this post was submitted on 11 Jun 2025
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There's a thought experiment that challenges the concept of cognition, called The Chinese Room. What it essentially postulates is a conversation between two people, one of whom is speaking Chinese and getting responses in Chinese. And the first speaker wonders "Does my conversation partner really understand what I'm saying or am I just getting elaborate stock answers from a big library of pre-defined replies?"
The LLM is literally a Chinese Room. And one way we can know this is through these interactions. The machine isn't analyzing the fundamental meaning of what I'm saying, it is simply mapping the words I've input onto a big catalog of responses and giving me a standard output. In this case, the problem the machine is running into is a legacy meme about people miscounting the number of "r"s in the word Strawberry. So "2" is the stock response it knows via the meme reference, even though a much simpler and dumber machine that was designed to handle this basic input question could have come up with the answer faster and more accurately.
When you hear people complain about how the LLM "wasn't made for this", what they're really complaining about is their own shitty methodology. They build a glorified card catalog. A device that can only take inputs, feed them through a massive library of responses, and sift out the highest probability answer without actually knowing what the inputs or outputs signify cognitively.
Even if you want to argue that having a natural language search engine is useful (damn, wish we had a tool that did exactly this back in August of 1996, amirite?), the implementation of the current iteration of these tools is dogshit because the developers did a dogshit job of sanitizing and rationalizing their library of data. Also, incidentally, why Deepseek was running laps around OpenAI and Gemini as of last year.
Imagine asking a librarian "What was happening in Los Angeles in the Summer of 1989?" and that person fetching you back a stack of history textbooks, a stack of Sci-Fi screenplays, a stack of regional newspapers, and a stack of Iron-Man comic books all given equal weight? Imagine hearing the plot of the Terminator and Escape from LA intercut with local elections and the Loma Prieta earthquake.
That's modern LLMs in a nutshell.
You might just love Blind Sight. Here, they're trying to decide if an alien life form is sentient or a Chinese Room:
"Tell me more about your cousins," Rorschach sent.
"Our cousins lie about the family tree," Sascha replied, "with nieces and nephews and Neandertals. We do not like annoying cousins."
"We'd like to know about this tree."
Sascha muted the channel and gave us a look that said Could it be any more obvious? "It couldn't have parsed that. There were three linguistic ambiguities in there. It just ignored them."
"Well, it asked for clarification," Bates pointed out.
"It asked a follow-up question. Different thing entirely."
Bates was still out of the loop. Szpindel was starting to get it, though.. .
Blindsight is such a great novel. It has not one, not two but three great sci-fi concepts rolled into one book.
One is artificial intelligence (the ship's captain is an AI), the second is alien life so vastly different it appears incomprehensible to human minds. And last but not least, and the most wild, vampires as a evolutionary branch of humanity that died out and has been recreated in the future.
Also, the extremely post-cyberpunk posthumans, and each member of the crew is a different extremely capable kind of fucked up model of what we might become, with the protagonist personifying the genre of horror that it is, while still being occasionally hilarious.
Despite being fundamentally a cosmic horror novel, and relentlessly math-in-the-back-of-the-book hard scifi it does what all the best cyberpunk does and shamelessly flirts with the supernatural at every opportunity. The sequel doubles down on this, and while not quite as good overall (still exceptionally good, but harder to follow) each of the characters explores a novel and sweet+sad+horrifying kind of love.
Oooh, I didn't even know it had a sequel!
I wouldn't say it flirts with the supernatural as much as it's with one foot into weird fiction, which is where cosmic horror comes from.
Characters in the sequel include a hive-mind of post-science innovation monks, a straight up witch who charges their monastery at the head of a zombie army, and a plotline about finding what the monks think might be god. And that first scene, which is absolute fire btw.
Primary themes include... Well the bit of exposition about needing to 'crawl off one mountain and cross a valley to reach higher peaks of understanding', and coping as a mostly baseline human surrounded by superintelligences, 'sufficiently advanced technology', etc.