Nah, we know what an AttackTribble TM looks like.
StillPaisleyCat
I will add to that a Star Trek day without any Discovery celebration.
Pulaski also seemed to be high functioning autistic, with researcher abrasive in the mix.
Dr. Tracy Pollard of Discovery and head of Sickbay definitely had snark.
More like 18 months.
It would have been a year had the third season gone into production May 2nd as originally scheduled. But with production on hold until the actors contract is settled, and a year for post after, we’ll be lucky to see it in late 2024.
The StarTrek.website instance has nontoxic and active community with views - and of course one of the longest running franchises to discuss.
There’s even a great where to start post along the lines you’re looking for.
Now naturally other stuff exists, and we even have a place to discuss that over at /quarks.
Gaia Violo who wrote the pilot and is coexecutive producer was co-creator and senior writer on the thriller ‘Absentia.’
Noga Landau (sharing showrunner credit with Kurtzman) worked as a senior writer with Henry Alonso Myers (coshowrunner of SNW) when he was the showrunner of The Magicians. Then she went on to write the became showrunner of recent Nancy Drew show, giving it some supernatural vibes and storylines.
So, with those two, I was expecting a more mysterious, even thrillerish. Putting Tawny Newsome in the room will definitely lighten it up somewhat.
If Discovery is any benchmark, once the show is in production, Kurtzman will leave the day to day show running to Landau and whomever will be the supervising director EP in Toronto. He’ll review and approve scripts and be more involved in post.
At this point one has to question whether Paramount is unwilling to have women showrunners take the helm on their own. Kim and Lippoldt ended up having a guy tacked on as a 3rd coshowrunner for S31, then with all the delays, they moved on to run things successfully on their own at Netflix with ‘Sweet Tooth.’
Fantastic! Welcome to the franchise fandom family - large, argumentative but still fam.
Also, this is one of the nicest, least toxic, places to talk to other fans.
I hadn’t considered Pelia still being alive, but it’s a cool idea.
They could even do a story arc with the cadets joining Kovich and other familiar faces in tracking her down. Bryce and Reno, both engineers, would have certainly had her as a prof at the Academy. Might be a great season two story once Pelia’s moved on from SNW.
Not every Star Trek show needs to be made for you or your (our) age group. We need new shows to appeal to younger viewers and keep the franchise fresh.
I’m an old thing who watched TOS in first run in my primary grades. I have absolutely zero patience with the position you’re taking. I watch it all and don’t need to see people my age as the principal characters anymore than I did when I was six.
Shows aren’t made for the mass audience anymore, and even TNG was a bit beyond our kids when they became franchise fans as middle graders. They loved watching Voyager reruns though, demonstrating to me why it was the most successful Trek show on Netflix.
Always an important reminder.
More Star Trek is good, & like Lower Decks and Prodigy, which are also designed to appeal to different, younger audiences, the old fans might just find they love them too.
Many of the old TOS fans were unbearably resistant to anything but the original crew and ship, even though movies were being made about them. (They had done the same thing when TAS was in development.) It was really difficult to come to a convention between 1987 and 1990 as a TNG fan.
I can appreciate the camp now. In the 90s, it was very cringey. . . and in the 60s & 70s I was too young to get that it was campy.
Thanks for this.
Never too much Moopsy!