this post was submitted on 26 Mar 2025
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[–] Lumidaub@feddit.org 49 points 1 week ago* (last edited 1 week ago) (13 children)

There is a lot of highly critical discourse around the Last Samurai. Not current, because it's not a current movie, but saying that it's "okay" suggests ~~you~~ they haven't looked for criticism.

Also, weary.

Edit: clarity.

Edit2: I have since been made aware by @SkunkWorkz@lemmy.world of a different perspective that makes a lot more sense, see comments below.

[–] ka1ikasan@lemmy.zip 10 points 1 week ago (11 children)

Yup, Last Samourai is 22 years old. Back then a lot of social issues have not been widely discussed.

[–] Lumidaub@feddit.org 27 points 1 week ago (8 children)

And even then, there were people who were uncomfortable with a narrative of some heroic white dude coming in to save the exotic natives. Just wasn't a very popular opinion.

[–] Flemmy@lemm.ee 1 points 1 week ago* (last edited 1 week ago) (2 children)

Lol as good as the production looked even as a white dude I kind of cracked up at Tommy in that role.

The Last Shogun appears to have the same thing going but idk I havn't watched it yet.

[–] Stovetop@lemmy.world 10 points 1 week ago

I'm not sure if The Last Shogun is something different, but if you're referring to the Shogun series recently adapted by FX, I can say having watched it that it features a main character who fancies himself a superior white savior, but ultimately leads to realizing how completely out of his depth he is.

But it's like the Memoir of a Geisha problem: since the original work was written by a white dude anyways, how much value does it have as a cultural work?

[–] Tattorack@lemmy.world 2 points 1 week ago

I thought so too in the beginning. But the English character in that series is more of a... Useful tool that gets used. He has no agency and he never realises it throughout the entire series.

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