Lacanoodle

A parable by one of the greatest writers ever

Lemmy's own hub of creativity, our short story community is a literary playground, a space where storytellers converge to share their narratives, each tale waiting to captivate. Engage in the compact storytelling, explore diverse genres, and connect with fellow wordsmiths who appreciate the beauty of brevity.

!shortstories@literature.cafe

1. Curated Story Recommendations: I've been sharing some of my favorite short stories here. Hoping this becomes a go-to spot for everyone to find a quality read each day—whether you're on the go or winding down before bed. I hope these picks make your daily reads more enjoyable.

2. Exploring New Sources Together: Let's not only share our favorite stories but also help each other discover fresh sources. Whether it's hidden gems on a blog, a captivating podcast, or an up-and-coming author on a niche platform, let's make this community a hub for uncovering diverse sources of short stories.

3. Platform for New Voices: More than anything I hope we have a platform for emerging writers to showcase their work, ensuring that original perspectives have space to flourish. I love nothing more than reading works by one of our own.

4. Constructive Feedback Culture: Encourage members to provide thoughtful, constructive feedback, fostering an environment of growth and improvement for writers at all skill levels. This relies on members posting their own work which I strongly endorse.

5. Respect for Copyright: While a pirate myself, for the sake of this instance's rules, I hope to promote respect for intellectual property. Anytime I haven't posted a link it's a story pre 1923.

6. Engagement and Collaboration: Facilitate collaboration among members, fostering a sense of community through joint projects, anthologies, and shared endeavors. This seems a bit too optimistic for a community so small but one can dream.

7. More Meta Discussions: Encourage meta discussions in our community to foster a deeper understanding of narrative choices, enabling members to explore diverse perspectives and refine their storytelling skills collaboratively.

I also intend to add a few communities on the sidebar for discovery. Please recommend any community you think we should have tagged.

Margaret Atwood joins Deborah Treisman to read and discuss “Varieties of Exile,” by Mavis Gallant, which was published in The New Yorker in 1976. Atwood is the author of more than forty books of poetry and fiction, including the novels “The Handmaid’s Tale” and “The Testaments” and the story collection “Old Babes in the Wood,” which was published earlier this year.

[Literary Fiction]

The Tell-Tale Heart

by Edgar Allan Poe (published 1843)

[Gothic Fiction, Psychological Horror]

TRUE! -- nervous -- very, very dreadfully nervous I had been and am; but why will you say that I am mad? The disease had sharpened my senses -- not destroyed -- not dulled them. Above all was the sense of hearing acute. I heard all things in the heaven and in the earth. I heard many things in hell. How, then, am I mad? Hearken! and observe how healthily -- how calmly I can tell you the whole story.

It is impossible to say how first the idea entered my brain; but once conceived, it haunted me day and night. Object there was none. Passion there was none. I loved the old man. He had never wronged me. He had never given me insult. For his gold I had no desire. I think it was his eye! yes, it was this! He had the eye of a vulture --a pale blue eye, with a film over it. Whenever it fell upon me, my blood ran cold; and so by degrees -- very gradually --I made up my mind to take the life of the old man, and thus rid myself of the eye forever.

Now this is the point. You fancy me mad. Madmen know nothing. But you should have seen me. You should have seen how wisely I proceeded --with what caution --with what foresight --with what dissimulation I went to work! I was never kinder to the old man than during the whole week before I killed him. And every night, about midnight, I turned the latch of his door and opened it --oh so gently! And then, when I had made an opening sufficient for my head, I put in a dark lantern, all closed, closed, so that no light shone out, and then I thrust in my head. Oh, you would have laughed to see how cunningly I thrust it in! I moved it slowly --very, very slowly, so that I might not disturb the old man's sleep. It took me an hour to place my whole head within the opening so far that I could see him as he lay upon his bed. Ha! --would a madman have been so wise as this? And then, when my head was well in the room, I undid the lantern cautiously --oh, so cautiously --cautiously (for the hinges creaked) --I undid it just so much that a single thin ray fell upon the vulture eye. And this I did for seven long nights --every night just at midnight --but I found the eye always closed; and so it was impossible to do the work; for it was not the old man who vexed me, but his Evil Eye. And every morning, when the day broke, I went boldly into the chamber, and spoke courageously to him, calling him by name in a hearty tone, and inquiring how he has passed the night. So you see he would have been a very profound old man, indeed, to suspect that every night, just at twelve, I looked in upon him while he slept.

Upon the eighth night I was more than usually cautious in opening the door. A watch's minute hand moves more quickly than did mine. Never before that night had I felt the extent of my own powers --of my sagacity. I could scarcely contain my feelings of triumph. To think that there I was, opening the door, little by little, and he not even to dream of my secret deeds or thoughts. I fairly chuckled at the idea; and perhaps he heard me; for he moved on the bed suddenly, as if startled. Now you may think that I drew back --but no. His room was as black as pitch with the thick darkness, (for the shutters were close fastened, through fear of robbers,) and so I knew that he could not see the opening of the door, and I kept pushing it on steadily, steadily.

I had my head in, and was about to open the lantern, when my thumb slipped upon the tin fastening, and the old man sprang up in bed, crying out --"Who's there?"

I kept quite still and said nothing. For a whole hour I did not move a muscle, and in the meantime I did not hear him lie down. He was still sitting up in the bed listening; --just as I have done, night after night, hearkening to the death watches in the wall.

Presently I heard a slight groan, and I knew it was the groan of mortal terror. It was not a groan of pain or of grief --oh, no! --it was the low stifled sound that arises from the bottom of the soul when overcharged with awe. I knew the sound well. Many a night, just at midnight, when all the world slept, it has welled up from my own bosom, deepening, with its dreadful echo, the terrors that distracted me. I say I knew it well. I knew what the old man felt, and pitied him, although I chuckled at heart. I knew that he had been lying awake ever since the first slight noise, when he had turned in the bed. His fears had been ever since growing upon him. He had been trying to fancy them causeless, but could not. He had been saying to himself --"It is nothing but the wind in the chimney --it is only a mouse crossing the floor," or "It is merely a cricket which has made a single chirp." Yes, he had been trying to comfort himself with these suppositions: but he had found all in vain. All in vain; because Death, in approaching him had stalked with his black shadow before him, and enveloped the victim. And it was the mournful influence of the unperceived shadow that caused him to feel --although he neither saw nor heard --to feel the presence of my head within the room.

When I had waited a long time, very patiently, without hearing him lie down, I resolved to open a little --a very, very little crevice in the lantern. So I opened it --you cannot imagine how stealthily, stealthily --until, at length a single dim ray, like the thread of the spider, shot from out the crevice and fell full upon the vulture eye.

It was open --wide, wide open --and I grew furious as I gazed upon it. I saw it with perfect distinctness --all a dull blue, with a hideous veil over it that chilled the very marrow in my bones; but I could see nothing else of the old man's face or person: for I had directed the ray as if by instinct, precisely upon the damned spot.

And have I not told you that what you mistake for madness is but over acuteness of the senses? --now, I say, there came to my ears a low, dull, quick sound, such as a watch makes when enveloped in cotton. I knew that sound well, too. It was the beating of the old man's heart. It increased my fury, as the beating of a drum stimulates the soldier into courage.

But even yet I refrained and kept still. I scarcely breathed. I held the lantern motionless. I tried how steadily I could maintain the ray upon the eye. Meantime the hellish tattoo of the heart increased. It grew quicker and quicker, and louder and louder every instant. The old man's terror must have been extreme! It grew louder, I say, louder every moment! --do you mark me well? I have told you that I am nervous: so I am. And now at the dead hour of the night, amid the dreadful silence of that old house, so strange a noise as this excited me to uncontrollable terror. Yet, for some minutes longer I refrained and stood still. But the beating grew louder, louder! I thought the heart must burst. And now a new anxiety seized me --the sound would be heard by a neighbor! The old man's hour had come! With a loud yell, I threw open the lantern and leaped into the room. He shrieked once --once only. In an instant I dragged him to the floor, and pulled the heavy bed over him. I then smiled gaily, to find the deed so far done. But, for many minutes, the heart beat on with a muffled sound. This, however, did not vex me; it would not be heard through the wall. At length it ceased. The old man was dead. I removed the bed and examined the corpse. Yes, he was stone, stone dead. I placed my hand upon the heart and held it there many minutes. There was no pulsation. He was stone dead. His eye would trouble me no more.

If still you think me mad, you will think so no longer when I describe the wise precautions I took for the concealment of the body. The night waned, and I worked hastily, but in silence. First of all I dismembered the corpse. I cut off the head and the arms and the legs.

I then took up three planks from the flooring of the chamber, and deposited all between the scantlings. I then replaced the boards so cleverly, so cunningly, that no human eye -- not even his --could have detected any thing wrong. There was nothing to wash out --no stain of any kind --no blood-spot whatever. I had been too wary for that. A tub had caught all --ha! ha!

When I had made an end of these labors, it was four o'clock --still dark as midnight. As the bell sounded the hour, there came a knocking at the street door. I went down to open it with a light heart, --for what had I now to fear? There entered three men, who introduced themselves, with perfect suavity, as officers of the police. A shriek had been heard by a neighbor during the night; suspicion of foul play had been aroused; information had been lodged at the police office, and they (the officers) had been deputed to search the premises.

I smiled, --for what had I to fear? I bade the gentlemen welcome. The shriek, I said, was my own in a dream. The old man, I mentioned, was absent in the country. I took my visitors all over the house. I bade them search --search well. I led them, at length, to his chamber. I showed them his treasures, secure, undisturbed. In the enthusiasm of my confidence, I brought chairs into the room, and desired them here to rest from their fatigues, while I myself, in the wild audacity of my perfect triumph, placed my own seat upon the very spot beneath which reposed the corpse of the victim.

The officers were satisfied. My manner had convinced them. I was singularly at ease. They sat, and while I answered cheerily, they chatted of familiar things. But, ere long, I felt myself getting pale and wished them gone. My head ached, and I fancied a ringing in my ears: but still they sat and still chatted. The ringing became more distinct: --it continued and became more distinct: I talked more freely to get rid of the feeling: but it continued and gained definiteness --until, at length, I found that the noise was not within my ears.

No doubt I now grew very pale; --but I talked more fluently, and with a heightened voice. Yet the sound increased --and what could I do? It was a low, dull, quick sound --much such a sound as a watch makes when enveloped in cotton. I gasped for breath -- and yet the officers heard it not. I talked more quickly --more vehemently; but the noise steadily increased. I arose and argued about trifles, in a high key and with violent gesticulations; but the noise steadily increased. Why would they not be gone? I paced the floor to and fro with heavy strides, as if excited to fury by the observations of the men -- but the noise steadily increased. Oh God! what could I do? I foamed --I raved --I swore! I swung the chair upon which I had been sitting, and grated it upon the boards, but the noise arose over all and continually increased. It grew louder --louder --louder! And still the men chatted pleasantly, and smiled. Was it possible they heard not? Almighty God! --no, no! They heard! --they suspected! --they knew! --they were making a mockery of my horror! --this I thought, and this I think. But anything was better than this agony! Anything was more tolerable than this derision! I could bear those hypocritical smiles no longer! I felt that I must scream or die! --and now --again! --hark! louder! louder! louder! louder! --

"Villains!" I shrieked, "dissemble no more! I admit the deed! --tear up the planks! --here, here! --it is the beating of his hideous heart!"

This is a link to a podcast episode of 'the history of literature', great podcast. This episode includes the reading and analysis of ths brilliant short story.

[Philosophical fiction, Existential literature]

• Bag of bones: Made a post about this already.
• Test Cricket By Jarrod Kimber: A history of the sport written by a great storyteller. Very digestable, the best book if youre a cricket fan.
• Your face belongs to us: If you're on lemmy you likely care about your privacy and need to know about this. This is the emd of privacy.
• God, Human, Animal, Machine: It's been the year of AI and this is a brilliant book to read with great history, philosophy and a personal touch. Very accessible too. (Discovered from the Ezra Klein podcast)
• A dictionary of symbols by Juan Eduardo Cirlot: We all rely on symbolic expression, paeticularly in art. Reading emtries in this book as essays has improved the way I think about amd interpret art. It's an incredible tool if you find symbology important.
• The last Mughal by William Dalrymple: I cannot recommend this enough. One of the most readable history books ever and based on an incredible time period that isn't talked about enough. Incredible individual stories. Really, it's a must read imo.

These are the important recommendations, read a lot of short stories this year and intend to post them on !shortstories@literature.cafe

Some books I haven't recommended since they weren't interesting enough and some were already talked about more than enough.

[Moral and Didactic literature]

'Then came Peter, and said to him, Lord, how oft shall my brother sin against me, and I forgive him? until seven times? Jesus saith unto him, I say not unto thee, Until seven times; but, Until seventy times seven. Therefore is the kingdom of heaven likened unto a certain king, which would make a reckoning with his servants. And when he had begun to reckon, one was brought unto him, which owed him ten thousand talents. But forasmuch as he had not wherewith to pay, his lord commanded him to be sold, and his wife, and children, and all that he had, and payment to be made. The servant therefore fell down and worshiped him, saying, Lord, have patience with me, and I will pay thee all. And the lord of that servant, being moved with compassion, released him, and forgave him the debt. But that servant went out, and found one of his fellow-servants, which owed him a hundred pence: and he laid hold on him, and took him by the throat saying, Pay what thou owest. So his fellow-servant fell down and besought him, saying, Have patience with me, and I will pay thee. And he would not: but went and cast him into prison, till he should pay that which was due. So when his fellow-servants saw what was done, they were exceeding sorry, and came and told unto their lord all that was done. Then his lord called him unto him, and saith to him, Thou wicked servant, I forgave thee all that debt, because thou besoughtest me: shouldest not thou also have had mercy on thy fellow-servant, even as I had mercy on thee? And his lord was wroth, and delivered him to the tormentors, till he should ​pay all that was due. So shall also my heavenly Father do unto you, if ye forgive not every one his brother from your hearts.'—Matt. xviii. 21-35.

There once lived in a village a peasant named Iván Stcherbakóf. He was comfortably off, in the prime of life, the best worker in the village, and had three sons all able to work. The eldest was married, the second about to marry, and the third was a big lad who could mind the horses and was already beginning to plow. Iván's wife was an able and thrifty woman, and they were fortunate in having a quiet, hard-working daughter-in-law. There was nothing to prevent Iván and his family from living happily. They had only one idle mouth to feed; that was Iván's old father, who suffered from asthma and had been lying ill on the top of the brick oven for seven years. Iván had all he needed: three horses and a colt, a cow with a calf, and fifteen sheep. The women made all the clothing for the family, besides helping in the fields, and the men tilled the land. They always had grain enough of their own to last over beyond the next harvest and sold enough oats to pay the taxes and meet their other needs. So Iván and his children might have lived quite comfortably had it not been for a feud between him and his next-door neighbor, Limping Gabriel, the son of Gordéy Ivánof.

As long as old Gordéy was alive and Iván's father was still able to manage the household, the peasants lived as neighbors should. If the women of either house happened to want a sieve or a tub, or the men required a sack, or if a cart-wheel got broken and could not be mended at once, they used to send to the other house, and helped each other in neighborly fashion. When a calf strayed into the neighbor's thrashing-ground they would just drive it out, and only say, 'Don't let it get in again; our grain is lying there.' And such things as locking up the barns and outhouses, hiding things from one another, or backbiting were never thought of in those days.

​That was in the fathers' time. When the sons came to be at the head of the families, everything changed.

It all began about a trifle.

Iván's daughter-in-law had a hen that began laying rather early in the season, and she started collecting its eggs for Easter. Every day she went to the cart-shed, and found an egg in the cart; but one day the hen, probably frightened by the children, flew across the fence into the neighbor's yard and laid its egg there. The woman heard the cackling, but said to herself: 'I have no time now; I must tidy up for Sunday. I'll fetch the egg later on.' In the evening she went to the cart, but found no egg there. She went and asked her mother-in-law and brother-in-law whether they had taken the egg. 'No,' they had not; but her youngest brother-in-law, Tarás, said: 'Your Biddy laid its egg in the neighbor's yard. It was there she was cackling, and she flew back across the fence from there.'

The woman went and looked at the hen. There she was on the perch with the other birds, her eyes just closing ready to go to sleep. The woman wished she could have asked the hen and got an answer from her.

Then she went to the neighbor's, and Gabriel's mother came out to meet her.

'What do you want, young woman?'

'Why, Granny, you see, my hen flew across this morning. Did she not lay an egg here?'

'We never saw anything of it. The Lord be thanked, our own hens started laying long ago. We collect our own eggs and have no need of other people's! And we don't go looking for eggs in other people's yards, lass!'

The young woman was offended, and said more than she should have done. Her neighbor answered back with interest, and the women began abusing each other. Iván's wife, who had been to fetch water, happening to pass just then, joined in too. Gabriel's wife rushed out, and began reproaching the young woman with ​things that had really happened and with other things that never had happened at all. Then a general uproar commenced, all shouting at once, trying to get out two words at a time, and not choice words either.

'You're this!' and 'You're that!' 'You're a thief!' and 'You're a slut!' and 'You're starving your old father-in-law to death!' and 'You're a good-for-nothing!' and so on.

'And you've made a hole in the sieve I lent you, you jade! And it's our yoke you're carrying your pails on—you just give back our yoke!'

Then they caught hold of the yoke, and spilled the water, snatched off one another's shawls, and began fighting. Gabriel, returning from the fields, stopped to take his wife's part. Out rushed Iván and his son and joined in with the rest. Iván was a strong fellow, he scattered the whole lot of them, and pulled a handful of hair out of Gabriel's beard. People came to see what was the matter, and the fighters were separated with difficulty.

That was how it all began.

Gabriel wrapped the hair torn from his beard in a paper, and went to the District Court to have the law of Iván. 'I didn't grow my beard,' said he, 'for pockmarked Iván to pull it out!' And his wife went bragging to the neighbors, saying they'd have Iván condemned and sent to Siberia. And so the feud grew.

The old man, from where he lay on the top of the oven, tried from the very first to persuade them to make peace, but they would not listen. He told them, 'It's a stupid thing you are after, children, picking quarrels about such a paltry matter. Just think! The whole thing began about an egg. The children may have taken it—well, what matter? What's the value of one egg? God sends enough for all! And suppose your neighbor did say an unkind word—put it right; show her how to say a better one! If there has been a fight—well, such things will happen; we're all sinners, but make it up, and let there be an end of ​it! If you nurse your anger it will be worse for you yourselves.'

But the younger folk would not listen to the old man. They thought his words were mere senseless dotage. Iván would not humble himself before his neighbor.

'I never pulled his beard,' he said, 'he pulled the hair out himself. But his son has burst all the fastenings on my shirt, and torn it. . . . Look at it!'

And Iván also went to law. They were tried by the Justice of the Peace and by the District Court. While all this was going on, the coupling-pin of Gabriel's cart disappeared. Gabriel's womenfolk accused Iván's son of having taken it. They said: 'We saw him in the night go past our window, towards the cart; and a neighbor says he saw him at the pub, offering the pin to the landlord.'

So they went to law about that. And at home not a day passed without a quarrel or even a fight. The children, too, abused one another, having learned to do so from their elders; and when the women happened to meet by the river-side, where they went to rinse the clothes, their arms did not do as much wringing as their tongues did nagging, and every word was a bad one.

At first the peasants only slandered one another; but afterwards they began in real earnest to snatch anything that lay handy, and the children followed their example. Life became harder and harder for them. Iván Stcherbakóf and Limping Gabriel kept suing one another at the Village Assembly, and at the District Court, and before the Justice of the Peace until all the judges were tired of them. Now Gabriel got Iván fined or imprisoned; then Iván did as much to Gabriel; and the more they spited each other the angrier they grew—like dogs that attack one another and get more and more furious the longer they fight. You strike one dog from behind, and it thinks it's the other dog biting him, and gets still fiercer. So these peasants: they went to law, and one or other of them was fined or locked up, but that only made them more and more ​angry with each other. 'Wait a bit,' they said, 'and I'll make you pay for it.' And so it went on for six years. Only the old man lying on the top of the oven kept telling them again and again: 'Children, what are you doing? Stop all this paying back; keep to your work, and don't bear malice—it will be better for you. The more you bear malice, the worse it will be.'

But they would not listen to him.

In the seventh year, at a wedding, Iván's daughter-in-law held Gabriel up to shame, accusing him of having been caught horse-stealing. Gabriel was tipsy, and unable to contain his anger, gave the woman such a blow that she was laid up for a week; and she was pregnant at the time. Iván was delighted. He went to the magistrate to lodge a complaint. 'Now I'll get rid of my neighbor! He won't escape imprisonment, or exile to Siberia.' But Iván's wish was not fulfilled. The magistrate dismissed the case. The woman was examined, but she was up and about and showed no sign of any injury. Then Iván went to the Justice of the Peace, but he referred the business to the District Court. Iván bestirred himself: treated the clerk and the Elder of the District Court to a gallon of liquor and got Gabriel condemned to be flogged. The sentence was read out to Gabriel by the clerk: 'The Court decrees that the peasant Gabriel Gordéyef shall receive twenty lashes with a birch rod at the District Court.'

Iván too heard the sentence read, and looked at Gabriel to see how he would take it. Gabriel grew as pale as a sheet, and turned round and went out into the passage. Iván followed him, meaning to see to the horse, and he overheard Gabriel say, 'Very well! He will have my back flogged: that will make it burn; but something of his may burn worse than that!'

Hearing these words, Iván at once went back into the Court, and said: 'Upright judges! He threatens to set my house on fire! Listen: he said it in the presence of witnesses!'

​Gabriel was recalled. 'Is it true that you said this?'

'I haven't said anything. Flog me, since you have the power. It seems that I alone am to suffer, and all for being in the right, while he is allowed to do as he likes.'

Gabriel wished to say something more, but his lips and his cheeks quivered, and he turned towards the wall. Even the officials were frightened by his looks. 'He may do some mischief to himself or to his neighbor,' thought they.

Then the old Judge said: 'Look here, my men; you'd better be reasonable and make it up. Was it right of you, friend Gabriel, to strike a pregnant woman? It was lucky it passed off so well, but think what might have happened! Was it right? You had better confess and beg his pardon, and he will forgive you, and we will alter the sentence.'

The clerk heard these words, and remarked: 'That's impossible under Statute 117. An agreement between the parties not having been arrived at, a decision of the Court has been pronounced and must be executed.'

But the Judge would not listen to the clerk.

'Keep your tongue still, my friend,' said he. 'The first of all laws is to obey God, Who loves peace.' And the Judge began again to persuade the peasants, but could not succeed. Gabriel would not listen to him.

'I shall be fifty next year,' said he, 'and have a married son, and have never been flogged in my life, and now that pockmarked Iván has had me condemned to be flogged, and am I to go and ask his forgiveness? No; I've borne enough. . . . Iván shall have cause to remember me!'

Again Gabriel's voice quivered, and he could say no more, but turned round and went out.

It was seven miles from the Court to the village, and it was getting late when Iván reached home. He unharnessed his horse, put it up for the night, and entered the cottage. No one was there. The women had already gone to drive the cattle in, and the young ​fellows were not yet back from the fields. Iván went in, and sat down, thinking. He remembered how Gabriel had listened to the sentence, and how pale he had become, and how he had turned to the wall; and Iván's heart grew heavy. He thought how he himself would feel if he were sentenced, and he pitied Gabriel. Then he heard his old father up on the oven cough, and saw him sit up, lower his legs, and scramble down. The old man dragged himself slowly to a seat, and sat down. He was quite tired out with the exertion, and coughed a long time till he had cleared his throat. Then, leaning against the table, he said: 'Well, has he been condemned?'

'Yes, to twenty strokes with the rods,' answered Iván.

The old man shook his head.

'A bad business,' said he. 'You are doing wrong, Iván! Ah! it's very bad—not for him so much as for yourself! . . . Well, they'll flog him: but will that do you any good?'

'He'll not do it again,' said Iván.

'What is it he'll not do again? What has he done worse than you?'

'Why, think of the harm he has done me!' said Iván. 'He nearly killed my wife, and now he's threatening to burn us up. Am I to thank him for it?'

The old man sighed, and said: 'You go about the wide world, Iván, while I am lying on the oven all these years, so you think you see everything, and that I see nothing. . . . Ah, lad! It's you that don't see; malice blinds you. Others' sins are before your eyes, but your own are behind your back. "He's acted badly!" What a thing to say! If he were the only one to act badly, how could strife exist? Is strife among men ever bred by one alone? Strife is always between two. His badness you see, but your own you don't. If he were bad, but you were good, there would be no strife. Who pulled the hair out of his beard? Who spoiled his haystack? Who dragged him to the ​law court? Yet you put it all on him! You live a bad life yourself, that's what is wrong! It's not the way I used to live, lad, and it's not the way I taught you. Is that the way his old father and I used to live? How did we live? Why, as neighbors should! If he happened to run out of flour, one of the women would come across: "Uncle Trol, we want some flour." "Go to the barn, dear," I'd say: "take what you need." If he'd no one to take his horses to pasture, "Go, Iván," I'd say, "and look after his horses." And if I was short of anything, I'd go to him. "Uncle Gordéy," I'd say, "I want so-and-so!" "Take it Uncle Trol!" That's how it was between us, and we had an easy time of it. But now? . . . That soldier the other day was telling us about the fight at Plevna[1]. Why, there's war between you worse than at Plevna! Is that living? . . . What a sin it is! You are a man and master of the house; it's you who will have to answer. What are you teaching the women and the children? To snarl and snap? Why, the other day your Taráska—that greenhorn—was swearing at neighbor Irena, calling her names; and his mother listened and laughed. Is that right? It is you will have to answer. Think of your soul. Is this all as it should be? You throw a word at me, and I give you two in return; you give me a blow, and I give you two. No, lad! Christ, when He walked on earth, taught us fools something very different. . . . If you get a hard word from any one, keep silent, and his own conscience will accuse him. That is what our Lord taught. If you get a slap, turn the other cheek. "Here, beat me, if that's what I deserve!" And his own conscience will rebuke him. He will soften, and will listen to you. That's the way He taught us, not to be proud! . . . Why don't you speak? Isn't it as I say?'

Iván sat silent and listened.

The old man coughed, and having with difficulty ​cleared his throat, began again: 'You think Christ taught us wrong? Why, it's all for our own good. Just think of your earthly life; are you better off, or worse, since this Plevna began among you? Just reckon up what you've spent on all this law business—what the driving backwards and forwards and your food on the way have cost you! What fine fellows your sons have grown; you might live and get on well; but now your means are lessening. And why? All because of this folly; because of your pride. You ought to be plowing with your lads, and do the sowing yourself; but the fiend carries you off to the judge, or to some pettifogger or other. The plowing is not done in time, nor the sowing, and mother earth can't bear properly. Why did the oats fail this year? When did you sow them? When you came back from town! And what did you gain? A burden for your own shoulders. . . . Eh, lad, think of your own business! Work with your boys in the field and at home, and if some one offends you, forgive him, as God wished you to. Then life will be easy, and your heart will always be light.'

Iván remained silent.

'Iván, my boy, hear your old father! Go and harness the roan, and go at once to the Government office; put an end to all this affair there; and in the morning go and make it up with Gabriel in God's name, and invite him to your house for to-morrow's holiday' (it was the eve of the Virgin's Nativity). 'Have tea ready, and get a bottle of vódka and put an end to this wicked business, so that there should not be any more of it in future, and tell the women and children to do the same.'

Iván sighed, and thought, 'What he says is true,' and his heart grew lighter. Only he did not know how, now, to begin to put matters right.

But again the old man began, as if he had guessed what was in Iván's mind.

'Go, Iván, don't put it off! Put out the fire before it spreads, or it will be too late.'

​The old man was going to say more, but before he could do so the women came in, chattering like magpies. The news that Gabriel was sentenced to be flogged, and of his threat to set fire to the house, had already reached them. They had heard all about it and added to it something of their own, and had again had a row, in the pasture, with the women of Gabriel's household. They began telling how Gabriel's daughter-in-law threatened a fresh action: Gabriel had got the right side of the examining magistrate, who would now turn the whole affair upside down; and the schoolmaster was writing out another petition, to the Czar himself this time, about Iván; and everything was in the petition—all about the coupling-pin and the kitchen-garden—so that half of Iván's homestead would be theirs soon. Iván heard what they were saying, and his heart grew cold again, and he gave up the thought of making peace with Gabriel.

In a farmstead there is always plenty for the master to do. Iván did not stop to talk to the women, but went out to the threshing-floor and to the barn. By the time he had tidied up there, the sun had set and the young fellows had returned from the field. They had been plowing the field for the winter crops with two horses. Iván met them, questioned them about their work, helped to put everything in its place, set a torn horse-collar aside to be mended, and was going to put away some stakes under the barn, but it had grown quite dusk, so he decided to leave them where they were till next day. Then he gave the cattle their food, opened the gate, let out the horses Tarás was to take to pasture for the night, and again closed the gate and barred it. 'Now,' thought he, 'I'll have my supper, and then to bed.' He took the horse-collar and entered the hut. By this time he had forgotten about Gabriel and about what his old father had been saying to him. But, just as he took hold of the door-handle to enter the passage, he heard his neighbor on the other side of the fence cursing somebody in a hoarse voice: 'What the devil is he good for?' Gabriel was ​saying. 'He's only fit to be killed!' At these words all Iván's former bitterness towards his neighbor re-awoke. He stood listening while Gabriel scolded, and, when he stopped, Iván went into the hut.

There was a light inside; his daughter-in-law sat spinning, his wife was getting supper ready, his eldest son was making straps for bark shoes, his second sat near the table with a book, and Tarás was getting ready to go out to pasture the horses for the night. Everything in the hut would have been pleasant and bright, but for that plague—a bad neighbor!

Iván entered, sullen and cross; threw the cat down from the bench, and scolded the women for putting the slop-pail in the wrong place. He felt despondent, and sat down, frowning, to mend the horse-collar. Gabriel's words kept ringing in his ears: his threat at the law court, and what he had just been shouting in a hoarse voice about some one who was 'only fit to be killed.'

His wife gave Tarás his supper, and, having eaten it, Tarás put on an old sheepskin and another coat, tied a sash round his waist, took some bread with him, and went out to the horses. His eldest brother was going to see him off, but Iván himself rose instead, and went out into the porch. It had grown quite dark outside, clouds had gathered, and the wind had risen. Iván went down the steps, helped his boy to mount, started the foal after him, and stood listening while Tarás rode down the village and was there joined by other lads with their horses. Iván waited until they were all out of hearing. As he stood there by the gate he could not get Gabriel's words out of his head: 'Mind that something of yours does not burn worse!'

'He is desperate,' thought Iván. 'Everything is dry, and it's windy weather besides. He'll come up at the back somewhere, set fire to something, and be off. He'll burn the place and escape scot free, the villain! . . . There now, if one could but catch him in the act, he'd not get off then!' And the thought fixed itself so firmly in his mind that he did not go up ​the steps but went out into the street and round the corner. 'I'll just walk round the buildings; who can tell what he's after?' And Iván, stepping softly, passed out of the gate. As soon as he reached the corner, he looked round along the fence, and seemed to see something suddenly move at the opposite corner, as if some one had come out and disappeared again. Iván stopped, and stood quietly, listening and looking. Everything was still; only the leaves of the willows fluttered in the wind, and the straws of the thatch rustled. At first it seemed pitch dark, but, when his eyes had grown used to the darkness, he could see the far corner, and a plow that lay there, and the eaves. He looked a while, but saw no one.

'I suppose it was a mistake,' thought Iván; 'but still I will go round,' and Iván went stealthily along by the shed. Iván stepped so softly in his bark shoes that he did not hear his own footsteps. As he reached the far corner, something seemed to flare up for a moment near the plow and to vanish again. Iván felt as if struck to the heart; and he stopped. Hardly had he stopped, when something flared up more brightly in the same place, and he clearly saw a man with a cap on his head, crouching down, with his back towards him, lighting a bunch of straw he held in his hand. Iván's heart fluttered within him like a bird. Straining every nerve, he approached with great strides, hardly feeling his legs under him. 'Ah,' thought Iván, 'now he won't escape! I'll catch him in the act!'

Iván was still some distance off, when suddenly he saw a bright light, but not in the same place as before, and not a small flame. The thatch had flared up at the eaves, the flames were reaching up to the roof, and, standing beneath it, Gabriel's whole figure was clearly visible.

Like a hawk swooping down on a lark, Iván rushed at Limping Gabriel. 'Now I'll have him; he shan't escape me!' thought Iván. But Gabriel must have heard his steps, and (however he managed it) glancing round, he scuttled away past the barn like a hare.

​'You shan't escape!' shouted Iván, darting after him.

Just as he was going to seize Gabriel, the latter dodged him; but Iván managed to catch the skirt of Gabriel's coat. It tore right off, and Iván fell down. He recovered his feet, and shouting, 'Help! Seize him! Thieves! Murder!' ran on again. But meanwhile Gabriel had reached his own gate. There Iván overtook him and was about to seize him, when something struck Iván a stunning blow, as though a stone had hit his temple, quite deafening him. It was Gabriel who, seizing an oak wedge that lay near the gate, had struck out with all his might.

Iván was stunned; sparks flew before his eyes, then all grew dark and he staggered. When he came to his senses Gabriel was no longer there: it was as light as day, and from the side where his homestead was, something roared and crackled like an engine at work. Iván turned round and saw that his back shed was all ablaze, and the side shed had also caught fire, and flames and smoke and bits of burning straw mixed with the smoke, were being driven towards his hut.

'What is this, friends? . . .' cried Iván, lifting his arms and striking his thighs. 'Why, all I had to do was just to snatch it out from under the eaves and trample on it! What is this, friends? . . .' he kept repeating. He wished to shout, but his breath failed him; his voice was gone. He wanted to run, but his legs would not obey him, and got in each other's way. He moved slowly, but again staggered and again his breath failed. He stood still till he had regained breath, and then went on. Before he had got round the back shed to reach the fire, the side shed was also all ablaze; and the corner of the hut and the covered gateway had caught fire as well. The flames were leaping out of the hut, and it was impossible to get into the yard. A large crowd had collected, but nothing could be done. The neighbors were carrying their belongings out of their own houses, and driving the cattle out of their own sheds. After Iván's ​house, Gabriel's also caught fire, then, the wind rising, the flames spread to the other side of the street and half the village was burnt down.

At Iván's house they barely managed to save his old father; and the family escaped in what they had on; everything else, except the horses that had been driven out to pasture for the night, was lost; all the cattle, the fowls on their perches, the carts, plows, and harrows, the women's trunks with their clothes, and the grain in the granaries—all were burnt up!

At Gabriel's, the cattle were driven out, and a few things saved from his house.

The fire lasted all night. Iván stood in front of his homestead and kept repeating, 'What is this? . . . Friends! . . . One need only have pulled it out and trampled on it!' But when the roof fell in, Iván rushed into the burning place, and seizing a charred beam, tried to drag it out. The women saw him, and called him back; but he pulled out the beam, and was going in again for another when he lost his footing and fell among the flames. Then his son made his way in after him and dragged him out. Iván had singed his hair and beard and burnt his clothes and scorched his hands, but he felt nothing. 'His grief has stupefied him,' said the people. The fire was burning itself out, but Iván still stood repeating: 'Friends! . . . What is this? . . . One need only have pulled it out!'

In the morning the village Elder's son came to fetch Iván.

'Daddy Iván, your father is dying! He has sent for you to say good-bye.'

Iván had forgotten about his father, and did not understand what was being said to him.

'What father?' he said. 'Whom has he sent for?'

'He sent for you, to say good-bye; he is dying in our cottage! Come along, daddy Iván,' said the Elder's son, pulling him by the arm; and Iván followed the lad.

When he was being carried out of the hut, some ​burning straw had fallen on to the old man and burnt him, and he had been taken to the village Elder's in the farther part of the village, which the fire did not reach.

When Iván came to his father, there was only the Elder's wife in the hut, besides some little children on the top of the oven. All the rest were still at the fire. The old man, who was lying on a bench holding a wax candle[2] in his hand, kept turning his eyes towards the door. When his son entered, he moved a little. The old woman went up to him and told him that his son had come. He asked to have him brought nearer. Iván came closer.

'What did I tell you, Iván?' began the old man. 'Who has burnt down the village?'

'It was he, father!' Iván answered. 'I caught him in the act. I saw him shove the firebrand into the thatch. I might have pulled away the burning straw and stamped it out, and then nothing would have happened.'

'Iván,' said the old man, 'I am dying, and you in your turn will have to face death. Whose is the sin?'

Iván gazed at his father in silence, unable to utter a word.

'Now, before God, say whose is the sin? What did I tell you?'

Only then Iván came to his senses and understood it all. He sniffed and said, 'Mine, father!' And he fell on his knees before his father, saying, 'Forgive me, father; I am guilty before you and before God.'

The old man moved his hands, changed the candle from his right hand to his left, and tried to lift his right hand to his forehead to cross himself, but could not do it, and stopped.

'Praise the Lord! Praise the Lord!' said he, and again he turned his eyes towards his son.

​'Iván! I say, Iván!'

'What, father?'

'What must you do now?'

Iván was weeping.

'I don't know how we are to live now, father!' he said.

The old man closed his eyes, moved his lips as if to gather strength, and opening his eyes again, said: 'You'll manage. If you obey God's will, you'll manage!' He paused, then smiled, and said: 'Mind, Iván! Don't tell who started the fire! Hide another man's sin, and God will forgive two of yours!' And the old man took the candle in both hands and, folding them on his breast, sighed, stretched out, and died.

Iván did not say anything against Gabriel, and no one knew what had caused the fire.

And Iván's anger against Gabriel passed away, and Gabriel wondered that Iván did not tell anybody. At first Gabriel felt afraid, but after awhile he got used to it. The men left off quarreling, and then their families left off also. While rebuilding their huts, both families lived in one house; and when the village was rebuilt and they might have moved farther apart, Iván and Gabriel built next to each other, and remained neighbors as before.

They lived as good neighbors should. Iván Stcherbakóf remembered his old father's command to obey God's law, and quench a fire at the first spark; and if any one does him an injury he now tries not to revenge himself, but rather to set matters right again; and if any one gives him a bad word, instead of giving a worse in return, he tries to teach the other not to use evil words; and so he teaches his womenfolk and children. And Iván Stcherbakóf has got on his feet again, and now lives better even than he did before.

↑ A town in Bulgaria, the scene of fierce and prolonged fighting between the Turks and the Russians in the war of 1877. ↑ Wax candles are much used in the services of the Russian Church, and it is usual to place one in the hand of a dying man, especially when he receives unction.

Added Context:

• "Quench the Spark" (also translated as "A Spark Neglected Burns the House") is a short story by Russian author Leo Tolstoy first published in 1885.

• Story Available in the Public Domain

I just mistakenly made a comment on my post on lemmy.world and while it shows deleted on jerboa (up to date app) I can see it on eternity and attempts at deleting say delete failed (not up to date) but more importantly I can view the comment from my main too.

Is this a federation issue thanks to 0.19, a pre existing federation issue or something else? This could be a serious issue if someone copy/pasted their password or smth by mistake (as I nearly did).

I just mistakenly made a comment on my post on lemmy.world and while it shows deleted on jerboa (up to date app) I can see it on eternity and attempts at deleting say delete failed (not up to date) but more importantly I can view the comment from my main too.

Is this a federation issue thanks to 0.19, a pre existing federation issue or something else? This could be a serious issue if someone copy/pasted their password or smth by mistake (as I nearly did).

In a little district west of Washington Square the streets have run crazy and broken themselves into small strips called "places." These "places" make strange angles and curves. One Street crosses itself a time or two. An artist once discovered a valuable possibility in this street. Suppose a collector with a bill for paints, paper and canvas should, in traversing this route, suddenly meet himself coming back, without a cent having been paid on account!

So, to quaint old Greenwich Village the art people soon came prowling, hunting for north windows and eighteenth-century gables and Dutch attics and low rents. Then they imported some pewter mugs and a chafing dish or two from Sixth Avenue, and became a "colony."

At the top of a squatty, three-story brick Sue and Johnsy had their studio. "Johnsy" was familiar for Joanna. One was from Maine; the other from California. They had met at the table d'hte of an Eighth Street "Delmonico's," and found their tastes in art, chicory salad and bishop sleeves so congenial that the joint studio resulted.

That was in May. In November a cold, unseen stranger, whom the doctors called Pneumonia, stalked about the colony, touching one here and there with his icy fingers. Over on the east side this ravager strode boldly, smiting his victims by scores, but his feet trod slowly through the maze of the narrow and moss-grown "places."

Mr. Pneumonia was not what you would call a chivalric old gentleman. A mite of a little woman with blood thinned by California zephyrs was hardly fair game for the red-fisted, short-breathed old duffer. But Johnsy he smote; and she lay, scarcely moving, on her painted iron bedstead, looking through the small Dutch window-panes at the blank side of the next brick house.

One morning the busy doctor invited Sue into the hallway with a shaggy, gray eyebrow.

"She has one chance in - let us say, ten," he said, as he shook down the mercury in his clinical thermometer. " And that chance is for her to want to live. This way people have of lining-u on the side of the undertaker makes the entire pharmacopoeia look silly. Your little lady has made up her mind that she's not going to get well. Has she anything on her mind?"

"She - she wanted to paint the Bay of Naples some day." said Sue.

"Paint? - bosh! Has she anything on her mind worth thinking twice - a man for instance?"

"A man?" said Sue, with a jew's-harp twang in her voice. "Is a man worth - but, no, doctor; there is nothing of the kind."

"Well, it is the weakness, then," said the doctor. "I will do all that science, so far as it may filter through my efforts, can accomplish. But whenever my patient begins to count the carriages in her funeral procession I subtract 50 per cent from the curative power of medicines. If you will get her to ask one question about the new winter styles in cloak sleeves I will promise you a one-in-five chance for her, instead of one in ten."

After the doctor had gone Sue went into the workroom and cried a Japanese napkin to a pulp. Then she swaggered into Johnsy's room with her drawing board, whistling ragtime.

Johnsy lay, scarcely making a ripple under the bedclothes, with her face toward the window. Sue stopped whistling, thinking she was asleep.

She arranged her board and began a pen-and-ink drawing to illustrate a magazine story. Young artists must pave their way to Art by drawing pictures for magazine stories that young authors write to pave their way to Literature.

As Sue was sketching a pair of elegant horseshow riding trousers and a monocle of the figure of the hero, an Idaho cowboy, she heard a low sound, several times repeated. She went quickly to the bedside.

Johnsy's eyes were open wide. She was looking out the window and counting - counting backward.

"Twelve," she said, and little later "eleven"; and then "ten," and "nine"; and then "eight" and "seven", almost together.

Sue look solicitously out of the window. What was there to count? There was only a bare, dreary yard to be seen, and the blank side of the brick house twenty feet away. An old, old ivy vine, gnarled and decayed at the roots, climbed half way up the brick wall. The cold breath of autumn had stricken its leaves from the vine until its skeleton branches clung, almost bare, to the crumbling bricks.

"What is it, dear?" asked Sue.

"Six," said Johnsy, in almost a whisper. "They're falling faster now. Three days ago there were almost a hundred. It made my head ache to count them. But now it's easy. There goes another one. There are only five left now."

"Five what, dear? Tell your Sudie."

"Leaves. On the ivy vine. When the last one falls I must go, too. I've known that for three days. Didn't the doctor tell you?"

"Oh, I never heard of such nonsense," complained Sue, with magnificent scorn. "What have old ivy leaves to do with your getting well? And you used to love that vine so, you naughty girl. Don't be a goosey. Why, the doctor told me this morning that your chances for getting well real soon were - let's see exactly what he said - he said the chances were ten to one! Why, that's almost as good a chance as we have in New York when we ride on the street cars or walk past a new building. Try to take some broth now, and let Sudie go back to her drawing, so she can sell the editor man with it, and buy port wine for her sick child, and pork chops for her greedy self."

"You needn't get any more wine," said Johnsy, keeping her eyes fixed out the window. "There goes another. No, I don't want any broth. That leaves just four. I want to see the last one fall before it gets dark. Then I'll go, too."

"Johnsy, dear," said Sue, bending over her, "will you promise me to keep your eyes closed, and not look out the window until I am done working? I must hand those drawings in by to-morrow. I need the light, or I would draw the shade down."

"Couldn't you draw in the other room?" asked Johnsy, coldly.

"I'd rather be here by you," said Sue. "Beside, I don't want you to keep looking at those silly ivy leaves."

"Tell me as soon as you have finished," said Johnsy, closing her eyes, and lying white and still as a fallen statue, "because I want to see the last one fall. I'm tired of waiting. I'm tired of thinking. I want to turn loose my hold on everything, and go sailing down, down, just like one of those poor, tired leaves."

"Try to sleep," said Sue. "I must call Behrman up to be my model for the old hermit miner. I'll not be gone a minute. Don't try to move 'til I come back."

Old Behrman was a painter who lived on the ground floor beneath them. He was past sixty and had a Michael Angelo's Moses beard curling down from the head of a satyr along with the body of an imp. Behrman was a failure in art. Forty years he had wielded the brush without getting near enough to touch the hem of his Mistress's robe. He had been always about to paint a masterpiece, but had never yet begun it. For several years he had painted nothing except now and then a daub in the line of commerce or advertising. He earned a little by serving as a model to those young artists in the colony who could not pay the price of a professional. He drank gin to excess, and still talked of his coming masterpiece. For the rest he was a fierce little old man, who scoffed terribly at softness in any one, and who regarded himself as especial mastiff-in-waiting to protect the two young artists in the studio above.

Sue found Behrman smelling strongly of juniper berries in his dimly lighted den below. In one corner was a blank canvas on an easel that had been waiting there for twenty-five years to receive the first line of the masterpiece. She told him of Johnsy's fancy, and how she feared she would, indeed, light and fragile as a leaf herself, float away, when her slight hold upon the world grew weaker.

Old Behrman, with his red eyes plainly streaming, shouted his contempt and derision for such idiotic imaginings.

"Vass!" he cried. "Is dere people in de world mit der foolishness to die because leafs dey drop off from a confounded vine? I haf not heard of such a thing. No, I will not bose as a model for your fool hermit-dunderhead. Vy do you allow dot silly pusiness to come in der brain of her? Ach, dot poor leetle Miss Yohnsy."

"She is very ill and weak," said Sue, "and the fever has left her mind morbid and full of strange fancies. Very well, Mr. Behrman, if you do not care to pose for me, you needn't. But I think you are a horrid old - old flibbertigibbet."

"You are just like a woman!" yelled Behrman. "Who said I will not bose? Go on. I come mit you. For half an hour I haf peen trying to say dot I am ready to bose. Gott! dis is not any blace in which one so goot as Miss Yohnsy shall lie sick. Some day I vill baint a masterpiece, and ve shall all go away. Gott! yes."

Johnsy was sleeping when they went upstairs. Sue pulled the shade down to the window-sill, and motioned Behrman into the other room. In there they peered out the window fearfully at the ivy vine. Then they looked at each other for a moment without speaking. A persistent, cold rain was falling, mingled with snow. Behrman, in his old blue shirt, took his seat as the hermit miner on an upturned kettle for a rock.

When Sue awoke from an hour's sleep the next morning she found Johnsy with dull, wide-open eyes staring at the drawn green shade.

"Pull it up; I want to see," she ordered, in a whisper.

Wearily Sue obeyed.

But, lo! after the beating rain and fierce gusts of wind that had endured through the livelong night, there yet stood out against the brick wall one ivy leaf. It was the last one on the vine. Still dark green near its stem, with its serrated edges tinted with the yellow of dissolution and decay, it hung bravely from the branch some twenty feet above the ground.

"It is the last one," said Johnsy. "I thought it would surely fall during the night. I heard the wind. It will fall to-day, and I shall die at the same time."

"Dear, dear!" said Sue, leaning her worn face down to the pillow, "think of me, if you won't think of yourself. What would I do?"

But Johnsy did not answer. The lonesomest thing in all the world is a soul when it is making ready to go on its mysterious, far journey. The fancy seemed to possess her more strongly as one by one the ties that bound her to friendship and to earth were loosed.

The day wore away, and even through the twilight they could see the lone ivy leaf clinging to its stem against the wall. And then, with the coming of the night the north wind was again loosed, while the rain still beat against the windows and pattered down from the low Dutch eaves.

When it was light enough Johnsy, the merciless, commanded that the shade be raised.

The ivy leaf was still there.

Johnsy lay for a long time looking at it. And then she called to Sue, who was stirring her chicken broth over the gas stove.

"I've been a bad girl, Sudie," said Johnsy. "Something has made that last leaf stay there to show me how wicked I was. It is a sin to want to die. You may bring a me a little broth now, and some milk with a little port in it, and - no; bring me a hand-mirror first, and then pack some pillows about me, and I will sit up and watch you cook."

And hour later she said:

"Sudie, some day I hope to paint the Bay of Naples."

The doctor came in the afternoon, and Sue had an excuse to go into the hallway as he left.

"Even chances," said the doctor, taking Sue's thin, shaking hand in his. "With good nursing you'll win." And now I must see another case I have downstairs. Behrman, his name is - some kind of an artist, I believe. Pneumonia, too. He is an old, weak man, and the attack is acute. There is no hope for him; but he goes to the hospital to-day to be made more comfortable."

The next day the doctor said to Sue: "She's out of danger. You won. Nutrition and care now - that's all."

And that afternoon Sue came to the bed where Johnsy lay, contentedly knitting a very blue and very useless woollen shoulder scarf, and put one arm around her, pillows and all.

"I have something to tell you, white mouse," she said. "Mr. Behrman died of pneumonia to-day in the hospital. He was ill only two days. The janitor found him the morning of the first day in his room downstairs helpless with pain. His shoes and clothing were wet through and icy cold. They couldn't imagine where he had been on such a dreadful night. And then they found a lantern, still lighted, and a ladder that had been dragged from its place, and some scattered brushes, and a palette with green and yellow colors mixed on it, and - look out the window, dear, at the last ivy leaf on the wall. Didn't you wonder why it never fluttered or moved when the wind blew? Ah, darling, it's Behrman's masterpiece - he painted it there the night that the last leaf fell."

Adding Context:

The Last Leaf is a short story by O. Henry published in his 1907 collection The Trimmed Lamp and Other Stories.

O. Henry uses this tale as a moral fable about art, suggesting that the best art emerges from the desire to help others, demonstrating the interconnectedness of compassion and artistic pursuit.

And if that isn't a relevant conversation to have at a point in time where we see the emergence of AI art and modern artistic endeavors are corporate-driven ventures prioritizing profit over authentic creative expression creating populist art and diluting originality.

[Sentimental fiction and romance]