rpg

3392 readers

14 users here now

This community is for meaningful discussions of tabletop/pen & paper RPGs

Rules (wip):

Do not distribute pirate content
Do not incite arguments/flamewars/gatekeeping.
Do not submit video game content unless the game is based on a tabletop RPG property and is newsworthy.
Image and video links MUST be TTRPG related and should be shared as self posts/text with context or discussion unless they fall under our specific case rules.
Do not submit posts looking for players, groups or games.
Do not advertise for livestreams
Limit Self-promotions. Active members may promote their own content once per week. Crowdfunding posts are limited to one announcement and one reminder across all users.
Comment respectfully. Refrain from personal attacks and discriminatory (racist, homophobic, transphobic, etc.) comments. Comments deemed abusive may be removed by moderators.
No Zak S content.
Off-Topic: Book trade, Boardgames, wargames, video games are generally off-topic.

founded 2 years ago

MODERATORS

Avogadro@ttrpg.network

sirblastalot@ttrpg.network

TripHammer@ttrpg.network

Primarch@ttrpg.network

BrentTaylor@ttrpg.network

Which are (some of) your favourites GM-tips/technique ? And how do you use-them in your games ? (fedia.io)

submitted 1 day ago by Ziggurat@fedia.io to c/rpg@ttrpg.network

27 comments fedilink hide all child comments

Many of us, have read GM-sections in RPG, RPG blogs, forum discussions, and sometimes books about the storytelling art.

All of these contains tons of interesting tips/techniques (and some will contradict each other, you don't GM a gritty mega-dungeon and high-school drama game the same way), so I am curious which ones are your favourite and how do you use them in your game

you are viewing a single comment's thread
view the rest of the comments

[–] ZDL@ttrpg.network 2 points 1 day ago

Read George Polti's The 36 Dramatic Situations. It's a list of plot elements that have a snappy title, a list of participants in the plot element, a brief discussion of how it works, and then (unfortunately dated) references to dramas that used them.

Using this when building a world, or a campaign, or a local setting, lets you quickly set up a bunch of conflicts (ideally with interlaced participants so that single NPCs (or PCs) can be in different roles in different dramatic situations. Then you just let the events flow logically, and as the dramatic situations get resolved you get a plot. PCs can interfere with these dramatic situations and thus have an impact on resulting plots even if the overall setting is far larger than they are.