Horror Movies

Loved him on screen

RIP

If you love cheesy 80s horror films with bad special effects, this is the one to watch.

Why theory is omaybe my favourite podcast and I just had to share this. A very academic approach to their analysis and heavily focus on psychoanalysis.

Exploring the classical horror film in terms of the antagonism between life and the beyond, inclusive of death. They focus on the films The Cabinet of Dr. Caligari, Frankenstein, Invisible Man, Godzilla, and Psycho.

Give this a go, its definitely worth a listen!

Great film, really nails the characters and atmosphere. Probably one of the saddest endings I've seen in a film in a while. I'm curious what others thought of the film.

I've been taking a "mental break" from horror on account of some personal jim-jam. But little bits keep floating up here and there. And one that keeps floating to the surface over and over again is Titane. On account of it being one of the most surreal flicks I think I've ever seen. Just really out there, and I remember watching it. Turning back around, and giving it a second go right then and there because it was just absolutely flabbergasting. So in my current state - can someone please tell me that it wasn't all just a fever dream and that Titane is absolutely 100% real and fucking phenomenally weird =P!?

(*Another one that pops up from time to time is Fresh because it's freakin' hilarious. I mean it's not like - THEEE horror movie but hot damn is the ending where everyone is hobbling around in the dark when the tables turn freakin' hilarious =P!)

Revisiting Ti West's amazing flick with a little Joe Bob commentary and caught this tidbit in the Special Thanks.

It has the occasional humorous moment and overall was an enjoyable watch. It kept my interest the entire time largely due to it steering clear of too many typical horror tropes and how unpredictable it was.

Also, Black Mass and Man Eater Godzilla count.

cross-posted from: https://feddit.uk/post/14664080

There’s nothing I find so cheering, these days, as the rise of the horror movie. Take its intrusion into this year’s summer blockbusters. We have the usual soulless franchises and deadly repeats – Despicable Me 4, Deadpool 3, Furiosa: A Mad Max Saga, Bad Boys: Ride or Die – and then we have a flicker of light in the dark. Turns out that audiences do want new stories, they do want new characters, and they do want inventive film-making after all. Because a genuinely imaginative – arthouse, even – movie is predicted to draw in big audiences and make a great deal of money. It has come in the form of a horror film: Longlegs.

Just released on Friday and starring Nicolas Cage as a serial killer, Longlegs has been reviewed, variously, as “the scariest film of the decade”, and “a film in which every frame is a nightmare”. But it is also starkly beautiful – starting from the opening shot, as we follow a small girl’s progress through a snowy landscape. We move through claustrophobic basements and misty woods, our eyes flicking to layers of shadow in the background, to wherever the characters have last omitted to look. The film is thick with references for film buffs; flashbacks are indicated through texture and ratio changes; there are arty bursts of absurdity.

Yet the film is also expected to gross some $20m (£15.5m) in the US on its opening weekend – an astonishing haul for an indie movie. A BBC review suggests that in future, “horror movies could become the new summer blockbusters, while superhero movies become the counter-programming alternatives”.

...

In fact, until a couple of years ago, it was quite routine for horror films to promote themselves to journalists and awards committees by strenuously denying they were horror films at all: instead they claimed to be “elevated horror”, “post-horror”, or “extreme drama”. Darren Aronofsky once described his film Mother!, in which a newborn child is eaten by a mob, as a “thriller” with “home invasion elements”.

But now the genre is at last on course for rehabilitation. What started in 2017, when Jordan Peele released the high-concept gothic Get Out, has continued in a stream of inventive horror films: Hereditary, Us, Nope, Lamb, M3GAN, Talk to Me, Beau Is Afraid. Accolades have mounted, and film-makers no longer have to dredge around for actors, worried the stigma will tank their careers.

...

But the really good news, I think, is that the rise of the horror film bucks a dismal pattern. Mainstream cinema is now choked by franchises from the likes of Marvel and DC. Films for grown-ups are increasingly packaged in the bright colours of comic books and infected with parables from the nursery: good overcomes evil, hard work pays off, friendship is nice. We get the same characters, and the same stories, in the same fish-bowl universes.

Horror, by contrast, has become ever more sophisticated, interrogating contemporary anxieties – where do evil and vice really lie? – and playing with form. Last year, Huesera: The Bone Woman drew us into the experience of postpartum psychosis; 2020’s The Invisible Man took us on an empathetic journey with a victim of domestic abuse.

Follow the link to find trailers to some upcoming independent horror films that will be coming to a variety of streaming services and physical media!

cross-posted from: https://feddit.uk/post/4023606

1. Alien
2. Let the Right One In
3. Aliens
4. Jaws
5. The Silence of the Lambs

Rotten Tomatoes' top 200

Video on YT | Link Invidious

In today’s video we take a look at some of our favorite Cosmic Horror movies you should definitely watch.

Stories of space and body horror mixed with existential dread.

Video made by Moises & Sergio Velasquez

■ Time Stamps:

• 0:00 - Intro
• 0:51 - Event Horizon
• 1:52 - In the Mouth of Madness
• 2:58 - Annihilation
• 3:59 - The Mist
• 5:11 - Ad
• 6:18 - The Void
• 7:31 - The Empty Man
• 8:45 - Viewers’ Choice
• 10:28 - The Thing
• 11:33 - Outro

Link - Cosmic horror has been established as one of the most chilling sub-genres in horror cinema. With a focus on the unknown, isolation, and the human mind, cosmic horror plays on the imaginations of audiences rather than going all out on gore and jump scares. Instead of ghosts, serial killers, or vampires, these stories focus on the endless possibilities of the universe's fictional horrors.

Early 20th-century author H.P. Lovecraft gave Cosmic horror prominence through stories like At the Mountain of Madness, The Hound, and The Call of Cthulhu. The genre can be challenging to pull off in cinema, but plenty of films have tried to capture the terror of the unknown and unimaginable. Everything from stories of paranoia to questions about reality itself has made up cosmic horror in cinema.

I’m watching the new VHS85 and I saw the first one but I’ve missed everything else. Have they ever detailed what’s going on story outside the tapes?

As with most films I went into this completely blind and it turned out to be one of my favorites of 2023. While not super original, the acting is top notch, set design is phenomenal, and atmosphere is pretty unsettling at times.

*** Mild Spoilers ***

Creepy monster design will make you check the closets tonight. Anyone with kids might find this one tough to watch in some parts.

I’ve always been curious if it was well known that Myers wouldn’t be in it? Was there a big disappointment around that?

Just when you thought it was safe to go back into theaters… Cineverse, in partnership with Bloody Disgusting, announce the return of the unrated mega-slasher Terrifier 2 to theaters nationwide beginning November 1. That’s right, we’re extending the Halloween season this year, bringing Art the Clown back to the big screen for the hit sequel’s 1-year anniversary!

The movie will feature a special introduction from Creator Damien Leone along with a never-before-seen Terrifier 3 teaser, both exclusive to theaters!

In addition, on opening night, the first 100 fans at each theater will receive an exclusive Terrifier 3 poster. As quantities are extremely limited, the team behind Terrifier recommends that you get to the theater early. Tickets are on sale now wherever movie tickets are sold – Fandango, the official website and Atom Tickets. ...

It’s damn good.

I feel like it got hyped up in that age old “scariest movie of all time” BS. its def not super scary but it’s really really good. I highly recommend checking it out.

cross-posted from: https://feddit.uk/post/1382121

Although Hammer usually receives the bulk of the recognition, there would be no real British horror movie scene without Amicus Productions. Between 1962 and 1977, Amicus produced 28 movies, many of which have become cult classics. The Psychopath. The Deadly Bees. And Now the Screaming Starts! Fine films, all.

But where Amicus really sang was in its “portmanteau” films, made up of five or six short stories connected by a loose overarching theme. These films were not only masterpieces of creativity (after all, it’s much easier to string out one bad idea for 90 minutes than to cram in half a dozen) but also of marketing. Most of the seven Amicus anthologies were sold on the star power of one actor who, given the brevity of each story, might have only appeared on screen for a couple of minutes.

I’m telling you this because Amicus is back. According to Variety, its new president, Lawrie Brewster, has set the goal of re-establishing Amicus “as a beacon of independent British horror”. And it will try to achieve this by, you’ve guessed it, bringing back the portmanteau. The first new Amicus production will be In the Grip of Terror, a collection of four short spooky stories themed around the medical profession

Particularly zombie apocalypse, but also more generally as well. Many seem to be about post-apocalypse, but the chaos and confusion at the beginning seems like such a fruitful idea. Yet that’s so rarely done/done well as far as I know for zombie movie/shows, except for shows like Dead Set UK. Is it because of the budget, or that such shows/movies cannot be milked forever like TWD?

Let’s assume that the remake would be done REALLY well.