this post was submitted on 13 Aug 2024
22 points (100.0% liked)
rpg
3210 readers
21 users here now
This community is for meaningful discussions of tabletop/pen & paper RPGs
Rules (wip):
- Do not distribute pirate content
- Do not incite arguments/flamewars/gatekeeping.
- Do not submit video game content unless the game is based on a tabletop RPG property and is newsworthy.
- Image and video links MUST be TTRPG related and should be shared as self posts/text with context or discussion unless they fall under our specific case rules.
- Do not submit posts looking for players, groups or games.
- Do not advertise for livestreams
- Limit Self-promotions. Active members may promote their own content once per week. Crowdfunding posts are limited to one announcement and one reminder across all users.
- Comment respectfully. Refrain from personal attacks and discriminatory (racist, homophobic, transphobic, etc.) comments. Comments deemed abusive may be removed by moderators.
- No Zak S content.
- Off-Topic: Book trade, Boardgames, wargames, video games are generally off-topic.
founded 2 years ago
MODERATORS
you are viewing a single comment's thread
view the rest of the comments
view the rest of the comments
I almost never use battlemaps and when I do, it's more a way to provide some decorum and structure informations rather than as a tool for battle. I don't really get how so many people online are obsessed by the idea of battlemap. Looks like kids this days have it too easy and didn't started playing at the time where RPG magazine was publishing 3 scenario a month, with sometimes one for a game they play, and had to do without map in general.
A few idea pointers,
I played Ryutama only once, but remember their concept of battle egg which just tell whether you're in contact, second-line, ranged distance or away using a few circle. Nobody care about your exact distance, but just use some adjective to describe your position.
As usual, PBTA and forged in the dark, can use consequences to generate danger, like you open a chest but choose one : Someone has seen you/ A trap trips/ Move to a worse position
Even in traditional game, you can describe the dungeon with a few adjectives, and by thinking what it's for and answer the players question when they ask-it rather than in advance: Can we enter by the sewage ? Well there is a garnison in this castle, it's near a river, people need to piss and shit, so most-likely there is a pipe going directly to the river, let's say yes. However people are not stupid so there is some metal bar to block the access, the player can try to break them works as well as doing a map and thinking about the 5 possible way to enter while the player will use only one.
Battlemaps are good if you're going for a swashbuckling or strongly tactical feel. I like to say 'your players can't swing from the chandelier if they don't know there's a chandelier.'
Battlemaps are great for a certain aesthetic (in the the game design sense of the word) because they allow you to add things for players to improv with without explicitly enumerating a static set of options. If you draw the inside of a tavern, when the tavern brawl breaks out they may do something that surprises you; "Can I throw the bottles at him/flip over the table/dive behind the houseplant/throw him out the window/etc" Whereas theatre of the mind requires your player to either intuit that there would be a bottle on the table that they could throw, or you to explicitly say "and there's a bottle on the table in front of you." And if you tell them there's something in front of them, they will laser focus on it and never even think to flip the table/dive behind the houseplant/etc.
Theatre of the mind is good for games that put the emphasis elsewhere. If the focus of your game is on entrigue, or courtly drama, or in a setting that's highly improvised, that's when theatre of the mind shines.