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Horror movies are closely associated with rapid succession sequels than they are legacy sequels. (How many years did we have a new “Saw” and/or “Paranormal Activity” sequel to look forward to?) But there are still a fair amount of legacy horror sequels – follow-ups that take much longer to marinate than the traditional sequel – and these are the ones that were definitely worth the wait...

  • “Psycho II” (1983)
  • “Phantasm II” (1988)
  • “Halloween H20” (1998)
  • “Halloween” (2018)
  • “Doctor Sleep” (2019)
  • “The Craft: Legacy” (2020)
  • “Ghostbusters: Afterlife” (2021)
  • “Candyman” (2021)
  • “Scream” (2022)
 

Many things can cement a horror movie scene as truly great — a powerful scare, a shocking twist, or unique and creepy imagery being key features. Some of the most famous and beloved horror movies of all time have established themselves as pop culture touchstones on the strength of individual scenes, such as the horrifying first-act twist in Hereditary or the first-person opening of Halloween. As a result, discussions surrounding horror cinema often revolve around debating the best and scariest individual scenes, with some standing out as particularly resonant.

While any film can contain one great scare, the film's overall quality elevates these moments from simply shocking to iconic and pivotal. From silent films to the modern mainstream, these are the greatest scenes in horror movie history, genre-defining moments that have stood the test of time. The ranking will take into account their filmmaking, acting, impact, and the overall quality of the films...

  • 'The Exorcist' (1973) Regan's head turns 360 degrees
  • 'Alien' (1979) The chest-burster scene
  • 'Carrie' (1976) The prom scene
  • 'The Blair Witch Project' (1999) Heather's monologue
  • 'Audition' (1999) Asami's apartment scene
  • 'Texas Chain Saw Massacre' (1974) The Sawyers' dinner scene
  • 'Ring' (1998) Sadako emerges from the television
  • 'Nosferatu' (1922) The shadow scene
  • 'Possession' (1981) Anna's subway breakdown
  • 'Psycho' (1960) The shower scene
 

The folk-horror genre has been a perennial mainstay on screens for decades, with recent installments from films like Midsommar, Enys Men, and more recently Starve Acre revitalizing the genre. Harvest, which marks the English-language debut of Greek director Athina Rachel Tsangari, continues this tradition but deploys it in more novel ways. The film utilizes its quasi-folk-horror sensibility to paint an elegiac portrait of a pre-industrial village in the Scottish Highlands.

The film, adapted from Jim Crace’s novel of the same name, follows a small community nearing the end of the harvest season, run under their master Charles Kent (Harry Melling), who inherited the estate their village is on from his late wife, and his right-hand man Walter Thirsk (Caleb Landry Jones). The village displays all the traditional trappings of folk-horror communities found in films like The Wicker Man. They consciously live outside the gaze of God, engage in bizarre practices, like banging children’s heads against rocks, and carry out pagan dances around a bonfire in elaborate animal masks. There is even a lot of wicker.

They are also highly wary of outsiders and those they believe don’t belong. This includes a mapmaker called Quill (Arinze Kene), whom Kent has hired to chart his land, and a trio of two men and a woman who they falsely accuse of burning down their barn. The village is forced to belligerently accept Quill’s presence but punishes the others for their supposed crimes. The two men are locked in pillories while the villagers shave the woman’s head and accuse her of witchcraft before she flees and begins stalking them in the dead of night. The film continually plays with the horror genre in this way, maintaining a creeping sense of dread throughout its runtime. However, it never dives headlong into all-out horror and opts to teeter on the edge of the sinister and the supernatural. Instead, Tsangari fixes the film closer to the ground to forge an earthly and elemental picture of pre-industrialized agricultural life...

 

Event Horizon is light years away from being perfect, but there’s no denying its distinct, evocative flavor. The film’s cult status stems from the way it uses CGI and practical effects to build a disturbing outer space atmosphere with gratuitous gore. In many ways, Event Horizon feels like a spiritual successor to Ridley Scott’s Alien. But instead of a single extraterrestrial threat, it introduces an entire gateway to a dimension that mirrors Hell. This brand of cosmic horror was ahead of its time, but its campy "haunted house in space" vibe is celebrated by sci-fi movie fans today.

That’s not to say everyone hated Event Horizon when it first came out. Even back then, some reviewers like Total Film pointed out its merits and justified its tag of “The Shining in space.” Apart from its obvious influences from Kubrick's horror masterpiece and Alien, the space thriller also took cues from Andrei Tarkovsky’s Solaris, and in many ways feels like an unofficial prequel to Warhammer 40,000. This speaks volumes about the film’s cultural evolution into a bona fide sci-fi nerd classic...

 

UK ambulance services have been targeted by Russian hackers, risking disruption to their communication systems, with the potential to severely hamper Britain’s emergency services.

Intelligence material seen by i shows that over the past 12 months, a Kremlin-protected hacking network has targeted key suppliers to the UK Ambulance Services and Ministry of Defence (MoD).

This week, MI5 director Ken McCallum announced that Russia is on a “sustained mission” to create “mayhem” across Britain and Europe.

i gained rare exclusive access to a large database of previously stolen information used by hackers to identify and target a key supplier to the Ambulance Radio Programme (ARP), which connects ambulances to the NHS and other emergency responders.

The hackers, according to intelligence seen by i, were able to access email threads discussing the ARP, and details of key personnel and components involved in its security, exposing some of the inner workings of UK Ambulance Services’ secure communication systems.

The extracted information significantly increases the risk of further attacks on the ARP which could crash the system. This would have the potential to leave ambulance command centres unable to communicate with drivers and the police or fire services, or prevent them from receiving vital information about the precise location of major incidents, four UK intelligence sources told i...

 

The truth is, it’s getting harder to describe the extent to which a meaningful percentage of Americans have dissociated from reality. As Hurricane Milton churned across the Gulf of Mexico last night, I saw an onslaught of outright conspiracy theorizing and utter nonsense racking up millions of views across the internet. The posts would be laughable if they weren’t taken by many people as gospel. Among them: Infowars’ Alex Jones, who claimed that Hurricanes Milton and Helene were “weather weapons” unleashed on the East Coast by the U.S. government, and “truth seeker” accounts on X that posted photos of condensation trails in the sky to baselessly allege that the government was “spraying Florida ahead of Hurricane Milton” in order to ensure maximum rainfall, “just like they did over Asheville!”

As Milton made landfall, causing a series of tornados, a verified account on X reposted a TikTok video of a massive funnel cloud with the caption “WHAT IS HAPPENING TO FLORIDA?!” The clip, which was eventually removed but had been viewed 662,000 times as of yesterday evening, turned out to be from a video of a CGI tornado that was originally published months ago. Scrolling through these platforms, watching them fill with false information, harebrained theories, and doctored images—all while panicked residents boarded up their houses, struggled to evacuate, and prayed that their worldly possessions wouldn’t be obliterated overnight—offered a portrait of American discourse almost too bleak to reckon with head-on.

Even in a decade marred by online grifters, shameless politicians, and an alternative right-wing-media complex pushing anti-science fringe theories, the events of the past few weeks stand out for their depravity and nihilism. As two catastrophic storms upended American cities, a patchwork network of influencers and fake-news peddlers have done their best to sow distrust, stoke resentment, and interfere with relief efforts. But this is more than just a misinformation crisis. To watch as real information is overwhelmed by crank theories and public servants battle death threats is to confront two alarming facts: first, that a durable ecosystem exists to ensconce citizens in an alternate reality, and second, that the people consuming and amplifying those lies are not helpless dupes but willing participants...

... “The primary use of ‘misinformation’ is not to change the beliefs of other people at all. Instead, the vast majority of misinformation is offered as a service for people to maintain their beliefs in face of overwhelming evidence to the contrary”...

... As one dispirited meteorologist wrote on X this week, “Murdering meteorologists won’t stop hurricanes.” She followed with: “I can’t believe I just had to type that”...

 

England has suffered its second worst harvest on record – with fears growing for next year – after heavy rain last winter hit production of key crops including wheat and oats.

The cold, damp weather, stretching from last autumn through this spring and early summer, has hit the rapidly developing UK wine industry particularly hard, with producers saying harvests are down by between 75% and a third, depending on the region.

On staple crops, England’s wheat haul is estimated to be 10m tonnes, or 21%, down on 2023, according to analysis of the latest government data by the Energy and Climate Intelligence Unit (ECIU).

Winter barley was 26% down on last year, and the winter oilseed rape harvest was down 32%, in data released by the Department for Environment Food and Rural Affairs on Thursday.

The ECIU estimates that farmers could lose £600m on five key crops – wheat, winter and spring barley, oats and oilseed rape – where production was down 15% in total...

 

It's finally here! October, the best month of the year, especially if you're a horror movie fan. Any time of year is the right time to watch a horror movie, but there's something extra special about watching horror movies as we draw closer and closer to Halloween. And to help you get into the spirit of the season, this month's horror streaming roundup is all about ghost movies! Not just haunted house movies, mind you — but movies about ghosts and all their spooky antics. I like all horror subgenres. Vampires? Hell yes. Slashers? Absolutely. Monsters? Yep! But of all the various types of horror movies, movies about ghosts are my personal favorite. I can't say that I believe in ghosts, but like Fox Mulder, I want to believe. Until some sort of ghostly evidence presents itself to me, I'll stick with the movies. So grab your candy corn, carve a pumpkin or two, and follow along with me as I highlight 10 ghost movies you can stream this spooky season...

  • Annabelle Comes Home
  • Carnival of Souls
  • Crimson Peak
  • The Fog
  • Hell House LLC
  • I Am the Pretty Thing That Lives in the House
  • The Innkeepers
  • Oddity
  • Pulse
  • Scary Stories to Tell in the Dark
 

Some movies are just purely horrifying. Since the dawn of cinema, horror has been at the forefront of entertainment, delivering some of the most spectacular and terrifying films in history. They captivate audiences, sending a shiver down their spines at how thrilling and creepy they can be.

Yes, the horror genre is full of some truly frightening movies, but which ones stand out as the most chilling? The following ten entries are top contenders for the scariest of all time. They're iconic and unquestionably disturbing stories that have endured throughout the decade, continuing to scare viewers and filling them with unimaginable terror. They have retained their ability to scare and are as effective today as when they first came out. From Kiyoshi Kurosawa's Pulse to William Friedkin's The Exorcist, here are the ten scariest movies from horror cinema...

  • 'Pulse' (2001)
  • 'Hereditary' (2018)
  • 'A Nightmare on Elm Street' (1984)
  • 'Ringu' (1998)
  • 'Insidious' (2010)
  • 'Sinister' (2012)
  • 'The Thing' (1982)
  • 'The Texas Chainsaw Massacre' (1974)
  • 'Alien' (1979)
  • 'The Exorcist' (1973)
 

Like anything in Hollywood, the found footage genre needs to constantly evolve or risk feeling stale. Ever since The Blair Witch Project both tricked and terrified audiences with its innovative marketing campaign, the next generation of independent filmmakers have attempted to replicate the film's success with varying degrees of triumph. On one hand, movies like Josh Trank's Chronicle have excelled by combining found footage's gritty realism with the CGI-saturated superhero genre, while Cloverfield expanded on The Blair Witch Project's horror by combining its intimate perspective with the dispassionate destruction of a sci-fi monster film. However, fans searching for a more subversive installment in the underrated sub-genre should check out 2018's Butterfly Kisses, a largely overlooked horror film guaranteed to make you blink.

Directed by the late Erik Kristopher Myers, the film combines the supernatural elements of The Blair Witch Project with the documentary format of found-footage classics like Lake Mungo and the more recent Horror in the High Desert, delivering plenty of terror and thought-provoking fright throughout its 91-minute runtime. Although the lack of a broad theatrical release meant Butterfly Kisses didn't initially reach a wide audience, the film's premiere on streamers nonetheless garnered a small group of extremely positive reviews and a 100% Critics' Score on Rotten Tomatoes, solidifying Myers' movie as a hidden gem which deserves more attention...

 

Ewwwww, this list is going to be gross. Like, looking under a rock in your backyard and looking at all the creepy crawlies beneath, except that rock is actually your ribcage and the creepy crawlies are your freaky guts, gross. Having a body is terrifying! Let the 10 best body horror movies of all time prove it...

  • Crimes of the Future (2022)
  • I Saw the TV Glow (2024)
  • The Exorcist (1973)
  • Raw (2016)
  • Alien (1979)
  • The Thing (1982)
  • Annihilation (2018)
  • The Substance (2024)
  • Videodrome (1983)
  • The Fly (1986)
 

The new micro-budget indie movie Falling Stars is billed as folk horror, and the premise makes it clear why: It’s a story about three brothers who take a trip into the desert to disinter a witch’s corpse, and end up unleashing something frightening. But the film — produced, directed, written, edited, and shot by Richard Karpala and Gabriel Bienczycki — taps into a very different species of spookiness than you might expect from that description.

Falling Stars feels more like a UFO or alien-abduction story. The movie doesn’t deal in the creepiness of the dark woods, the muddy hamlet, or the haunted manor: Instead, it taps into a wide-eyed fear of the open sky at night. While watching it, I was often reminded of another low-budget production from a few years ago, Andrew Patterson’s excellent 1950s-style UFO throwback The Vast of Night. That’s a much better-made movie than this one, but Karpala and Bienczycki have found such a unique blend of genre flavors in Falling Stars — witchy folklore with starlit, they-came-from-above terror — that it’s worth checking out...

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