StillPaisleyCat

joined 2 years ago
[–] StillPaisleyCat@startrek.website 6 points 4 months ago (1 children)

TIL that the Voyager app doesn’t support custom emojis🤯

I think OP is looking for the kind of drills that Duolingo excels at.

Canadians generally can find language schools but daily self-study makes enormous difference.

I’d say definitely more than adjacent as it sounds like he’s been the CBS Studios side suit opposite Kurtzman who’s been running the production company responsible for the Star Trek franchise.

[–] StillPaisleyCat@startrek.website 1 points 4 months ago (1 children)

My point is that I haven’t ever had any patience with the generational gatekeeping in the Star Trek.

I’ve been offended by it since the TOS fans campaigned to keep TAS from ever being aired. And I am more than done with TNG fans trying to brigade and kill every new offering.

I really don’t think you are assessing anything new on its merits at all.

What I am trying to say is that we - my spouse and I — am enjoying S31 on its merits, for what it is, in this period of television and movie making.

It IS fun stuff. We will be rewatching again!

My partner loved all the little inside references, including the hairstyle on the singer in the lounge.

S31 is a piece of this time. And we aren’t living in 1990.

It has more richness than Ryan Gosling or Ryan Reynolds action movies that become boring with endless action sequences.

I personally loved TNG in its run. It was the right Star Trek for its time.

If you asked me in the early 1990s, I would have agreed that TNG was the best Trek ever.

At that time, I much preferred it to TOS At that point, TOS was far enough out of time that it grated but not so far that it can be appreciated for itself, as something from another era.

I’m actually finding TNG not so great now. Your appreciation can evolve over time if you let it.

When our kids (now late teens) went through an intense fandom for Voyager in middle school, I understood why they thought it was the better show of the two. It was a better fit for them and I came to really love that show after originally finding it weaker than TNG.

Where I am coming from is that the TNG generation of fans needs to seriously lighten up and stop trying to insist that it’s the only model for good Trek or television.

You don’t own Trek any more than the boomers and older GenX did when TNG came on. At least we were the key demographic then - you are NOT now. TNG fans in their 40s are not the generation that this movie primarily targets.

Just as the TOS fans who were so derisive of TNG were damaging to the franchise, so is from the Berman era younger GenX and older Millennial fans.

You want tension and drama in a Star Trek show or movie.

That could be good. But it’s NOT the ONLY definition of good. It’s just a different kind of storytelling.

Trek on TV and movies has always had a mix of drama, horror, comedy, camp and action adventure. Even TNG covered all of these every single season.

We’re in an era where generally shows keep to one tone.

I have argued that the TNG and Kelvin movies that tried to hard to mix tones within a single movie, felt cringey (Nemesis, Beyond).

S31 went for a single tone for the most part and delivered.

SNW is able to mix tones because it’s episodic but there are fans who refuse to watch any episodes because the campy or lighthearted ones exist.

[–] StillPaisleyCat@startrek.website 2 points 4 months ago (3 children)

Well, I just rewatched it and enjoyed it all the more the second time.

My partner saw it for the first time, really enjoyed it, laughing the way through - with an overall rating of 7.5.

Like my partner, I’m an old thing.

I have watched absolutely everything Trek in first run since 1966 so I don’t have a lot of patience with those who became fans in the Berman era and feel entitled to gatekeep or define what isn’t Trek or isn’t ‘good’ for the next generation

I actively kept TOS fans from booing down young TNG fans trying to speak up at the cons in the late 1980s and early 1990s. These YouTubers are cut from the same mould but unfortunately have a much bigger public than the toxic TOS fans did on Usenet or subscription mimeod fanzines.

[–] StillPaisleyCat@startrek.website 3 points 4 months ago (5 children)

I actually enjoyed S31 for what it is and am about to rewatch it today with my partner.

It’s campy, and full of action sequences and fights, but that was to be expected with MU Georgiou.

It’s relatively rich in plot and characterization when I compare it to the run of current action movies like ‘The Grey Man’ on Netflix.

And it’s soooo much better than Star Trek V ‘The Final Frontier’.

How anyone can talk about the movies failing now clearly had rose coloured glasses on while watching:

  • Kirk’s death in ‘Generations’

  • the completely boring, Patrick Stewart indulgent dune buggy sequence in ‘Nemesis’ followed by the offensive rape content with stoic and sarcastic Troi turned into a tearful, dependant mess

  • ‘Into Darkness’

  • the destruction of the Enterprise, ridiculous motorcycle stored on bridge and motorcycle action sequence in ‘Beyond’

Not sure ‘cutting them’ is totally accurate.

The writing team and original creator/showrunner EPs Kim & Lippoldt were joined by a guy who had some showrunner experience. At the time, it sounded more like the Paramount suits weighed in on that as the show stayed in development hell even after an original greenlight.

But the fact is that when S31 got put on the back burner during the pandemic lockdown, Kim & Lippoldt took an offer from Netflix to take over as showrunners of ‘Sweet Tooth’.

They have been very successful with that. Paramount would be very fortunate to get them back to run anything.

My thoughts exactly.

It would be great if they could bring Kim & Lippoldt back as showrunners/EPs and get someone else to direct it.

[–] StillPaisleyCat@startrek.website 6 points 4 months ago (1 children)

Sooooo unbearably sugary and sweet. Yikes.

I bought one many decades in childhood and couldn’t finish it despite loving cherry-centred chocolates.

I found out when we visited the Hershey plant in Smiths Falls before the closure that it was originally a local brand targeted for the super-sweet preferences of Eastern Ontario and Quebec - which are apparently shared with Louisiana and Georgia.

Nice to see Loops getting traction.

[–] StillPaisleyCat@startrek.website 13 points 5 months ago (1 children)

Shockingly, they were bred to be easier to handle and fit a can shape.

Imagine what the original varieties looked like.

[–] StillPaisleyCat@startrek.website 3 points 6 months ago (1 children)

He didn’t necessarily know that Pike would be an option. He likely didn’t know that Lorca would be an MU character.

 

What can I say, all that pink and purple just seems to be meant to be together.

Credit again to Trek Core for their excellent TAS BlueRay screencap library.

Editing to add: love Barbie, pleased to see the movie out earning most of the comic heroes, always glad that TAS and Prodigy make themselves appealing across genders.

 

Looking forward to this ‘Picard’ tie-in novel telling the backstory of how Seven joined the Fenris Rangers.

Mack says he’s submitted front matter with starcharts. I love that kind of stuff.

 

Bruce Horak (Hemmer) is a long-standing theatre performer. He and some longtime colleagues have come up with an innovative and eccentric Goblin: MacBeth.

Beyond its initial run in Bruce’s hometown of Calgary, the production is scheduled for a two week run at the Stratford Festival in October and is just starting a run at Vancouver’s Bard on the Beach festival.

From the Stratford Festival listing…

"Goblin:Macbeth is a blast of pure creative genius. Unpredictable, unrestrained and uninhibited, it is the stage equivalent of a theme park funhouse ride." Calgary Herald

Enjoy the Scottish play like never before with Goblin:Macbeth, coming to the Meighen Forum!

In a tale of three goblins stumbling upon the complete works of William Shakespeare, Rebecca Northan, Bruce Horak and Ellis Lalonde blend improvisation, fantasy and tragedy in an electrifying and fresh interpretation of the classic play. When goblins come to the Stratford Festival, anything can happen!

 

This is very off topic for a Star Trek focused instance, but I thought some of the Quark’s regulars might be interested in the public interest issues raised in this situation.

For context, the Canadian federal Parliament passed legislation that would tax very large internet aggregator platforms that monetize news links without entering into payment arrangements with news sources. The law is not yet in effect, and the regulations make that work that haven’t even been put out for formal public consultation (a lengthy process). Meta and X have proactively blocked links to anything they believe are Canadian news sites. This includes access to the Canadian Parliamentary Access Channel (CPAC) and the national public broadcaster CBC and other private sources that are carrying required emergency broadcasts.

cross-posted from: https://startrek.website/post/967873

The NWT government and city of Yellowknife are describing in tweets, Instagram messages etc. how to search key evacuation information on CPAC and CBC. The broadcast carriers have a duty to carry emergency information, but Meta and X are blocking links.

While internet access is reportedly limited in Yellowknife, residents are finding this a barrier to getting current and accurate information. Even links to CBC radio are blocked.

 

The NWT government and city of Yellowknife are describing in tweets, Instagram messages etc. how to search key evacuation information on CPAC and CBC. The broadcast carriers have a duty to carry emergency information, but Meta and X are blocking links.

While internet access is reportedly limited in Yellowknife, residents are finding this a barrier to getting current and accurate information. Even links to CBC radio are blocked.

 

This is interesting, and perhaps a signal of some evolving thinking between Sheri Redstone and Baklish.

 

Some interesting details mixed in this assessment. Since there’s been relatively little promotion, thought others would appreciate the amplification.

 

In the midst of Barbie-pink dominance, TAS would like a word.

Star Trek’s own home of pink, purple and lime green has something to say.

 

This is a great interview with some significant behind the scenes perspective, and affirmation that fan advocacy is having an impact.

KEVIN: When interested parties with offers come forward, we’re going to be a part of that conversation. . . All we know at our level right now is that there’s active talks happening, right now. . .

** TREKCORE: What can Prodigy fans do to support the efforts that might be happening behind the scenes?**

DAN: I think they’re doing exactly what they —

KEVIN: They’re doing more!

DAN: More than we ever asked for, or expected.

KEVIN: All the noise they’re making out there is fantastic. I don’t think that telling Paramount+ to pick us back up again is going to happen; I think they’ve made their choice. Now it’s about telling Amazon, Netflix, Hulu, or whoever that “Hey, here’s a great freaking show!”

DAN: Just tell people about the show! Because I think Prodigy looks like one thing from an outsider’s perspective — it could look like a young show, or a show that someone might not be into. But when people say “There’s some great storytelling in there!” or “You don’t even need to have children to enjoy Prodigy…”

KEVIN: Spread the word, it’s an all-ages show.

 

John Orquiola is continuing to give us solid original content on Screen Rant, defying my perception of it as a clickbaity outlet.

Christina Chong opens up a lot about her trajectory as a performer and her personal relationships that informed the 4 songs on the EP album.

Also noted for those who prefer physical media - she is selling CDs through her Spotify store. Copies are limited.

 

And people wonder why the Titan-A’s holodeck Ten Forward program ran when the ship was power rationed…Or, how many space anomalies does it take before Starfleet mandates failsafes?

 

For those unfamiliar, every month Simon and Schuster offers an array of Trek ebooks at a promotional discount price.

In the US and Canada, they are $ 0.99, in the UK £ 0.99z, through the major ebook platforms. Not sure about other countries.

It’s a great way to dip into Treklit at an affordable price. Even better, the authors get their full residuals for each book. It’s a win-win for readers and writers.

This month’s offerings include a trilogy of Q-focused stories from Greg Cox as well as several TNG books from a diverse group of writers, including Diane Duane. There are also some TOS stories from Greg Cox and Lee Corey. This group will be available until September 3rd.

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