this post was submitted on 24 Jun 2025
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(page 2) 50 comments
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[–] match@pawb.social 47 points 3 days ago* (last edited 3 days ago) (2 children)

brb, training a 1-layer neural net so i can ask it to play Pixar films

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[–] snekerpimp@lemmy.snekerpimp.space 54 points 3 days ago (6 children)

“I torrented all this music and movies to train my local ai models”

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[–] drmoose@lemmy.world 17 points 2 days ago* (last edited 2 days ago) (9 children)

Unpopular opinion but I don't see how it could have been different.

  • There's no way the west would give AI lead to China which has no desire or framework to ever accept this.
  • Believe it or not but transformers are actually learning by current definitions and not regurgitating a direct copy. It's transformative work - it's even in the name.
  • This is actually good as it prevents market moat for super rich corporations only which could afford the expensive training datasets.

This is an absolute win for everyone involved other than copyright hoarders and mega corporations.

[–] kromem@lemmy.world 15 points 2 days ago

I'd encourage everyone upset at this read over some of the EFF posts from actual IP lawyers on this topic like this one:

Nor is pro-monopoly regulation through copyright likely to provide any meaningful economic support for vulnerable artists and creators. Notwithstanding the highly publicized demands of musicians, authors, actors, and other creative professionals, imposing a licensing requirement is unlikely to protect the jobs or incomes of the underpaid working artists that media and entertainment behemoths have exploited for decades. Because of the imbalance in bargaining power between creators and publishing gatekeepers, trying to help creators by giving them new rights under copyright law is, as EFF Special Advisor Cory Doctorow has written, like trying to help a bullied kid by giving them more lunch money for the bully to take. 

Entertainment companies’ historical practices bear out this concern. For example, in the late-2000’s to mid-2010’s, music publishers and recording companies struck multimillion-dollar direct licensing deals with music streaming companies and video sharing platforms. Google reportedly paid more than $400 million to a single music label, and Spotify gave the major record labels a combined 18 percent ownership interest in its now-$100 billion company. Yet music labels and publishers frequently fail to share these payments with artists, and artists rarely benefit from these equity arrangements. There is no reason to believe that the same companies will treat their artists more fairly once they control AI.

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[–] homesweethomeMrL@lemmy.world 46 points 3 days ago

Judges: not learning a goddamned thing about computers in 40 years.

[–] mlg@lemmy.world 18 points 2 days ago (7 children)

Yeah I have a bash one liner AI model that ingests your media and spits out a 99.9999999% accurate replica through the power of changing the filename.

cp

Out performs the latest and greatest AI models

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