on the windows of non-Jewish shops in ’33. But of course this isn’t the way it happens. In between come all of the hundreds of little steps, some of them imperceptible, each of them preparing you not to be shocked by the next. Step C is not so much worse than Step B, and, if you did not make a stand at Step B, why should you at Step C? And so on to Step D.

And one day, too late, your principles, if you were ever sensible of them, all rush in upon you. The burden of self-deception has grown too heavy, and some minor incident, in my case my little boy, hardly more than a baby, saying “Jewish swine,” collapses it all at once, and you see that everything has changed and changed completely under your nose. The world you live in—your nation, your people—is not the world you were born in at all. The forms are all there, all untouched, all reassuring, the houses, the shops, the jobs, the mealtimes, the visits, the concerts, the cinema, the holidays. But the spirit, which you never noticed because you made the lifelong mistake of identifying it with the forms, is changed. Now you live in a world of hate and fear, and the people who hate and fear do not even know it themselves; when everyone is transformed, no one is transformed. Now you live in a system which rules without responsibility even to God. The system itself could not have intended this in the beginning, but in order to sustain itself it was compelled to go all the way.

Suddenly it all comes down, all at once. You see what you are, what you have done, or, more accurately, what you haven’t done (for that was all that was required of most of us: that we do nothing). You remember those early morning meetings of your department in the university when, if one had stood, others would have stood, perhaps, but no one stood. A small matter, a matter of hiring this man or that, and you hired this one rather than that. You remember everything now, and your heart breaks. Too late. You are compromised beyond repair.

Following is synopsis of Justus Rosenberg's book on Kobo's shop. Thanks to @ProdigalFrog@slrpnk.net for reminding me of this text with your previous relevant post. The book itself is both pretty entertaining (Justus is a very good story teller AND IT'S SHORT) and you know, sobering and terrifying in that whole "witness to man-made horrors beyond all comprehension" kinda way.

“Thrillingly tells the story of an Eastern European Jew’s flight from the Holocaust and the years he spent fighting in the French underground.” —USA Today

An American Library in Paris Book Award “Coups de Coeur” Selection

In 1937, after witnessing a violent Nazi mob in his hometown of Danzig, a majority German city on the Baltic Sea, sixteen-year-old Justus Rosenberg was sent by his Jewish parents to Paris to finish his education in safety. Three years later, the Nazis came again, as France fell to the Germans. Alone and in danger, Justus fled Paris, heading south. A chance meeting led him to Varian Fry, an American journalist in Marseille who led a clandestine network helping thousands of men and women—including many legendary artists and intellectuals, among them Hannah Arendt, Marc Chagall, Andre Breton, and Max Ernst—escape the Nazis. With his intimate understanding of French and German culture, and fluency in several languages, including English, Justus became an invaluable member of Fry’s operation as a spy and scout.

After the Vichy government expelled Fry from France, Justus worked in Grenoble, recruiting young men and women for the Underground Army. For the next four years, he would be an essential component of the Resistance, relying on his wits and skills to survive several close calls with death. Once, he found himself in a Nazi internment camp, with his next stop Auschwitz—and yet Justus found an ingenious way to escape. He spent two years gathering intelligence, surveying German installations and troop movements on the Mediterranean. Then, after the allied invasion at Normandy in 1944, Justus became a guerrilla fighter, participating in and leading commando raids to disrupt the German retreat across France.

At the end of the Second World War, Justus emigrated to America, and built a new life. After decades teaching literature at Bard College, he now adds his own story to the library of great coming-of-age memoirs, a “gripping” chronicle of his youth in Nazi-occupied Europe, when he risked everything to stand against evil (Kirkus Reviews, starred review).

Wikipedia TL;DR

Oil! is a novel by Upton Sinclair, first published in 1926–27 and told as a third-person narrative, with only the opening pages written in the first person. The book was written in the context of the Harding administration's Teapot Dome Scandal and takes place in Southern California. It is a social and political satire skewering the human foibles of all its characters.

The main character is James Arnold Ross Jr., nicknamed Bunny, son of an oil tycoon. Bunny's sympathetic feelings toward oilfield workers and socialists provoke arguments with his father throughout the story. The beginning of the novel served as a loose inspiration for the 2007 film There Will Be Blood.

My Take: Basically the TL;DR is that Oil companies have been buying politicians and stalling progress while their actions destroy the lives of untold masses forever. This book is like 100 years old, so that means it has been a big enough problem to write a whole pulpy novel about it for longer than any of us will ever live. Corporations are bad. Great characters and retro cultural obscura!

Linked below is an excellent copy by Standard Ebooks you can legally have for free if you also want to be mad about the oil industry and capitalism more broadly.

Oil! 🌋 Upton Sinclair

Children's reading enjoyment has fallen to its lowest level in almost two decades, with just one in three young people saying that they enjoy reading in their free time, according to a new survey.

Only 34.6% of eight- to 18-year-olds surveyed by the National Literacy Trust (NLT) said that they enjoy reading in their spare time. This is the lowest level recorded by the charity since it began surveying children about their reading habits 19 years ago, representing an 8.8 percentage point drop since last year.

It is also part of a broader downward trend since 2016, when almost two in three children said that they enjoyed reading.

I have been listening to the podcast Twenty Thousand Hertz, which picks a sound or music (eg music of Hans Zimmer) and the host recommended another podcast called Imaginary Worlds. I cannot get enough of it. The host picks a topic and usually has guests to discuss it (eg Terri Pratchett’s Discworld, or how Norse mythology permeates present day).

The show tickles my sense for philosophy by asking really open-ended and thought-provoking questions. And the host quite often has a books or movies that I would have never otherwise heard of, such as Octavia Butler- Lilith’s Brood (aka Xenogensis) and Dora Raymaker - Resonance; which explore the experiences of black and autistic authors, respectively, and how that shapes the stories they create.

Not many things prompt me to think outside of the box like this show. I just wanted to share, in case anyone else could enjoy it as much as I am.

For the uninitiated, “shipping,” or the act of creating a romantic pairing between two people or characters who may not already be romantically involved, may seem like an uniquely internet phenomena.

But really, it IS the stuff of legend. From today’s Tay/Trav, to Shakespeare’s Romeo/Juliet, to Homer’s Achilles/Patroclus, to Adam/Eve. Romantic shipping (denoted by the “/”) is practically biblical.

It's human nature to pair Human A and Human B (and possibly Human C, D, etc.) together and hope for the best. But how do we collectively decide WHO gets shipped?

We set out to try to answer that question by looking at 11 years of Archive of Our Own (AO3) data compiled by centreoftheselights.

archive.is link

Mine is Becky Chambers. I've just finished rereading all of her work, and it gave me the exact same feeling of hope I had the first time. Not groundbreaking, but soul-feeding.

Publishers are complaining that people prefer to read the novels in English instead of their native tongues.

Hey folks! I'm hoping that someone can recommend a book or two on herbalism - preferably ones where the author discussed the terpenes and secondary plant metabolites more than the magickal properties of the plants in question.

Currently I'm looking up plants through things like the NIH portal but would prefer to have some books I could reference as well; those studies are usually focused on one or two metabolites or compounds and it would be nicer to have that sort of information for each indicated use. For example: plantain (Plantago major) and comfrey (Comfrey officinale) are both used for skin conditions due to their production of allantoin; mountain mints (Pycnanthemum spp) are used in various ways for their production of carvacrol, menthone, isomenthone, β-elemene, limonene, piperitone, and germacrene D.

Thanks!

Anthony Bourdain & The Balvenie head to San Francisco, California to meet with Andrew Hoyem, master typographer and printer of Arion Press. One of the last of its kind, Arion Press has only a handful of members on its staff, all fellow craftsmen dedicated to this age old process. Each works meticulously to create the books in multiple parts, from the typecasters, to the proofreaders, to the printers and the bookbinders. All of these hands build a work of art through a process that must be seen to be believed, and can only, truly, be described as magic. Episode directed by filmmaker Rob Meyer.

We wanted to invite other Lemmy readers to join us in a reading challenge, we have tried to structure this so it’s very flexible with regards to genre, and we don’t require you to join or post on !books@lemmy.world. We had just put in the work to make it and thought we could share the fun. (Admins/Mods please feel free to delete if inappropriate or unwelcome) cross-posted from: https://literature.cafe/post/9497120

Want to read more, but need motivation or direction? Want to gamify or expand your reading? Try book bingo! Our hope with this challenge is to provide a fun way for you to keep up with your reading goals throughout the next 12 months.

How does it work?

The goal is to read something that fits the theme for each bingo square in any single row, column, or corner diagonal of your choice (one work per theme/square). If you would like to, you’re welcome to complete the entire card (or multiple cards). But to clarify, normal bingo rules apply, you only need 5 in a row for a bingo.

Since this is about helping you along in your reading journey, there’s no requirement to read any particular kind of work. Prefer a different format, like graphic novels or audio books? Go for it. Want to read in a different language? Cool. Only have time or energy for single short stories. That’s fine, too. You can read fiction of any genre, nonfiction of any topic, books of poetry, or whatever else interests you, as long as it works for the square. We wanted this to be as open and flexible as possible, to be welcoming to as many people as possible.

We hope you’ll participate in the community throughout the year by sharing how you’re doing with bingo, helping others with suggestions, and posting your feelings about what you’re reading in dedicated threads or the weekly "What are you reading?" thread.

In mid-April, 2025, we'll put up a turn-in post to collect what everyone's been reading; we'll be using that thread to put together a summary, once the bingo period ends. Additionally, if there's a way to provide community flair or some other recognition to participants, that's how we'll determine eligibility. So, if you want to be counted and/or recognized, please make sure to contribute to that post, even if you've made other bingo posts or comments during the year!

Rules

• You must read a different work for every square you complete, even across multiple cards. There is no conflict, however, with overlapping other reading challenges that aren't associated with c/Books.
• Repeating authors on the same card isn’t forbidden (especially for the “There Is Another…” and “Same Author, New Work” squares), but we encourage you to read as new to you or different authors for every square on a card.
• Likewise, we encourage you to primarily read things you haven’t read before.
• If you’re having trouble filling a certain square, we’ve provided a few alternates you can substitute in (see below). Please limit your substitutions to one per card.
• The 2024 Bingo period lasts May 1st, 2024 – April 30th, 2025. Anything you finish during that time period is eligible, as long as you were no more than halfway through on May 1st.

Upping the Difficulty

Want an additional challenge? Try one of these, or come up with a variation of your own (and share them!).

• Hard Mode: Each square description includes an optional extra restriction to the theme, which you can do or ignore on a square-by-square basis. It's up to you!
• Genre Mode: Read only one genre.
• Review Mode: Write a review (ratings alone don’t count) for the books you read for bingo, either here on c/Books, a personal blog, Bookwyrm, The Storygraph, Hardcover.app, or elsewhere.

The Card

Link to a bigger copy

The Squares

Row 1

• 1A - Older Than You Are: Published before your birthdate. HARD MODE: Published before 1924.
• 1B - Water, Water Everywhere: The title refers to some form or body of water. HARD MODE: Not liquid water.
• 1C - What’s Yours Is Mine: Theft, piracy, fraud, or espionage is a major topic or plot point. HARD MODE: No MacGuffins.
• 1D - Family Drama: Family is important, but sometimes it's also the cause of problems. Family dynamics are fundamental to the narrative. HARD MODE: Involves three or more generations of family members.
• 1E - It Takes Two: Written by two or more authors. HARD MODE: Written by three or more authors.

Row 2

• 2A - New Release: New for 2024/2025 (no reprints or new editions). First translations into your language of choice are allowed. HARD MODE: This is the first work you've read by this author.
• 2B - Plays With Words: Written in a stylistically unconventional way. HARD MODE: Fits the definition of Experimental Literature.
• 2C - Independent Author: Self-published by the author. Works later published though a conventional publishing house don't count unless you are reading it before the switch, and it's republished before April 30th, 2025. HARD MODE: Not published via Amazon Kindle Direct.
• 2D - Bookception: Features a book-related aspect. HARD MODE: Something other than a book, like an author or library.
• 2E - Disability Representation: A main character has or gains a disability to which they must adapt. This disability must be grounded in reality: if a 4,000 year old Prince of the Shokan lost an arm, that would count; if he became a werewolf, it would not. HARD MODE: The piece is at least partially from their perspective.

Row 3

• 3A - Eazy, Breazy, Read-zie: A light, popcorn-worthy read that’s not real deep (see also “beach read” and “airport novel”). HARD MODE: You actually read it while on a vacation/staycation.
• 3B - Stranger in a Strange Land: The primary PoV is dropped into a completely unfamiliar situation or location. HARD MODE: Not portal fiction or isekai.
• 3C - One Less: A book that’s been on your TBR list for a long time. HARD MODE: Overlaps with at least one other bingo square theme.
• 3D - There Is Another…: Not the first in a series. HARD MODE: Series has 5 or more entries.
• 3E - LGBTQIA+ Lead: A main character identifies as LGBTQIA+. HARD MODE: Includes a significant romance between characters that identify as LGBTQIA+.

Row 4

• 4A - Now a Major Motion Picture: The work has been adapted into a show or single episode, movie, play, audio drama, or other format. HARD MODE: The adaptation is regarded as better than the original work.
• 4B - It’s About Time: The passage or manipulation of time is a major theme or plot driver. HARD MODE: Backward in time, not forward.
• 4C - Award Winner: Has won a significant literature award. HARD MODE: More than one award.
• 4D - Mashup: A combination of two or more genres or non-fiction topics. HARD MODE: Unusual combo, like fantasy thriller.
• 4E - Local to You: The author lives in or writes about a location local to you (city, state, province, territory, etc.). HARD MODE: The author has spent a significant amount of time there, but wasn't born there.

Row 5

• 5A - Debut Work: An author’s first work. HARD MODE: The author is widely regarded as having a profound impact on the genre/topic.
• 5B - It's a Holiday: Takes place during a specific holiday, which is significant to the plot. HARD MODE: Not Christmas, a fictional variation of Christmas, or other winter festival.
• 5C - Institutional: Set at a non-commercial institution or facility, like a school, science lab, or prison. HARD MODE: Not a school.
• 5D - Minority Author: Minority or LGBTQIA+ author. A minority can be any member of a generally underrepresented population where you live. HARD MODE: Minority and LGBTQIA+.
• 5E - Among the Stars: Features space, astronomy, or stardom. HARD MODE: The title references the theme, too.

Alternates

These are available as swaps if one of the categories is difficult for your chosen genre, or if it fits better with your reading preferences. There is no obligation to do these otherwise.

• Same Author, New Work: An author you’ve read before, but a series (or standalone) you haven’t. HARD MODE: Give an author you didn’t like a second chance.
• She Blinded Me With Science: The author has a background and degree in a hard science. HARD MODE: More than one post graduate degree.
• Pseudonymous Work: Published under a pen name. HARD MODE: The author generally never writes under their own name.
• Translated: Not originally in your native tongue. HARD MODE: Has been translated into at least ten other languages. This Wikipedia page is a good place to start for widely translated works.
• A Change in Perspective: Written in third-person perspective. HARD MODE: Second-person perspective.

Resources

If you make or find any bingo-related resources, ping or DM me so I can add them here. Thanks!

• 2024 Bingo Recommendations List
• The Storygraph Reading Challenge - You don’t need to use The Storygraph or any other reading tracker to do this challenge, this is just an additional support tool for those interested.

Appreciation

• This challenge is inspired by, but totally separate from, the one run by r/Fantasy on Reddit. We deeply appreciate the past organizers and the work they did that we are now benefitting from.
• Thank you for so much to misericordiae for the design and production of the card.
• 2024 bingo card font credits: Bungee Shade, by David Jonathan Ross; Roboto Condensed, by Christian Robertson.

Огляд коміксу «Одна весна в Чорнобилі» від Емманюеля Лепажа. Історія про Чорнобильську атомну катастрофу очима європейців. "Таємна кімната" - про комікси та мальописи українською.

Not sure I like the "Netflix of books" suggestion(libraries exist!), but I thought this was interesting.

We've all got one. That pile of books waiting to be read, some of them surely doomed to linger for years as other more enticing novels are selected instead. What's in yours?

Hello! I would like to catalogue my library (I estimate in the low thousands but I am unsure of the precise number). I would like to keep tracks of several things, from the "obvious" like author, title, publisher, edition, to more personal like "when"/"where" did I get it. Was it a gift? Is a lucky find from that one trip to Paris, etc.

What's the best way to go about it? A physical collections of cards ? An app? I would like it to be selfhosted (maybe using sqlite as a backend?)

Any idea, suggestion or anything (including your experience doing something similar!) is welcome!