this post was submitted on 24 Oct 2023
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Don't let new games hype you! Play the actually released, proven, Good games - Undertale, Ori and the Blind Forest, TOTK, God of War, The Last of Us, It Takes Two.
There's a wealth of available, old, discount games! Don't roll the dice on new shit
At the same time I hear you but still I feel like it's still not acceptable to release half done or poorly optimized products and hope that they'll be done over time. For those who pay for the product it's almost an insult.
I absolutely agree, but so long as it remains profitable developers will do it. Skip a whole lot of QC, rush to release the game, then use the launch to gather bug reports and fix those. Costs saved not hiring a ton of QC testers, get a return on the investment much sooner, get early players to pay to be QC testers basically. It's a tried and tested formula now and it will keep happening until too many people won't pre-order games.
Why do you care? Seriously, think about it. Shitty products in every possible category come out everyday and it doesn’t bother you. You do need these products. if they don’t meet your standards, don’t buy them and move on with your life.
Like, you don’t need to get on line and act as thought you have been personal insulted when there is a moldy apple at the grocery store. Just leave it and keep shopping.
I have thought about this for far longer than warranted I think it comes down to a combination of several factors.
The first is that substitutions among video games are indirect at best. Paradox for example makes strategy games but a fair portion of their fans call them "Paradox games" because of the particular connotations cultivated by their DLC campaigns, multi-year support and mechanical granularity. Also within the strategy genre are the Total War series of games produced by Creative Assembly, fans of that series are throwing fits on YouTube because the handling of the series has been dreadful in their eyes. No competitors have emerged yet to make an alternative Total War experience and several fans were excited about the final entry in a trilogy within the series so the sunk cost fallacy keeps them around.
The second is that any video game player born before about 2003 has witnessed the maturation of the video game industry as we know it. As the rate at which profit is earned in the industry falls, practices and standards change to recoup perceived losses. In video games this manifests in unusually tangible ways for the consumer. Instead of entering cheat codes left in for debugging purposes, you buy power ups with real money. Instead of unlocking alternate outfits and characters by completing challenges or secrets you buy them with real money. Instead of a game having to wait until it is finished to be sold, publishers leverage internet connectivity to ship first and patch later. Many of these practices are striking to the consumer because they are monetizing aspects of their hobby that they once enjoyed at no extra cost, and these practices are appearing in a context of escapism.
I startend playing ori and could not see what the point of it is, can you maybe tell me a little about it to get hyped like all of you are?
Ori unpacks itself slowly. At the beginning, I agree - A pretty basic platformer. Once you find yourself playing Galaga in it, it starts to prove how flavorful a platformer can be.
Gameplay aside, the music, world and story was so heart warming!
It's a really solid Metroidvania, with beautiful design, music and story. It's not the best Metroidvania (my vote would go to Hollow Knight) but the game is really good. The sequel is great too!
I don't know how far in you went: the first half-hour or so is just slow storytelling. And just like all Metroidvanias, your set of powers at the beginning is very limited and isn't so interesting. However, the game is well enough paced that as soon as you're comfortable using your current power set, the game unlocks a new mechanic, and it never really stops until the end. It especially shines if you're a completionist IMO, as being able to go back to each area to explore it to 100% with the whole power set feels really great.
I think the biggest issue here is that metroidvania as a genre is just far too tedious and not all that fun to play, unless you grew up playing Metroid or Castlevania. Hollow Knight has so many great things going for it, but after several hours of predictable power gaining and backtracking through the same areas to open new pathways just to do the same thing again I couldn't take it anymore.
Nothing about this sounds fun to me. Perhaps when I was 8 years old, but not now.
I have both Ori games and spent even less time with them. They are prettier than Hollow Knight but even more dull unfortunately.
I would go as far as to say that this is for sure an opinion.
Of course it's an opinion, just as the comment it was responding to was an opinion
Some even Paradox ones. One can waste many-many hours in CK:DV with Mappa Regnorum mod, for example. Though CK2 is more complex, it lacks the relative simplicity and clarity.
Genuinely this. If you're looking for more off beat games, Ace attorney trilogy is frequently on sale and Ghost trick.
You're not wrong. On the other hand, i would prefer mediocre game from Paradox over every single one of those that you listed solely on base of genre.
What is the OP about on? Cities Skylines 2? It have better reviews now that the first wave of negbomb passes. Also i wouldn't even take those under consideration, paradox forum crowd have long and established tradition of negbombing on steam for petty reasons.
My brother in christ, the fucking menu is lagging with 12 GB VRAM.
Maybe it was during the initial "generating textures" phase when you first launch it, but it should definitely not be lagging at the menu.
I'm on a 2080 S + 9700k and the game runs pretty decently, small city and it averages maybe 45fps with most settings on high at 1440p, run over 70 fps if I turn down the settings a bit, but I like the graphics and I can live with lower FPS on a city builder game.