YourNetworkIsHaunted

The continuing presence of stories like this is making me reevaluate my assessment that GenAI will never be good enough to replace creatives, not by estimating that the tech will be better but by adjusting down the level of competency that is apparently permissible. Like, anyone in a vaguely creative sphere who wants to start phoning shit in as aggressively as possible should probably do it if they aren't already.

That was great! Thank you for putting in the effort to write it up.

I guess that's fair. I was focusing in on his attitude towards craft, which seems incompatible with actually taking pride in doing a good job as opposed to simply skating by. But while I still take issue with his attitude there and want to give him a clockwork orange-style refresher about tech debt I think a bigger problem is that he's taking predictable problems of the median programmer trying to use these systems and saying, effectively, "get gud". This is especially galling given that the tech here is going to replace or supplant the kind of junior developer roles that allowed fresh graduates to actually get that experience that allows you to shepherd the next generation of junior devs (or I guess LLM assistants now).

I mean he accurately predicted the kind of dystopian shit Peter Thiel would do with a morally indefensible amount of money, so that's something.

That's a whole lotta words to say "I'm a bad programmer who aspires to be a bad manager of a team of programmers."

Not gonna lie, if Rian Johnson ends up being in that milieu I'll be absolutely heartbroken.

I mean I don't doubt that some folks on the internet were absolute bastards about it. At the same time, while I've got a lot of love for Rian Johnson's work and don't have any room to criticize the process that creates it, I do have concerns. First off, while it's artistically satisfying and a good personal defense, retreating into a bubble away from criticism doesn't stop the economic and social repercussions of that criticism, which can definitely reflect back on the artistic product as it did when the far less interesting JJ Abrams was brought back to do the last Star Wars movie instead of letting Rian keep going. I don't have a good solution for that, since fighting the internet hate machine isn't something I'd wish on anyone, but it's still a problem. This is especially the case with Gen AI here because the economic and social consequences that technology has on artistic production and creativity are the whole point of the criticism. Like, it's not just that AI art is bad - we've seen plenty of bad art from human beings make it to theaters. Even if it gets less bad it's replacing actual people with artistic visions and actual lives with a machine that is, somehow, even more of an environmental disaster and economic drain on society. It sounds like this is the kind of story that might be trying to engage with some of that in a meaningful way, but I don't think that justifies actually using it here. Like, if you're paying to enter the torment nexus in order to post up your propogands about how we shouldn't have created the torment nexus, you're still paying the fuckers who created the torment nexus for their creation of the torment nexus.

Godspeed my friend. What was the turnaround, if I may ask? How long was the interview process etc?

If that's true then how has he maintained whatever passes for his career in Sci-fi whining these days?

I feel like I've learned a lot about world cultures from forum threads and YouTube videos unpacking and debating translation errors in anime and games, and I'm not sure if this says more about my media diet or the world at large.

Back in my edgy atheist era I found the ontological argument in apologetics to be compelling, though not terribly convincing. And here I thought they would content themselves reinventing Pascal's wager. Now let me see if I can find one of those copypasta about the best conceivable plate of nachos.

Just as if has always been.