literature.cafe

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(and anyone else, really)

This is a general special interest lemmy instance focusing on lovers of all things pertaining to reading and writing and all of the people that enjoy it as well as fandoms and niches that exist within reading circles. We federate with other instances, with our local communities being focused primarily on the above.

If you want to federate a new community, go to lemmyverse.net and copy a link to a community and paste it into the search bar. Be patient!

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Instance Rules
  1. Keep it cozy. (No -isms, bigotry, gatekeeping, or general disrespect. Just be nice!)
  2. Please, no visual porn. (Smut and discussion of smut is OK as long as it is tagged as NSFW.)
  3. No spam.
  4. Be mindful of other instance rules.
  5. Keep self-promo to a minimum.
  6. Tag AI generated content as such.
  7. Please avoid piracy.

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We also have alternative lemmy UIs to use for those who want them.

A familiar UI - old.literature.cafe

Photon - ph.literature.cafe

Tesseract (photon fork with more multimedia focused features) - t.literature.cafe


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founded 1 year ago
ADMINS
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In this World Fantasy Award-winning novel of magic and kungfu, four siblings battle rival clans for honor and power in an Asia-inspired fantasy metropolis.

  • Named one of TIME's Top 100 Fantasy Books Of All Time
  • World Fantasy Award for Best Novel, winner

Jade is the lifeblood of the island of Kekon. It has been mined, traded, stolen, and killed for -- and for centuries, honorable Green Bone warriors like the Kaul family have used it to enhance their magical abilities and defend the island from foreign invasion.

Now, the war is over and a new generation of Kauls vies for control of Kekon's bustling capital city. They care about nothing but protecting their own, cornering the jade market, and defending the districts under their protection. Ancient tradition has little place in this rapidly changing nation.

When a powerful new drug emerges that lets anyone -- even foreigners -- wield jade, the simmering tension between the Kauls and the rival Ayt family erupts into open violence. The outcome of this clan war will determine the fate of all Green Bones -- and of Kekon itself.

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** 50th Anniversary Edition • With an introduction by Caity Weaver, acclaimed New York Times journalist**

This cult classic of gonzo journalism is the best chronicle of drug-soaked, addle-brained, rollicking good times ever committed to the printed page. It is also the tale of a long weekend road trip that has gone down in the annals of American pop culture as one of the strangest journeys ever undertaken.

Also a major motion picture directed by Terry Gilliam, starring Johnny Depp and Benicio del Toro.

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On a remote, icy planet, the soldier known as Breq is drawing closer to completing her quest.

Once, she was the Justice of Toren -- a colossal starship with an artificial intelligence linking thousands of soldiers in the service of the Radch, the empire that conquered the galaxy.

Now, an act of treachery has ripped it all away, leaving her with one fragile human body, unanswered questions, and a burning desire for vengeance.

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From award-winning author R. F. Kuang comes Babel, a thematic response to The Secret History and a tonal retort to Jonathan Strange & Mr. Norrell that grapples with student revolutions, colonial resistance, and the use of language and translation as the dominating tool of the British empire.

Traduttore, traditore: An act of translation is always an act of betrayal.

Robin Swift, orphaned by cholera in Canton, is brought to London by the mysterious Professor Lovell. There, he trains for years in Latin, Ancient Greek, and Chinese, all in preparation for the day he’ll enroll in Oxford University’s prestigious Royal Institute of Translation—also known as Babel.

Babel is the world's center for translation and, more importantly, magic. Silver working—the art of manifesting the meaning lost in translation using enchanted silver bars—has made the British unparalleled in power, as its knowledge serves the Empire’s quest for colonization.

For Robin, Oxford is a utopia dedicated to the pursuit of knowledge. But knowledge obeys power, and as a Chinese boy raised in Britain, Robin realizes serving Babel means betraying his motherland. As his studies progress, Robin finds himself caught between Babel and the shadowy Hermes Society, an organization dedicated to stopping imperial expansion. When Britain pursues an unjust war with China over silver and opium, Robin must decide…

Can powerful institutions be changed from within, or does revolution always require violence?

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Interesting fact about that name origin

“Merope is the faintest of the stars because she was the only of the Pleiades to have married a mortal. Her sisters had relations with gods and bore them sons, but Merope married Sisyphus and lived on the island Chios. Merope gave birth to Ornytion (Porphyrion[6]), Glaukos, Thersander and Almus. The star Merope is often called the "lost Pleiad" because she was at first not seen by astronomers or charted like her sisters. One myth[7] says that she hid her face in shame because she had an affair with a mortal man.”

https://en.m.wikipedia.org/wiki/Merope_(Pleiad)

Definitely makes sense as she married a Muggle.

And yes, Sisyphus is the guy with that big rock.

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submitted 10 months ago* (last edited 10 months ago) by DeathGarner to c/criticismtheory
 
 

Roberts discusses the extensive use of chiasmus in Old Testament poetry and Semitic literature at large with emphasis on the ability of chiasmus to maintain its meaning across several translations due to its unique structure. She concludes by stating that chiasmus is uniquely built to be translatable in a way that typical poetry is not—even more translatable than non-poetic text.

For anyone who doesn’t know, chiasmus is a poetic form of literature in which each line ‘rhymes’ with another through meaning or thought rather than phonetically. Here is an example that Roberts shares from psalm 51:

Have mercy upon me, O God.

according to thy lovingkindness:

according to the multitude of thy tender mercies

Blot out my transgressions…

This chiasm has a ‘rhyming’ structure of ABBA in which “have mercy upon me,” is synonymous in thought with “blot out my transgressions,” and “according to thy lovingkindness,” rhymes with “according to the multitude of thy tender mercies.”

After sharing this short couplet, Roberts explores a far more complex chiasm composed of 28 lines with a more advanced “rhyming scheme,” on pg 991. After this, she explores the reversibility of chiasmus, in which a chiasm can be mirrored from beginning to end, and with very little change to the words maintains the same meaning. This method of self-reinforcement of meaning or “selfglossing” as Roberts calls it is what allows chiasmus to maintain its highly translatable property.

After this, Roberts discusses several other aspects of chiasmus typically found in Semitic literature that is not common to all chiasms, but were common tools used by various authors, including transitioning from abstract to concrete thought following the “turn” or central point of the chiasm, and parallel thought that nonetheless develops to a certain end throughout the chiasm, transforming the turn in the chiasm into a redemptive moment in which everything mentioned after is a type of what came before, but transformed in some way from what came previously.

With this in mind, Roberts is able to show the layered meaning in certain biblical passages that is only revealed when the structure of the chiasm is made known to the reader, eventually lamenting that students of theology and biblical studies neglect to learn and identify this poetic art form that is extremely pervasive throughout Abrahamic scripture.

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That was surprisingly good!

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On none of my other accounts do I scroll through local. This is a uniquely great instance.

I wish their were more of these interest based instances. Other than fanaticus.social there was lemmy.film which is gone now. Wish the best for this instance.

Hope it keeps growing!

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Three nights in succession I had found myself in Great Britain-street at that hour, as if by Providence. Three nights also I had raised my eyes to that lighted square of window and speculated. I seemed to understand that it would occur at night. But in spite of the Providence that had led my feet, and in spite of the reverent curiosity of my eyes, I had discovered nothing. Each night the square was lighted in the same way, faintly and evenly. It was not the light of candles, so far as I could see. Therefore, it had not yet occurred.

On the fourth night at that hour I was in another part of the city. It may have been the same Providence that led me there—a whimsical kind of Providence to take me at a disadvantage. As I went home I wondered was that square of window lighted as before, or did it reveal the ceremonious candles in whose light the Christian must take his last sleep. I was not surprised, then, when at supper I found myself a prophet. Old Cotter and my uncle were talking at the fire, smoking. Old Cotter is the old distiller who owns the batch of prize setters. He used to be very interesting when I knew him first, talking about "faints" and "worms." Now I find him tedious.

While I was eating my stirabout I heard him saying to my uncle:

"Without a doubt. Upper storey—(he tapped an unnecessary hand at his forehead)—gone."

"So they said. I never could see much of it. I thought he was sane enough."

"So he was, at times," said old Cotter.

I sniffed the "was" apprehensively, and gulped down some stirabout.

"Is he better, Uncle John?"

"He's Dead."

"O … he's dead?"

"Died a few hours ago."

"Who told you?"

"Mr. Cotter here brought us the news. He was passing there."

"Yes, I just happened to be passing, and I noticed the window … you know."

"Do you think they will bring him to the chapel?" asked my aunt.

"Oh, no, ma'am. I wouldn't say so."

"Very unlikely," my uncle agreed.

So old Cotter had got the better of me for all my vigilance of three nights. It is often annoying the way people will blunder on what you have elaborately planned for. I was sure he would die a night.

The following morning after breakfast I went down to look at the little house in Great Britain-street. It was an unassuming shop registered under the vague name of "Drapery." The drapery was principally children's boots and umbrellas, and on ordinary days there used to be a notice hanging in the window, which said "Umbrellas recovered." There was no notice visible now, for the shop blinds were drawn down and a crape bouquet was tied to the knocker with white ribbons. Three women of the people and a telegram boy were reading the card pinned on the crape. I also went over and read:—"July 2nd, 189– The Rev. James Flynn (formerly of St. Ita's Church), aged 65 years. R.I.P."

Only sixty-five! He looked much older than that. I often saw him sitting at the fire in the close dark room behind the shop, nearly smothered in his great coat. He seemed to have almost stupefied himself with heat, and the gesture of his large trembling hand to his nostrils had grown automatic. My aunt, who is what they call good-hearted, never went into the shop without bringing him some High Toast, and he used to take the packet of snuff from her hands, gravely inclining his head for sign of thanks. He used to sit in that stuffy room for the greater part of the day from early morning, while Nannie (who is almost stone deaf) read out the newspaper to him. His other sister, Eliza, used to mind the shop. These two old women used to look after him, feed him, and clothe him. The clothing was not difficult, for his ancient, priestly clothes were quite green with age, and his dogskin slippers were everlasting. When he was tired of hearing the news he used to rattle his snuff-box on the arm of his chair to avoid shouting at her, and then he used to make believe to read his Prayer Book. Make believe, because, when Eliza brought him a cup of soup from the kitchen, she had always to waken him.

As I stood looking up at the crape and the card that bore his name I could not realise that he was dead. He seemed like one who could go on living for ever if he only wanted to; his life was so methodical and uneventful. I think he said more to me than to anyone else. He had an egoistic contempt for all women-folk, and suffered all their services to him in polite silence. Of course, neither of his sisters were very intelligent. Nannie, for instance, had been reading out the newspaper to him every day for years, and could read tolerably well, and yet she always spoke of it as the Freeman's General. Perhaps he found me more intelligent, and honoured me with words for that reason. Nothing, practically nothing, ever occurred to remind him of his former life (I mean friends or visitors), and still he could remember every detail of it in his own fashion. He had studied at the college in Rome, and he taught me to speak Latin in the Italian way. He often put me through the responses of the Mass, he smiling often and pushing huge pinches of snuff up each nostril alternately. When he smiled he used to uncover his big, discolored teeth, and let his tongue lie on his lower lip. At first this habit of his used to make me feel uneasy. Then I grew used to it.

That evening my aunt visited the house of mourning and took me with her. It was an oppressive summer evening of faded gold. Nannie received us in the hall, and, as it was no use saying anything to her, my aunt shook hands with her for all. We followed the old woman upstairs and into the dead-room. The room, through the lace end of the blind, was suffused with dusky golden light, amid which the candles looked like pale, thin flames. He had been coffined. Nannie gave the lead, and we three knelt down at the foot of the bed. There was no sound in the room for some minutes except the sound of Nannie's mutterings—for she prays noisily. The fancy came to me that the old priest was smiling as he lay there in his coffin.

But, no. When we rose and went up to the head of the bed I saw that he was not smiling. There he lay solemn and copious in his brown habit, his large hands loosely retaining his rosary. His face was very grey and massive, with distended nostrils and circled with scanty white fur. There was a heavy odour in the room—the flowers.

We sat downstairs in the little room behind the shop, my aunt and I and the two sisters. Nannie sat in a corner and said nothing, but her lips moved from speaker to speaker with a painfully intelligent motion. I said nothing either, being too young, but my aunt spoke a good deal, for she is a bit of a gossip—harmless.

"Ah, well! he's gone!"

"To enjoy his eternal reward, Miss Flynn, I'm sure. He was a good and holy man."

"He was a good man, but, you see … he was a disappointed man…. You see, his life was, you might say, crossed."

"Ah, yes! I know what you mean."

"Not that he was anyway mad, as you know yourself, but he was always a little queer. Even when we were all growing up together he was queer. One time he didn't speak hardly for a month. You know, he was that kind always.["]

"Perhaps he read too much, Miss Flynn?"

"O, he read a good deal, but not latterly. But it was his scrupulousness, I think, affected his mind. The duties of the priesthood were too much for him."

"Did he … peacefully?"

"O, quite peacefully, ma'am. You couldn't tell when the breath went out of him. He had a beautiful death, God be praised."

"And everything…?"

"Father O'Rourke was in with him yesterday and gave him the Last Sacrament."

"He knew then?"

"Yes; he was quite resigned."

Nannie gave a sleepy nod and looked ashamed.

"Poor Nannie," said her sister, "she's worn out. All the work we had, getting in a woman, and laying him out; and then the coffin and arranging about the funeral. God knows we did all we could, as poor as we are. We wouldn't see him want anything at the last."

"Indeed you were both very kind to him while he lived."

"Ah, poor James; he was no great trouble to us. You wouldn't hear him in the house no more than now. Still I know he's gone and all that…. I won't be bringing him in his soup any more, nor Nannie reading him the paper, nor you, ma'am, bringing him his snuff. How he liked that snuff! Poor James!"

"O, yes, you'll miss him in a day or two more than you do now."

Silence invaded the room until memory reawakened it, Eliza speaking slowly—

"It was that chalice he broke…. Of course, it was all right. I mean it contained nothing. But still … They say it was the boy's fault. But poor James was so nervous, God be merciful to him."

"Yes, Miss Flynn, I heard that … about the chalice … He … his mind was a bit affected by that."

"He began to mope by himself, talking to no one, and wandering about. Often he couldn't be found. One night he was wanted, and they looked high up and low down and couldn't find him. Then the clerk suggested the chapel. So they opened the chapel (it was late at night), and brought in a light to look for him… And there, sure enough, he was, sitting in his confession-box in the dark, wide awake, and laughing like softly to himself. Then they knew something was wrong."

"God rest his soul!"

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submitted 10 months ago by Roldyclark to c/chat
 
 

I'm new to the Ebook game and confused about the ecosystem. Do Amazon, Rakuten, and Barnes and Noble really control the whole market? Anywhere I can buy big titles not from big companies?

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submitted 10 months ago by JaymesRS to c/ebookdeals
 
 

Young Tristran Thorn will do anything to win the cold heart of beautiful Victoria—even fetch her the star they watch fall from the night sky. But to do so, he must enter the unexplored lands on the other side of the ancient wall that gives their tiny village its name. Beyond that old stone wall, Tristran learns, lies Faerie—where nothing not even a fallen star, is what he imagined.

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submitted 10 months ago* (last edited 10 months ago) by JaymesRS to c/ebookdeals
 
 

This isn't the kind of fairy tale where the princess marries a prince.

It's the one where she kills him.

Marra — a shy, convent-raised, third-born daughter — is relieved not to be married off for the sake of her parents’ throne. Her older sister wasn’t so fortunate though, and her royal husband is as abusive as he is powerful. From the safety of the convent, Marra wonders who will come to her sister’s rescue and put a stop to this. But after years of watching their families and kingdoms pretend all is well, Marra realizes if any hero is coming, it will have to be Marra herself.

If Marra can complete three impossible tasks, a witch will grant her the tools she needs. But, as is the way in stories of princes and the impossible, these tasks are only the beginning of Marra’s strange and enchanting journey to save her sister and topple a throne.

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submitted 10 months ago by robertoqs to c/sfstudies
 
 

[...] explore an image that is so ubiquitous in the genre that it transcends the label “icon” — the image of the barrier between known and unknown. Chapters Three through Five explore specific icons that science fiction has evolved concerning artificial or unnatural environments: the spaceship, which represents entry into the unknown; the city, which represents subjugation of the unknown; and the wasteland, which represents the reemergence of the unknown. Finally, Chapters Six and Seven shift the focus from images of the environment to images of humanity itself, first as reflected in technology through the icon of the robot, and then as reflected in the images of transformation that are represented by science fiction’s various treatments of monsters, aliens, and transformed humans. Obviously, many of these icons overlap and merge in certain works. The alien being becomes the robot, the robot becomes the spaceship, the spaceship becomes the city, the city becomes the wasteland: such transformations and combinations of the favourite images of the genre become like variations on a theme [...]

— Gary K. Wolfe, The Known and the Unknown: The Iconography of Science Fiction (1979).

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From the homepage:

Science Fiction Studies is published three times a year (March, July, November) by SF-TH Inc. at DePauw University. The Science Fiction Studies website publishes abstracts of all articles, as well as the full texts of all reviews, historical documents, and selected essays appearing in the journal since its founding in 1973 by R.D. Mullen. Full texts of articles are posted only after an issue has been sold out.

The most recent issue, as of November 2023, is #151.

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submitted 10 months ago by robertoqs to c/sfstudies
 
 

In this perspective, SF [sic] should not be seen (as I will argue at length in the theoretical part of this book) in terms of science, the future, or any other element of its potentially unlimited thematic field. Rather, it should be defined as a fictional tale determined by the hegemonic literary device of a locus and/or dramatis personae that (1) are radically or at least significantly different from the empirical times, places, and characters of “mimetic” or “naturalist” fiction, but (2) are nonetheless —to the extent that SF differs from other “fantastic” genres, that is, ensembles of fictional tales without empirical validation— simultaneously perceived as not impossible within the cognitive (cosmological and anthropological) norms of the author's epoch.

— Darko Suvin, Metamorphoses of Science Fiction: On the Poetics and History of a Literary Genre (1979, rev. 2016).

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Basically, title.

I'm curious to see if the universe could be transmitted to the next generation, or if will stay a 90s-00s thing.

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[Fantasy] One of the most important short stories ever imo. The best of borges, using fiction to philosophically analyse the ideas of infinity and reality.

Strongly recommend giving this a go. Or read it if you don't like the audio version.

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Hello everyone,

I saw recently another post on Lemmy which was fairly negative towards fans of the HP universe (some people announcing that they would block other people because those are HP fans)

I guess we can all agree by now that JKR's transphobia is bigotry and should be condemned.

However, that still does not say what do to with that universe that we love.

I found an interesting article on that topic: https://www.popsugar.co.uk/entertainment/harry-potter-fans-jk-rowling-transphobia-essay-49214964

I guess the most important part is

Still, there may be a way to enjoy Harry Potter as a trans person or ally. Over the years, many fans have found creative ways to engage with the series's magic while also acknowledging its creator's bigotry. In her paper "Transformative Readings: Harry Potter Fan Fiction, Trans/Queer Reader Response, and J. K. Rowling," Jennifer Duggan, an associate professor of English at the University of South-Eastern Norway — says that it's possible to interpret the text of Harry Potter itself in ways that would certainly horrify its writer. "My central thesis—one which has also been argued by other academics like Thomas Pugh and David Wallace — is that the Harry Potter novels are deeply queer," she tells POPSUGAR. "I mean this in both senses of the term: they champion nonnormativity through the contrast of the 'perfectly normal' Dursleys and Harry, and they are, at their heart, a story about a boy with an 'abnormality' (as the Dursleys call his magic) who comes out of his cupboard under the stairs and discovers and finds and affinity for a hidden, colourful, queer world. I take this argument further to argue that the novels are easily read through a trans lens, since there is a focus in many of the books on shapeshifting, including several cross-gendered transformations."

Fandom, she adds, can provide spaces where Harry Potter fans can explore the series's queer undercurrents while celebrating their own sexualities. "From what I have observed, I have concluded that for the most part, the Harry Potter fandom continues to offer queer and trans fans a positive space," she tells POPSUGAR. "The two main trends I have seen in fan works are an 'answer hate with love' reaction, in which fans focus on trans positivity, and so-called 'spitefic,' which are works that are framed as revenge on Rowling for the hurt she has caused. These works are usually trans-positive, too. That said, I fully understand why some fans feel they can no longer engage with the texts in any way."

Link to the research paper: https://link.springer.com/article/10.1007/s10583-021-09446-9

Seems an interesting way for me to re-appropriate the universe, what do you think?

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